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I'll be honest, when I first started pro wrestling, everybody else did clotheslines better than me. They did everything about pro wrestling better than me. But when it comes to fighting, getting nitty and gritty, I'm the man.
The only thing that's really hard for me is when I go to bed after everybody else in my house gets up. And that - you just feel stale. It just feels awful to be still finishing your day when everybody else is starting theirs.
When people have a MakerBot, they have a different mindset from everybody else who grew up as a consumer. Instead of thinking, 'I need to go buy that,' they first think, 'Do I need to go buy that? I could just MakerBot that.'
Hosting is work. It means you don't get to go up to your room and disappear and take a nap. Like everybody else does after lunch. I'm talking about hosting, not hosting a dinner party, but hosting people staying in your home.
My whole life I saw everybody else get shine, I saw everybody else get money, everybody else wanted to rap. I saw them getting record deals and stuff like that. And everytime I saw that it was damn, I can't wait until my time.
The idea that I get to kind of redefine what is beautiful and whose story deserves to be told and showcase that you know, big women have love lives and complex colorful lives like everybody else, that's really important to me.
Dwyane is just sensational. Look, he has all the qualities of a champion, of a winner, of a Hall of Fame player and talent, but his humanity, empathy and his ability to articulate his feelings separates him from everybody else.
Every celebrity case I've been involved in - I've been involved in a great many - the one thing you can be sure of is they don't get the same justice as everybody else. It could be worse, it could be better, it's never the same.
I've always wondered what it would be like if somebody from outer space landed with three heads. Then all of a sudden everybody else wouldn't look so bad, huh? Well, OK you're a little different from me but, hey, ya got one head.
As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
If you write, write about what you do and who you are, and you can't be wrong. Don't lie about anything. You are very similar to everybody else in the world. You love, you hate, you have friends, you have enemies. Be who you are.
I didn't want to be regular. I didn't want to be this type of player, how everybody else play. I always try to learn and just be better so I could be different, y'know, instead of being content like a lot of people I've seen were.
I'm a sinner just like everybody else and I have my faults and I've been through my dark times in my life to where I wasn't walking the walk and talking the talk, or I may have been talking the talk, but I wasn't walking the walk.
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all... . Everybody really, really likes everybody else.
When we realize that human beings are entering the world constantly and that each being is stamped at the first complete breath with the planetary pattern then in the sky, everyone must necessarily be different from everybody else.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
I had a very hard time accepting myself as a character actress because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn't ever see me that way.
If I come on three days after the Super Bowl and say pretty much what everybody else has said, what's the point? That was the tricky thing... coming up with a new angle every time - or most times, because you couldn't bat a thousand.
When I was at school, you had to choose; there was a lot of pressure to assimilate. You were an Aussie, or you were one of 'the wogs' - which was everybody else. But I didn't want to be in either group, so I felt like an odd one out.
It was fine at the start but there's always politics in any band. It just happened that I always got more vocals than everybody else, so in terms of people wanting their voice heard, that wasn't happening. It made people, very bitter.
The Stinkface made a lot of people famous. If you made the Stinkface list, you were pretty much famous. I knew once Vince McMahon took the Stinkface, everybody else was gonna line up for the Stinkface, and that's exactly what happened.
I get tired too, just like everybody else. Sometimes I tell people that, but all I get is people saying that being vulnerable and weak is just not like me. I rarely get the response of emotional support I want. But sometimes I need it.
Any time a black person has the audacity to tell everybody else that they're also human beings, they are confronted with all kinds of malice and violence and ill will. It's been that way since black people were brought to this country.
It was in the open market that we found Joe DiMaggio with the San Francisco Seals. A bad knee had scared everybody else off DiMaggio. But we risked $25,000 in cash and five players, and landed a star whom I would not sell for $250,000.
That's been my routine for years and years... Up early before everybody else, before I get connected, before I get bugged, before I have obligations. Get the writing done first, then be the person I want to be in other ways after that.
