Quotes of All Topics . Occasions . Authors
The only way I'm going to support my family is to tour. I love playing, don't get me wrong. That 90 minutes every night, that's free. We get paid to travel. But every night, I have to get myself locked in. There are a thousand people that don't want to be disappointed, because they have a lot of expectations.
The woman who runs the Pennsylvania Innocence Project told me that there's a man she's been trying to get out of prison for 26 years. Every night before she goes to bed, she thinks, 'What is he doing?' She says you don't sleep. And yet, she has the greatest sense of humor and this light that comes out of her.
Every night, I will write until I'm done. Until my eyes are burning and tearing, and I can't see the computer screen anymore, till I finish the script, till I get to the point where I'm happy stopping, till I get everything off my plate, because I hate going to bed with a full plate. It makes me very neurotic.
There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.
I've started most of the time I've been in a Knick jersey, so I just think they want me to bring a certain energy every night. They want me to bring that defensive presence because they know I can make something out of nothing on defense, and I think they just want me to bring that defensive presence every day.
I do heavy weight deadlift squats, shoulder presses, push-ups, and I can pull up my own body weight. And I do an ab workout just about every night. It's 200 reps of five different exercises four times right before bed: a plank with hip twists, side bridge dips, a walking mountain climber, bicycles and leg lift.
I do not enjoy being away from Richmond, my friends of a lifetime, and my home... I do not enjoy working 6 days a week and almost every night at a time when I had planned to be tapering off. There are compensations which appeal to any lawyer who is proud of his profession. The Supreme Court is an awesome place.
You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
My dinners at home are startlingly simple. Every night, I stop at the market near my hotel and pick up a steak, lamb chops or some liver, which I broil in the electric oven in my room. I usually eat four or five raw carrots with my meat, and that is all. I must be part rabbit; I never get bored with raw carrots.
Edge goes out every night, and not just on pay per views; every night, Edge goes out there with the intention of stealing the show. I know that he felt like his title run had not been given the respect from the company that it deserved, and he was really hell-bent on proving that he belonged as a main event guy.
I used to work as a volunteer in a hospice, but I don't have any nursing skills or cooking skills or anything, so I was what they call an escort. I would take people to the support groups every night, and I would have to sit sort of on the sidelines so I could take them back to hospice at the end of the meeting.
My 4-year-old son prays every night for his best friend who is the same age - our next door neighbor in Liberia, a little Liberian boy: 'Dear God, please don't let him get Ebola.' I'm proud of him for thinking about his friend and praying for him but that's not a prayer that a 4-year-old should have to consider.
As the Obama administration negotiates with the Karzai government and with Pakistan, we may be tempted to make commitments that, in the name of nation-building, restrict our ability to fight terrorists. If we must involve the Afghan government in every night raid, our operations will slow and targets will escape.
Theater is just so much more satisfying than film or television just because you deliver the whole thing from start to finish in one evening, and you can tell if people have enjoyed it or not. That's great to do every night to go in front of a full room of people and tell the story. There's nothing like that really.
What I like about Broadway is that you are still entertaining. You're standing in front of an audience every night and the critics are not friends at all - and that's good for me as an entertainer because I want to grow. It also gives me the structure of remaining in one city so I can get creative in different ways.
When you have a coaching change, when you have trades, an injury, when you have all these things happening - these are all things that are out of your control. Quickly, you start to understand that, really, the only thing you can control is going out and playing hard every night and being ready for your opportunity.
A couple days ago, I saw a lot of people tweeting, 'Oh, it's so cool 'Home' is being used in the Olympics!' We don't really get to watch much TV, man, with the concerts every night, but I wish I could have seen it. I really just found out through Twitter and my management texting me. I thought it was really awesome.
I was drafted by the New Orleans Saints, and quite frankly, I got worn out playing football. I got tired of it. With wrestling, there were so many variables that could go with it, so many directions you could go. Every night, it was different. Every night. It was a different town 7 nights a week and twice on Sunday.
Being in a scenario where you're thinking, 'I can't do what I want to do due to the financial burden that comes with some of it,' makes you think, 'Well, I could go and do an after-dinner speech every night.' I'd probably earn more than I could in track-and-field. But that's a dangerous scenario to get yourself into.
I didn't have cable television growing up; there were only six channels you could watch then. The only really good channel was channel 10, and they would play 'The Nanny Called Fran' every night for years. I've seen every episode 100 times. I would get my Grandma to make me leopard skin dresses on her sewing machine.
There's variables at every single gig. I look forward to those every night. We have a lot of things that happen in our show, a lot of people from the outside watching the show might think it's one schtick after the next. We promised ourselves we have to be there mentally. We have to be aware. We are forced to be aware.
To have the ability to not have to change your lineup every night - if you're playing a big team, you don't have to take your smalls out; and if you are playing a small team, you don't have to pull your bigs. When you have bigs who are versatile and can play both styles then you can stay true to who you are every night.
I love good balance, so being a collector is a fun little thing while we travel this world. I mean, every night, it's something else. The other night, I head-banged a dude on my rental car and drove him through the curtain in my rental car. So some moments are not as good as others, but they are all fun, that's for sure.
