Quotes of All Topics . Occasions . Authors
You don't tell deliberate lies, but sometimes you have to be evasive.
People keep speculating about my personal life because I am evasive about it.
Memory, so complete and clear or so evasive, has to be ended, has to be put aside, as if one were leaving a chapel and bringing the prayer to an end in one's head.
I've always tried to avoid music being direct therapy, and I've always found there's a power when you write something that can have its own interpretation - although I'm not being intentionally evasive.
Occasionally, chewing over some random letter writer's dilemma, I'll find myself imagining scenarios where the problem could be sidestepped by an innocent fib or series of evasive manoeuvres. Then, I slap myself on the wrist.
We are ashamed to seem evasive in the presence of a straightforward man, cowardly in the presence of a brave one, gross in the eyes of a refined one, and so on. We always imagine, and in imagining share, the judgments of the other mind.
I'm not trying to be evasive, but when I say yes and no, I say 'yes' because there are narrow-minded people that won't look past the logo and 'no' because 'American Idol' put me in front of millions of people and I would not have a career without 'Idol.'
I'm not being evasive but I am saying I'm not a scientist and I'm not directly involved in the consultation however the science must be sound, it must be agreed and the consultation must be of a high quality or no one will have any confidence in the process.
People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct.
Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short stories, all of which are fodder. And when I'm working on the new Bond, I'm constantly going back to Fleming and the other movies - what are the bits and pieces, what are the resonances?