One person's going to win, and everybody else is going to not win. So let's not feel like we're losers. Let's utilize the cultural opportunities, get to know the other players on the other team, look around you, enjoy your world series.
I took opportunities and made it work because I worked harder than everybody else. That's really where 'Stay Hyped' came from, that's my mantra because it's about always being up and being ready to go. That's what I've always had to do.
Dude, I turn into a six-year-old when I come to Disneyland. It's amazing. My eyes glass over and my blood pressure goes down. I'm just like everybody else. I turn into a big kid when I come here. It's the happiest place on earth, right?
As someone who grew up in a house where there wasn't a lot of talking, I'm used to just looking at the world. And in general I often feel like I just don't understand what's happening. That everybody else does, but I don't quite get it.
I don't have an office. I sit in a cubicle with everybody else. That's partly so no one can ask for an office, which in a fast-growing company isn't practical. But it's also so I can keep my finger on the pulse of how people are feeling.
In terms of watching other directors, it's more like I go on set now, and I'm prepared, as an actor, and ready to give them everything, but at the same time, you observe how everybody else does it because there's always something to learn.
Everybody told me that if I insisted on doing rockabilly music, I'd never have a chance of selling any records. In fact, I lost count of how many people told me to ditch it all together, in favour, I guess, of sounding like everybody else.
I have a hard time watching the shows now. It is like opening up a yearbook when you were in junior high. I think everybody looks back at their photos and cringe, and I get to experience it with everybody else in the world looking at mine.
Also, I need deadlines, just like everybody else, especially coming from magazines, newspapers, and stuff like that. I need daily or weekly deadlines to get stuff done, or I continue to do things and not go off on a year of unproductivity.
I'd go fishing and always pretend I would catch the biggest fish. I'd stay out there for hours after everybody else left until I caught something. When I shot baskets, I was always the coach and star player and always made the winning shot.
I think there's a dark and twisted idea of democracy that everybody is as interesting as everybody else. So we mustn't make anybody too interesting. There's an ironing out of edges and eccentricities, idiosyncrasies in people and situations.
Capitalism and democracy are the opposite of each other. Capitalism is a system that guarantees that a few are going to do very well, and everybody else is going to serve the few. Democracy means everybody has a seat at the table. Everybody.
I don't want the sort of funeral that everybody else has, but there is one hymn, a good Protestant hymn, and it is sung at all Protestant funerals, and I think I should have it sung at mine. It is called 'The Day Thou Gave Us Lord is Ended'.
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
I see my share of loons. I just performed with someone who had a meltdown on stage. He needed focus, and he was 'stealing it' and just being crazy and selfish and childish and having a great time doing it - to the detriment of everybody else.
Some of the guys that can teach you the best never really made it just because they couldn't execute it themselves, but they can tell everybody else the reasons why everybody else made it and show you how. It's just hard to find those people.
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
I read things and imagine them and then kind of start trying to kind of take what I imagine and make it visual for everybody else to see. It just happens to be my personal vision, and every person's is going to be different, every book reader.
The hope is they would like to bring it to Broadway next year, so we'll see that's to come in the end of the finance year and everybody else and also real estate and what theaters are available at the time but I would like to come back with it.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
When I came to M.I.T. in 1960, only 4 percent of the students were female. Today, it's about 40 percent of undergraduates. At Lincoln Lab, they had 1,000 men and two women. But we had a very good boss, and he treated us just like everybody else.
What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say.
Like everybody else, I love a good pop song. You know, there's nothing like it. I also just really like music that goes off on extended forays of extrapolation into different areas. So it's kind of nice to be able to move between those two poles.
I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
I remember my first day at grammar school, being the only person who was me. Everybody else was like everybody else, and there I was, tanned, in a freezing cold playground in the middle of Middlesbrough, wondering what on earth I was doing there.