Quotes of All Topics . Occasions . Authors
After a year of post-graduate research, I won an 1851 Exhibition scholarship to work at Oxford with Robert Robinson. Two such scholarships were awarded each year, and the other was won by Rita Harradence, also of Sydney and also an organic chemist.
Since the theater is going to be reconstructed in the techniques of joinery craftsmanship as it was before, it will take longer to make. It will be a complex of buildings, not just the Globe, with a major permanent exhibition of the Elizabethan theater.
I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.
Vijay Singh won a playoff in 2004 at Whistling Straits after a final-round 76, which was the highest last round by the winner of any major since 1938, when Reg Whitcombe won the British Open with a 78 in a storm that blew down the exhibition tent at Sandwich.
Almost the first thing you see after entering the Houdini exhibition at the Jewish Museum is a large-screen film of Harry Houdini hanging by his ankles upside-down from a tall building, high over a sea of men in fedoras, and thrashing his way out of a straitjacket.
I never witness a performance of child-acrobats, or the exhibition of any forced talent, physical or mental, on the part of children, without protesting, at least in my own mind, against the blindness and cruelty of their parents or guardians or whoever has care of them.
I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I want to be a champion. I want to be a long-reigning featherweight champion. I want to be known in the history books: my name everywhere as a champion. And then, later on in my career, when I start getting good, then I can start doing the exhibition matches for money and stuff.
Rules must be established and enforced, and, as numbers are increased in prisons, the necessity for vigilance increases. These rules, let it be understood, may be kindly while firmly enforced. I would never suffer any exhibition of ill-temper or an arbitrary exercise of authority.
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
I've heard that almost all the people crowding around the big art openings barely look at the work on display and are just there to hobnob. Nothing wrong with that, except that none of them ever come back to look at the art - but they will tell everyone, and actually believe, that they have seen the exhibition.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis.
I was doing commentary for the BBC and had exhibition work but if you're not winning you are not earning as much. And when you're seen as a successful sportsman, people assume you're earning a good living. There was pressure on me to have the newest car, a more expensive holiday. It was all about keeping up appearances.
A number of years ago, when I had an exhibition of my work, the people in charge who came to pick up my manuscripts saw them piled up haphazardly in the garage and were shocked. 'What? They'll grow mold like this!' they said. People who do things properly apparently make a dedicated manuscript room, where they can control humidity.
After snowboarding a fair bit in 2011 and 2012 to test equipment, I got pretty good at it, and some friends at Adaptive Action Sports talked me into competing at the exhibition event at the Winter X Games in the adaptive boardercross. I was able to step up my game pretty quick and compete. I took last place, but knew I could improve.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.