My whole life revolved around TV as a kid. I would come home and make sure I finished my homework every night by 8 o'clock, generally so that I could sit down and watch TV from 8 to 10. As a kid, it was 'Family Ties' and 'Roseanne' and 'Growing Pains' and 'Perfect Strangers' and 'Golden Girls.' I mean, I watched everything.
When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
People often think that you get the most of everything from having your face on the screen but its really, like musicians, when you hit the road. It's also where the most fun is, the adrenaline of it every night, giving this incredibly well rehearsed charismatic version of yourself every night and people hopefully loving you.
I was on holiday in Ibiza, having a lovely time, writing a book and looking at the stars every night and generally not having a care in the world. Then I got sent the script for 'Death in Paradise.' I couldn't get back to England in time for the auditions, so my girlfriend filmed me on her camera, and I sent it off via email.
If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set.
Mr. Balanchine was a great gentleman, and he loved his dancers. He was devoted to his company. He came to the ballet every night, and his presence was felt. It was like the whole company was dancing for him. And if he liked you, he trusted you to be yourself. He didn't try to change you and make you into something you were not.
I love the game. But I love my wife and kids more. I can't tell you how many sacrifices I make throughout the season. I leave the house at 4:15 A.M. and get home at 7 P.M. and see my kids an hour every night. It's been sacrificing for nine years. It's not just about what's best for me. It's about what's best for me and my family.
I have this Waterpik that shoots water between your teeth. It's great. You do that along with flossing, and you know for a fact you've cleaned your mouth as much as humanly possible. It's like going to the dentist every night in your bathroom. I don't know if it's a floss replacement, but in conjunction with flossing, it's great.
I'm a compulsive reader of fiction. I fell in love with novels when I was a teenager. My wife Marilyn and I... our initial friendship began because we are both readers. I've gone to sleep almost every night of my life after having read in a novel for 30 or 40 minutes. I'm a great reader of fiction and much less so of non-fiction.
I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
I remember times when I was at shows and the person onstage locked eyes with me. And in that moment, everything was right with the world. I think that's part of my job, to create these thousands of moments every night. And for the rest of their life, they can say, 'You guys looked at me,' or 'You sweated on me,' or 'I got your gum.'
I have hair that I audition with, my sitcom hair which is a curly wig. I have my long chic hair that I wear to my son's school so they know I'm not playing around. I always tell people that my husband gets a different woman every night when I come home from 'The View.' Hair makes you feel a certain way, like putting a power suit on.
I think the joy of any soap opera is it is always there. You are allowed into this world for a little while and it's safe in that you are watching other people go through some troubles rather than yourself. It's there every night, and there is something special about that sort of terrestrial television experience for a mass audience.
I just want to live on the road. I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night. If I'm not performing every night, I get totally depressed. I know that sounds really weird, but I hate sitting at home and not having a 1 A.M. performance now. It kills me.
When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
The theatre starts every night at half past seven, and I like the rhythm of going to the theatre, parking the car, going to the stage door; I've grown up with all of that. I'd love to do more theatre - I mean, I shouldn't be telling the world that I can't remember lines any more, but I find it more and more difficult, so I don't know.
In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
I've been on the road since I was 15, in one way or another - on a bus, in a 15-passenger van, pulling a U-haul - so I would be lying if I said sometimes the miles and the road didn't get long. But it's always rewarding, that hour and a half every night you get to stand up there and see it all pay off and feel the love from that crowd.
If someone said, 'You can go live in this little town in Costa Rica for a couple of weeks and all you've got to do is sing for us,' I would do that. That's more exciting to me than the prospect of going on some national tour, where you're going to play arenas or sheds every night, because of the crushing repetition of that kind of line.
When I was a kid in the business, you always had in the back of your head this feeling that if I screw up, I might be fired. So you went out every night and tore your rear end up to make sure that you gave the best performance you can and learning constantly because you never had that idea of 'I'm so great, I'm never going to be fired.'
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
If there is anything good to be said about my particular line of work, it's that we get to tell people the news they need to hear, and to put it in context. To get to that - for one hour every night on the 'PBS NewsHour,' and for an additional half-hour every Friday night on 'Washington Week,' we have to slog through a lot of tough stuff.
When you're young, you don't really think about what's going on. At least, in my case, I was always so hooked on being so innovative and didn't worry about what happened yesterday. I just wanted to focus on today and make it better. I was like that every day. I just made sure that every night I was at my best, at the best level I could be.
I started a company called Pixel Qi and the principal of as we're going, smartphones were happening, but as we go forward, the predictions were five devices per person. Do you want to charge each one of those every night to try to get them on a full charge when you're walking around? Smartphones don't even last a day without a recharge now.
Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.
I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.
I watched some serious '80s television. 'Alice,' 'Good Times,' 'The Jeffersons,' 'Family Ties,' 'Cheers'... every night it was eat dinner, watch 'Cheers.' I was actually on 'Jeopardy' with Rebecca Lobo and Dot Richardson, and we were laughing because I was just nailing every random '80s trivia question - sitcom, theme music, movie, you name it.