Quotes of All Topics . Occasions . Authors
I did a cake for the 60th birthday of Elton John, for Britney Spears' 27th birthday and for the 'Circus' album she put out - the cake had circus themes. I prepared a cake for a surprise 82nd birthday event for the architect Frank Gehry; the cake was comprised of mini-replicas of his buildings.
I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.
When those closest to us respond to events differently than we do, when they seem to see the same scene as part of a different play, when they say things that we could not imagine saying in the same circumstances, the ground on which we stand seems to tremble and our footing is suddenly unsure.
Don't let anyone tell you the future is already written. The best any prophet can do is to give you the most likely version of future events. It is up to us to accept the future for what it is, or change it. It is easy to go with the flow; it takes a person of singular courage to go against it.
We don't ask for opinions on our outfit all the time - but for a big of event, like the Emmys, absolutely. I actually sent my sister a picture of the [J Mendel] dress I wore to the Emmys before I chose it, and she was obsessed. She was like, "Oh, I want that." And I said, "Let me wear it first!"
We can make his work reach youngsters by organising literary events and competitions in schools and colleges. We can also use mainstream media to spread Kaloji's work among the public. Also it's important to honour litterateurs when they are alive; sadly Kaloji never got his due in his lifetime.
I was sure we would never see the adoption of the Euro. Countries giving up their currencies for a common tender was, it seemed to me, completely out of tune with currency being a carrier of people's cultural identity, celebrating national heroes and events, as it had been for hundreds of years.
I am unable to watch the Olympics due to the blustering jingoism that drenches the event. Has England ever been quite so foul with patriotism? The 'dazzling royals' have, quite naturally, hi-jacked the Olympics for their own empirical needs, and no oppositional voice is allowed in the free press.
Israel's creation was politically amazing and caused by a number of unusual events. And I understand. For centuries, Jews endured horrible suffering, and like other people, deserve the right to self-determination, but the way Israel is going now frightens me. Jews make awkward colonial overlords.
I explained to the president that I've been pleased with my conversations with the Attorney General and Civil Rights Division regarding their helpful understanding that they aren't taking over this investigation, but are conducting a parallel review of the events that led to Michael Brown's death.
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
The nature of catastrophe is, after all, reasonably unvarying in the way it ruins, destroys, wounds and devastates. But if something can be learned from the event - not least something as profound as the theory of plate tectonics - then it somehow puts the ruination into a much more positive light.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
I recognize that printing pictures of corpses raises all sorts of problems about taste and titillation and sensationalism; the fact is, however, that people die. Death happens to be one of life's main events. And it is irresponsible and more than that, inaccurate, for newspapers to fail to show it.
I would make my job a work of art. I would like whatever it is that I'm doing - everyone's experience of me, everyone's interaction with me, everyone's discussion, conversation, relationship with me - [to be] an event within which they get to see who they are. I would make of my life a work of art.
Man is a stream whose source is hidden. Our being is descending into us from we know not whence. The most exact calculator has noprescience that somewhat incalculable may not balk the very next moment. I am constrained every moment to acknowledge a higher origin for events than the will I call mine.
To be alive means to live in a world that proceeded one’s own arrival and will survive one’s own departure. On this level of sheer being alive, appearance and disappearance, as they follow upon each other, are the primordial events, which as such mark out time, the time span between birth and death.
New York blends the gift of privacy with the excitement of participation; and better than most dense communities it succeeds in insulating the individual (if he wants it, and almost everybody wants or needs it) against all enormous and violent and wonderful events that are taking place every minute.
I crave and seek a natural explanation of all phenomena upon this earth, but the word 'natural' to me implies more than mere chemistry and physics. The birth of a baby and the blooming of a flower are natural events, but the laboratory methods forever fail to give us the key to the secret of either.
Where does a story truly begin? In life, there are seldom clear-cut beginnings, those moments when we can, in looking back, say that everything started. Yet there are moments when fate intersects with our daily lives, setting in motion a sequence of events whose outcome we could never have foreseen.
With stillness comes the benediction of peace”. “Thinking isolates a situation or event and calls it good or bad, as if it had a separate existence. Through excessive reliance on thinking, reality becomes fragmented. This fragmentation is an illusion, but seems very real while you are trapped in it.
In short, the early receivers of the new money in this market chain of events gain at the expense of those who receive the money toward the end of the chain, and still worse losers are the people (e.g., those on fixed incomes such as annuities, interest, or pensions) who never receive the new money.
Now, we don't get that many specific threats against sporting events, per se. But we know from listening to the chatter how terrorists want to attack iconic events. So whether it's a major Fourth of July celebration or the Super Bowl or the World Series, we assume that that is what they're targeting.
