Quotes of All Topics . Occasions . Authors
Every time I sit down in front of my piano, I like to improvise with the instrument. It depends on my mood of that day what kind of melodies and rhythms I am playing around. Sometimes, even before starting to play I already have a quite clear picture of a song I would like to compose, or at least the sound of it.
I'm from Vermont, where to be stylish and cool is to have a dirty pair of hiking boots and know how to change a tire, hang drywall, and bale hay. Those people are my home, and every time I come home, it reminds me that there's something to be said for being in the spotlight, but it can never be a whole part of me.
For someone in an alternative job, an alternative lifestyle, it's very hard to explain what I do. So I sometimes try and dumb it down as much as possible, so I'm changing what I do every time! So sometimes I'm in an Uber, and they ask, 'So what do you do?' and I say, 'I'm a comedian,' or, 'I'm a graphic designer.'
I tell residents, if you gave me two patients with identical problems, and one of them had family at the bedside with a lot of laughter, plus photos and a quilt from home, and next door was another patient who was alone every time I came by - I'm going to be very nervous about the isolated patient's mental status.
Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.
The system in which I came up in was that every territory had to have a black, a white... if you went to Texas you had to have somebody that was a cowboy or one that was from Mexico. There wasn't that many Afro Americans in the business at the time so I moved around a lot. But every time I moved around, I made money.
I think the kids in school that laughed at the clothes that we wore and the house that we lived in, and then my mother had to cut hair... I think that was a good motivator. Every time they laughed at me, they just built a fire, and there was only one way to put it out - to try and show 'em I was as good as they were.
My talk is inside of the cage. This is my real words where I talk every time. I think this is really important. You can speak before the fight on whatever you want, but inside of the Octagon, inside of the cage, it shows who you are. You can speak whatever you want, but who you are is who you will be inside the cage.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
I grew up - my dad, every time I was with my dad, he was always - not always, but he wrote. He's a writer. So he was always in his office writing. He made a plan and, like, a point of, 'This is my work. I'm going to do this every day for these amount of hours.' So I think that's where I got, like, a work sort of ethic.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
I always felt that with an Antoine Doinel film, Truffaut was taking a vacation, that Francois could relax when making a Doinel film. All of the language came to him very easily. 'The 400 Blows,' I felt, was a collage of all his childhood experiences. Every time he felt an Antoine Doinel film was necessary, he'd make one.
Before I was going to be an actress, I was going to be a veterinarian! I thought I was one as a child. I was the kid who was like, 'Daddy! I want a kitty! It needs a mommy!' And my dad was such a sucker. Every time I would beg, with tears flying down my face, about how this animal needs love, needs a home. He would cave.
Way back in the 1970s, I was eating a steak, and I looked down, and for the first time it suddenly looked like flesh to me - like a dead creature. In a flash, I realized that every time I ate any kind of meat, something had been killed for me, and I stopped eating all animals, not just cows and pigs but chickens and fish.
Every time I would give a talk, someone would say, 'You ought to go into politics.' I prefer to call it government leadership. My life has taken me to places where I have experiences that I think I can share. A lot of times, we see people who are career politicians. I'm not the conventional candidate, nor do I want to be.
Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.
'Boom' is my heart. The 'kack' is my soul. Apparently when I choreographed I didn't realize that I said 'boom-kack' 'boom-kack.' I had no idea I was doing it and then I realized that it's every time I felt like the fight in my soul - the boom and the kack - was like my heart. It was like the love of it - my heart and soul.
I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.
When I was 10, I asked my parents for a set of weights. I had my Charles Atlas book to go along with that. Every time we went to the grocery store, I'd rush to the magazine area and read the ones with Arnold Schwarzenegger and all those guys on the covers: 'Pumping Iron,' 'Muscle and Fitness,' 'Muscle Builder by Joe Weider.'
I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. That's how you stand out in the crowd.
Marvin Harrison was the best receiver I played against, especially being a young player and just learning the game at this level. He was already at a high level, and the job was made even more difficult because it seemed like every time we played the Colts it was in Indianapolis, where they played on turf - that old AstroTurf.
I wasn't born Austrian; I wasn't born German. My roots are from Africa, and I do not have any reason for not wanting to celebrate that. Every time that I can, I like to kind of mention it, you know, just to keep people sort of knowing exactly what's going on. My French is pretty good, but I'm still African, thank you very much.
In my professional career, every time I jumped into an organization, I always reached the top and the title. I know with NWA with Jeff Jarrett, TNA, I was their first heavyweight champion, so I was able to reach that pinnacle. With Pancrase, I was their first champion and was also able to bring it to the U.S. using my character.
When I was a critic, I reviewed Public Enemy's 'Muse Sick-n-Hour Mess Age' - this is back in '94 - and I called it a 'Dante-esque spiral of the hip-hop hell.' I idolized Chuck D, but I just hated that record, and I did not hold back. Chuck didn't freeze me out. Every time I met Chuck, he always treated me with the utmost respect.
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.
