I'm an executive producer.

I want to be an executive producer.

As an executive producer, I feel really lucky.

You know what, I didn't see myself being an executive producer.

Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.

I really liked 'Super 8'. If Steven Spielberg is an executive producer of anything, you know that it's going to be amazing!

A dream of mine is to become an executive producer and writer. I would love if that ended up happening to me in the future.

A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.

I've been accused of being unambitious, but what I do takes up every minute. I'm executive producer, I'm a writer and the host.

No one ever said that I couldn't create my own projects, but no one actually told me that I could be an executive producer, either.

After 11 seasons, I retired from football. Four months later I was in Ghana shooting 'Beasts of No Nation' as an executive producer.

Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.

I'm a mom. I'm a wife. I'm an actress. I'm an executive producer. I'm an author. I'm an entrepreneur, and I'm a sister and a best friend.

Being an executive producer allows me the opportunity to create original content, and I can't wait to show my fans what we have in store on 'Kocktails with Khloe.'

I've seen too many comics who got their own shows and were undone because they worked for an executive producer who didn't understand their comedy or their sensibility.

I always wanted to find my voice and claim my tone, but I was doing it through the steps of being a TV writer. I had the executive producer title. I was running the room.

There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.

My childhood friend, Shiva Maheshwari, who is also an executive producer of 'Jung,' introduced me to Young Zwann. I loved his vibe and instantly fell in love with his lyrics.

The writers on my team and the producers and executive producer should be called talent. We anchor four hours on Saturday and three on Sunday. How they do that astonishes me.

Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?

As somebody who has been an executive producer on a television series, I can tell you that increasing director diversity is as simple as hiring more women and more people of color.

I, at times, was disappointed when my songs were neglected by executive producer Park Jin-young, but learned a lot in the journey finding out what would appeal to a wider audience.

If a thing is going to represent you, your vision, you should be involved in every aspect of that thing. I like my role as executive producer on anything probably as much as performer.

I think, in some ways, there's a point as a television writer that 'executive producer' is the natural credit you get, and it can be a vanity title, or you can make of it what you want.

I wound up getting pulled into being a consultant on the Lifetime drama 'For the People.' The executive producer said, 'I want you to write scripts.' We sold pilots to a bunch of different networks.

If an executive producer has written a certain line, and an actress says it, and it's not very funny, you don't dare go to them and say, 'I don't like this,' because it will make your life miserable.

I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.

Part of the fun of working on 'Beverly Hills, 90210,' for me, was that I got a lot of freedom from our executive producer, Chuck Rosen, to add things, change things. I got a lot of freedom to be creative.

It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?

When I saw the rise of the anti-Christ Donald Trump, I was like, 'Hell no.' We can't be in a country where we love celebrities so much that we let the executive producer of 'Celebrity Apprentice' become the GOP nominee.

Earlier in my career, I needed to be the writer, casting director, set designer, leading man, and producer. I've been eliminating a lot of those jobs. I'm an executive producer right now. I still get to pick the best screenplays.

It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.

When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.

I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.

I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.

I was creator and executive producer of 'The Brady Bunch' on TV. The stage version was done by others, but it was a repeat of the old scripts. The 'Gilligan' musical is a completely original work with all seven characters and 18 original songs.

My media career came about by accident. In 2006 I was introduced to Roger Ailes, the President of Fox News Channel, by a friend of mine who was an executive producer. Ailes put me on the air one day, and one week later, I was offered a contract.

'Battlestar Galactica' executive producer Ronald D. Moore told Tor.com that the series finale of 'Battlestar' turned out exactly as he'd intended, but there were several alternate endings that were considered before the final version was produced.

I was offered the role of the Reverse Flash on 'The Flash' by Executive Producer Andrew Kreisberg and Greg Berlanti, who co-created the series with Andrew. I said 'yes' immediately because I had worked with those guys before on the show 'Eli Stone.'

I was an executive producer. I've done a lot of jobs and I think each one helps you get closer to what you want as a director. It also helps you - when you work with different filmmakers - to absorb, to adapt, to know what to watch out for, to know pitfalls.

When our executive producer, Julie Plec, told me I was going to become a hybrid I got really excited. Because there's a lot of responsibility that comes with that, especially in our world of 'The Vampire Diaries' where Tyler is the first successful hybrid that's made.

When I'm hired just to be an actress, I don't have to worry about anything else but showing up on set, making sure I know my lines and making sure I know what I'm bringing to the character. When I'm a creator and executive producer, I have to worry about the whole thing.

I never doubted that if I applied myself and tried to learn that I would good at it. I've had a lot of lucky turns, no doubt. But it's actually been a fairly direct line from control-freak, cartoon-obsessed kindergartner to control-freak, cartoon-obsessed executive producer.

An executive producer with an all-male writing staff once inadvertently revealed his deep, dark fear. While discussing a full-time position for me, he mused out loud, 'I wonder if having a woman in the room will change everything.' Of course, what he really meant was: 'I wonder if having a woman in the room will change me.'

Writing a novel, when it's all going well, it's wonderful. You're lost in the world, and you have a relationship with your own mind. Also, as a novelist, you don't have to yell at anyone. But being an executive producer of a TV show, all you have is people coming at you with questions, and you're making decisions, decisions, decisions.

Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.

Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.

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