Sometimes you read a passage by a great writer, and you know what he says and how he says it will always be, for you, the only possible way it could be. Less often a painter will describe an event in a way that fits into your interpretation of that event so perfectly that it becomes the event itself.
The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.
I grew up on the south side of Chicago in the 1960s, and I think there was a synchronicity of events that inspired me to be an astronaut, and, of course, the backdrop is nothing less than Mercury, Gemini, and Apollo. That was a time in our nation where we aspired to great things, and we achieved them.
Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.
I'm obsessed with insects, particularly insect flight. I think the evolution of insect flight is perhaps one of the most important events in the history of life. Without insects, there'd be no flowering plants. Without flowering plants, there would be no clever, fruit-eating primates giving TED Talks.
Julio's Day is a story of one man's life, but it's a great more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
And if there is one thing we can be sure of, it’s that extreme weather events like Superstorm Sandy, Typhoon Haiyan in the Philippines, and the British floods—disasters that, combined, pummeled coastlines beyond recognition, ravaged millions of homes, and killed many thousands—are going to keep coming.
And yet the world we live in-its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence-is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold's Congo is but one of those silences of history.
With spectacular events taking up so much of the available anxiety quotient, we need to be constantly reminded of the more workaday threats to our mortality - threats that, while they may also be functions of human error, have become so ubiquitous that we've begun to apprehend them as natural phenomena.
One of the great pleasures of going to see a Daniel Day-Lewis film: you haven’t seen him in five years. Where have you been? So, it’s a special event, right? Well, if you want to go see a movie that I’m in, it still may be a special event for you, but, you don’t feel like you don’t know where I’ve been.
There are several studies done of peasant uprisings where the first chapter might be 'conditions in that area' and so the conditions are bad, and then the second chapter is a kind of conjectural event, somebody's shot and then there's an uprising. But there's no consideration, no chapter on preparation.
Nothing can be more consoling to the man of God, than the conviction that the Lord who made the world governs the world; and that every event, great and small, prosperous and adverse, is under the absolute disposal of Him who doth all things well, and who regulates all things for the good of his people.
When I was first writing, I was writing mostly about sporting events, which was really what my assignments were. I was working on the Tour de France bike race and the Barcelona Olympic Games, and those songs tend to be very big, very bombastic-type music, which is the type of music that I love to write.
Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real. ... 'concerned' photography has done at least as much to deaden conscience as to arouse it.
When you face unexpected events, you have to try to overcome those problems, but at the same time, you have to continue working according to the plan that you defined since the beginning. So that's what we have tried to do - not to avoid the urgent responses but to continue the route that we had defined.
I seem to have made my friends proud of me/proud to know me. I also feel I've learned and grown a lot even in this short time, and this event has given me a lot of opportunity to continue doing so. Obviously there were a lot of negative reactions, but they seem to have overall little relevance to my life.
One can't say how one behaved or why, really. Such situations, they are far more complex than any either/or proposition. It is simplistic to produce events in pairs and lean them against each other like cards. I suppose if you a playing go or shogi, then such a thing might be helpful, but that is not life.
The magnitude of this event (9/11) turned the world into a scary place. And perhaps the scariest part of all was that these terrorists believed they were doing God's work. They were trained to view life on earth as of no value and that no act, no matter how barbaric, was off-limits if in pursuit of jihadd.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
The hardest pill for me to swallow has been receiving recognition, getting dressed up, going to events. That's the part that has always terrified me. You can see dozens of photos where I have zero hair and makeup and I'm wearing my own jeans and T-shirt, because I was not that interested in that side of it.
It was his [Gen. Douglas MacArthur's] relationship with the administration In Washington which became poisoned by his egomania. Link upon link the bond between events on the battlefield and his own ruin was forged, and, as is essential in genuine tragedy, the gods used the victim himself to forge the links.
Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
I was brought up to believe that it's family first. Of all the people my parents knew, the family was most important. You always turn to your family, and the family supports you. We do what we can to support our young and go and see the grandchildren if they're doing plays at school and their sports events.
There are those of us who are always about to live. We are waiting until things change, until there is more time, until we are less tired, until we get a promotion, until we settle down / until, until, until. It always seems as if there is some major event that must occur in our lives before we begin living.
After [Adolf] Hitler took power, Hoffmann moved to a grander place on the Ebersbergerstrasse. I never saw the first house, I was never there. It was at the Schnorrstrasse that Eva [Braun] and he first really got to know each other. Some of this was before Geli Raubal's death, much of it was after that event.