Documentaries - my God, there is so much going on in our country and in the world today that every time you open the newspaper or turn on the radio or watch the news on TV there is another documentary subject. We're getting the headlines for a second, shaped by corporate delivery most of the time, but what's really the story there?
I read everything, but generally more fact than fiction - especially autobiographies and biographies. I've read 'Long Walk to Freedom' by Nelson Mandela at least twice on holiday. Every time, I'm totally awed by his vision, strength and forgiveness. I feel honoured to have got to know him and his wonderful wife Graca over the years.
The reason socialism has failed around the world every time it's been tried is because people in socialist countries have looked at the United States and have said if they can have it that good, we can. It's a failed, flawed ideology, but if you ask socialists why it's always failed, it's because the United States has stood in the way.
It seems that almost every time a valuable natural resource is discovered in the world-whether it be diamonds, rubber, gold, oil, whatever-often what results is a tragedy for the country in which they are found. Making matters worse, the resulting riches from these resources rarely benefit the people of the country from which they come.
The first time I heard the word 'transgender' had been in a sitcom episode that mocked the potential for cisgender people to find people like me attractive. Every time someone expressed any interest in the gorgeous trans guest character - her identity still a secret to most of the main characters in the show - the laugh track would cue.
My parents would drive us to Florida every spring in this big old, rusy Suburban, and we'd collect stuff on the beach for our aquarium back in Ohio; we had this big saltwater aquarium back in Ohio. Every time we found anything, any mollusk, my mom would bring out the guidebook and quiz us on what it was, so that stuff was built in early.
If I'm a cop, and every time I see a young black youth - whether I watch them on TV, movies, or just see them hanging out - and they're not looking properly dressed, properly refined, you know, carrying himself, conducting himself proper hours of the day - things that a man does - you're going to have a certain fear and stereotype of them.
I have a very awesome seat in the house every time I play. When the lights come up, and the sound turns on, I'm playing for a roomful of human beings. And geographical and political borders just all dissolve. And we unite through rhythm inhalation. I mean, I'm so grateful that, you know, audiences around the world connect to English music.
When you fight something like cancer, you not dealing with a person that looks at where you come from or what's your background or what race you are or what ethnicity or whatever. Whatever your culture is, it doesn't care about that. It doesn't sleep - it doesn't get tired - so if you make it about yourself, you're going to fail every time.
Every time we watch a little story play out inside our head, we're fantasizing, whether we realize it or not, and it seems to me that, though succumbing to fantasies about other people can be dangerous or self-defeating, the act of fantasizing itself is also an essential part of being human, of being capable of both abstraction and empathy.
Every time I talk about 'The Shield' I kind of talk about it from three perspectives, as if I'm three people, because I'm a fan of the show. I'm in love with all the other characters and their journeys and their work. But then, as an actor, I love getting this kind of rich material and having to do it. As my character, did my journey finish?
People like her because she's like a breath of fresh air. Because in the fifth book it gets so dark and Harry's always cross and then every time Luna comes in all the tension goes and she makes you laugh because she's so funny and really honest. I don't know how much I'm like her, there are some similarities but I'm more determined than her.
The whole thing about me being The Showstopper - and Mr. WrestleMania - is that it was something I said once, and it took on a life of its own from there. Truthfully, I think the idea of going out and stealing the show is something you ought to do every time you wrestle. But if you focus only on that element, you end up doing almost too much.
Every time the conservatives get in trouble, they start pounding on this ridiculous idea that the liberals want to take their microphones. They want to get Rush Limbaugh and Sean Hannity off the air. That is a straw man argument throw out by the conservative broadcasters who are so out of material they are going to fear-monger their listeners.
Darren Campbell, the British Olympic sprinter, was my sprint coach at Middlesbrough - yet the best advice he gave me was to slow down. That might sound strange but he said: 'You have too much speed - you don't always need to run at 100 per cent.' I was used to running flat out every time, but he told me, 'You know how quick you are, slow down.'
Every time I travel, I'm in a rage until I reach my destination. I find myself shouting at suitcases, as if it's their fault that I'm an inefficient packer. I've also learnt that whenever you despair of humanity and start thinking that you hate people - as I frequently do - you only have to travel to realise that people are basically all right.
Every time the mainstream media talk about progressive rock, they wheel out a clip of Rick Wakeman in a cape. For me, it's one of the most ambitious forms of music. The problem is that when it doesn't work, you end up with Emerson, Lake and Palmer doing symphonies with 60-piece orchestras and revolving pianos, which I think is ridiculous as well.
Quite frankly, I talk about the fact that I'm a feminist as often as I can, and every time I do, it gets huge reaction, and media reacts, and the Twitterverse explodes and things like that, because here I am saying I'm a feminist. I will keep saying that until there is no more reaction to that when I say it, because that's where we want to get to.
I'm never gonna owe money because every time I get a dollar, I put it into another business, whether it's to buy goods or develop other companies. You don't have money; you have companies. That's one business model. That's mine. And I only associate with other people that are putting up their own money, 'cause they're the only ones that can relate.