Quotes of All Topics . Occasions . Authors
When people think of biblical movies, they imagine sweeping epics like 'The Ten Commandments.' But 'The Gospel According to St. Matthew' is essentially a documentary about Jesus. It made me aware of how real life and personal experience can create more breathtaking, sensitive cinema than more sophisticated techniques.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
For most of my life I've liked to pretend I live in a starship. Punching in fake codes to get into doorways that obviously are not secure. I love that idea of living on a spaceship. Because essentially we are: a gigantic thing floating in some infinite darkness that's running on principles that we don't even understand.
The thing with Elizabeth Warren that you have to keep in mind is she is very far left. I think a lot of folks who may have considered voting for someone like Joe Biden are going to be very turned off by ideas like universal health care, which would essentially force 200 million Americans off of private health insurance.
Instagram influencers project a specific, highly crafted image of perfection - one that is largely white, thin, and psychologically Zen. Critics argue that this boom, in turn, has helped fuel excessive self-promotion in which we post about only the good moments rather than reality - essentially, a distorted echo chamber.
Photographic memory is often confused with another bizarre - but real - perceptual phenomenon called eidetic memory, which occurs in between 2 and 15 percent of children and very rarely in adults. An eidetic image is essentially a vivid afterimage that lingers in the mind's eye for up to a few minutes before fading away.
The tactical issue is ISIS or ISIL in the greater Levant area, which is essentially Syria, and Iraq, Lebanon, Jordan, et cetera. But the wider problem is not just trans-regional in that part of the world, but it's also global. I mean, 40 to 50 countries supplying fighters to this current fight in the Middle East? Come on.
What you present as the gospel will determine what you present as discipleship. If you present as the gospel what is essentially a theory of the atonement, and you say, 'If you accept this theory of the atonement, your sins are forgiven, and when you die you will be received into heaven,' there is no basis for discipleship.
In September 2008, the two largest housing mortgage companies called Fannie Mae and Freddie Mac, which were government-sponsored enterprises, which hold hundreds of billions of dollars of mortgages, because of the losses they took on the mortgages, they essentially became insolvent, and the government had to take them over.
The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.
A company can spend hundreds of thousands of dollars on firewalls, intrusion detection systems and encryption and other security technologies, but if an attacker can call one trusted person within the company, and that person complies, and if the attacker gets in, then all that money spent on technology is essentially wasted.
To be honest, the piece of clothing from a man's wardrobe I wear most often, to bed and around the house, is my boyfriend's underwear. I think it's infinitely unfair that women are compelled to wear underwear with a comfort factor of zero whilst men stroll around in essentially the most comfortable item of clothing ever made.
You don't have to know anything about baseball to respond to Babe Ruth because he's just this magnificent human being. And a really good story because he was this kid who grew up essentially as an orphan, you know, had a tough life, and then he became the most successful baseball player ever. But he was also a really good guy.
The key issue is not who is in charge but what. Russia's problem is constitutional. There is no division of powers. The judges, the police, and the legislature all work for the same people, and there is essentially no trial by jury. As a result, anyone can be arrested and accused of anything, and conviction is almost guaranteed.
I feel like so much of mainstream feminism springs from the second wave, which was essentially a discourse spearheaded by white, cisgender, upper middle class women. I feel - especially as I'm trying to negotiate this new female space with the feminism that's available to me - there are a lot of places where I'm disenfranchised.
I became a poet in Pittsburgh. When I lived in the South, I was a basketball player and primarily a jock. An English teacher essentially suggested that I send the poems that I'd been writing - really just for him - to a few programs, so that when I wound up in Pittsburgh, it's where I figured out that I could actually be a poet.
The universe starts off with the Big Bang theory, and the first thing that emerged from the Big Bang is essentially hydrogen and then helium. And that's what combusts in stars. Finally, stars implode, and they build heavier elements out of that. And those heavier elements are reconstituted in the heart of other stars, eventually.
In the 1880s, women were decades away from earning the right to vote. Few owned property - if they were even permitted to do so. In addition to childcare obligations, many toiled in work that was either underpaid or not paid at all. Essentially, the gears of progress for women were moving slowly in just about every arena of life.
For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
We're talking about, essentially, the Roman historians, who wrote Cleopatra into the story mostly so that they could talk about the rise of Rome. And that is one of the problems, of course, in recounting her life. She's only ever apparent to us when there is a Roman in the room, or when her story intersects with the rise of Rome.
Essentially what's going to determine how you succeed in New York is how people feel about the space, how delicious the food is, how they perceive the value and, most important of all, how they feel treated. My understanding is Stephen Starr is exceptionally good at all of this and his ability to create a transporting experience.
It would be really great if someone would invent a new Internet with the specific purpose of not making money off of it, but making it what it originally was, a free marketplace of ideas, and there are still aspects of the Internet that are that. Wikipedia, essentially, is still the bastion of the original ideals of the Internet.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
Limos, from the beginning of time, they know who they're picking up, they usually have a credit card on file, they know where the pickup location is, and so there's essentially a prearrangement of sorts, and, of course, the limo customer knows the driver, knows the company, knows the rates. All we've done is make it more accessible.
It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
There was a commonality in a lot of the private school experiences that I had of children whose lives were not their own. They thought they were their own, but they were essentially gifted this life by their parents. So they were spending money; they were going on trips - I guess, in a way, it is their life, but they didn't earn it.
People know my name, and because of that, I have more leverage as a professional fighter. And as a professional fighter, as a professional wrestler, that is something we are all battling for. We want to make our brand a name brand and a household name. And that essentially gives us more leverage and helps us provide for our families.
In New Zealand, we have a thing called 'tall poppy syndrome,' which, you might not have heard of it, but it's essentially where - it happens in small populations usually, but can actually happen in the U.K. - where, if someone sticks out, they get their head cut off because they are being outside the ordinary or they are showing off.
The biggest challenge is that when people look at low price point products, they essentially invest less money in development, innovation, and new technology. And in order to innovate at a lower price point, and make sustainability attainable to the masses, you have to invest more. But that's counterintuitive for a lot of businesses.
Just as our solar system has a certain idiosyncratic assortment of planets and moons, different from any neighboring system yet categorically equivalent, so each distinct period of human history might have special qualities and individuals, characteristics and events, yet still be essentially akin beneath the surface to all the others.
I could cut my leg of; I could cut my arm off. I could gouge my eye out - I'd still probably survive, but not very well, and that's what we're doing to the ocean. It's the life support system of this planet. We've been dumping in it, we've been polluting it, we've been destroying it for decades, and we're essentially maiming ourselves.
In the far, far future, essentially all matter will have returned to energy. But because of the enormous expansion of space, this energy will be spread so thinly that it will hardly ever convert back to even the lightest particles of matter. Instead, a faint mist of light will fall for eternity through an ever colder and quieter cosmos.
I suppose the book I really remember loving as a child was one called 'The Outsiders' by S.E. Hinton, about a gang of kids from the wrong side of the tracks in Sixties Oklahoma. I grew up in the Eighties in Nottinghamshire, but this tale of troubled, but essentially good, kids - or 'greasers' - was something I completely connected with.
You have two choices with Obama. You either believe that he is a man of Christ... or you think he's a liar. And I'm surprised by the number of atheist free thinkers that support Obama, and their argument is essentially, 'He's lying about being religious 'cause you have to do that to get elected.' It's a horrible reason to like somebody.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
The web's democratic in one way and distinctly undemocratic in another way. And I think a lot of the confusion about the political ramifications have to do with that one word having so many meanings. So, it's democratic in that it quite literally delivers power to the people; it, it essentially opens up participation in the public's mind.
I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
On one level, this was the biggest challenge out there - to make a film of this scope, in this amount of time, and to go into a different genre, essentially. Yes, I've done a vampire film, but 'Eclipse' is a very different kind of thing. This is a romantic story, which swings from a darker, more abject feeling to very pure romantic scenes.
I'm essentially a humorist and, I think, a pretty good one. I've known all along that 'My Friend Dahmer' is the one book I'll be most known for, and in a way, that's a drag, as it's nothing like the rest of the work I've done or will do moving forward. But the way I figure, it's better to have a best-known work than not to have one at all.
Measures of policy are necessarily controlled by circumstances; and, consequently, what may be wise and expedient under certain circumstances might be eminently unwise and impolitic under different circumstances. To persist in acting in the same way under circumstances essentially different would be folly and obstinacy, and not consistency.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
Even though 'Prequelle' is a record about death, essentially, it's a record about survival, and I think that that is something that's gone through all the records. Even back to 'Opus Eponymous,' there was a double meaning to things that doesn't necessarily have to do with evil sermons out of some old grimoire somewhere how to summon the devil.
I love to see heroes who fuel some kind of moral furnace inside them, who are driven to take on the evils of the world, despite the fact that the evils of the world are more powerful than them. And essentially can never be defeated, but they refuse to bow down. And in order to enjoy that aspect of the hero, you've got to put them through hell.
I really feel that I had a genuinely diverse, multicultural upbringing, and I just don't find New York to be quite as diverse. Maybe I'm romanticising, but I feel that I was exposed to a real melting pot in terms of culture and pop culture. My kids are essentially middle-class, but I do try to remind them that they come from humble beginnings.
The reason that we're seeing so many people flee the Left - I like to call them liberal refugees, like myself - is because they do not allow you to think freely. If you agree with them 95 percent and disagree on 5 percent, you are essentially excommunicated. You're not allowed to be a liberal anymore. You're not allowed to be a Democrat anymore.
The question of a valid parental-child relationship is at the center of how the Department of Homeland Security and Health and Human Services handle detainment. Because of fraudulent documentation, profits to smugglers, and false asylum claims, there is essentially no way to prove or verify adults traveling with children are indeed their parents.
People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along.