Quotes of All Topics . Occasions . Authors
When topics are complex and meaty, don't create a never-ending email thread. It's amazing how much time people waste composing and reading carefully-worded essays, when a 5 minute in-person chat would resolve the whole thing.
I had been working on this series called 'Everything Dies,' and it was basically me doing non-fiction essays, responding to religion and stuff like that, and I really got into this ideas of telling factual stories via comics.
My passion is capturing what it feels like to love, be it romantic or otherwise. I love to watch two people realize what they meant for each other - and that goes across all media, books, TV, movies, personal essays; everything.
When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you're interested in essays and biographies and things like that. I think it's just important to just read as much as you can.
In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now.
When I was at university, I did essays on political theatre. And it was really frustrating that the ideas weren't reaching the people they were talking about. Standup is the one place where you are talking to every level of society.
I believe that one reason I began writing essays - a form without a form, until you make it - was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story.
One of the best essays I've seen in recent years was by a young woman who wrote about how being chosen to choreograph a high school musical forced her to assume a leadership role she wasn't sure she was ready for - but of course she was.
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
The point of essays is the point of writing anything. It's not to tell people what they already think or to give them more of what they already believe; it's to challenge people, and it's to suggest alternate ways of thinking about things.
The last time I was asked that, I said "A Year Without Spoons." Normally you get asked the same questions over and over, so it feels boring to say the same thing. But then I was like, I don't even know another essay I like. They're all good.
From the beginnings of modern monetary theory, in David Hume's marvelous essays of 1752, 'Of Money and Of Interest,' conclusions about the effect of changes in money have seemed to depend critically on the way in which the change is effected.
I didn't even walk for graduation - I did graduate, though. I got this homeschool deal. I didn't have to go to school because I was depressed, and my mom wrote all these essays for me. I didn't write one of them. She literally got me my diploma.
I used to write travel essays, and I was struck by how the fact of writing about a place would change my relationship with it. I would make completely different choices, do things I wouldn't have normally, because I had to fill this narrative shape.
I chose to be a maths teacher because I thought the marking would be easy. You'd just tick and cross, whereas if you're an English teacher, you've got to read essays. Then they said I had to analyse the methodology. It takes an eternity, it's insane!
Literary generations come and go, and each generation passeth away and is heard of no more. In the end, simply the making itself - of poems and stories and essays - delivers the only reward a writer can be sure of. And, perhaps, the only one that matters.
A 'philosophical dictionary' is not a dictionary of philosophy that you use to look up obscure thinkers or recondite terms. It is a collection of brief and pithy essays on diverse topics, informed by one vision, and usually arranged in alphabetical order.
People question what I thought of Oxford. Students used to talk about the 'Oxford bubble' because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.
Our world is enriched when coders and marketers dazzle us with smartphones and tablets, but, by themselves, they are just slabs. It is the music, essays, entertainment and provocations that they access, spawned by the humanities, that animate them - and us.
I think people seem to want to read pieces that are shorter but not as short as the pieces they can read in small bites on the Internet. It may be that the sort of long essays are hitting a sweet spot between the tiny morsels online and the full-length book.
Stanford's law school application wasn't the standard combination of college transcript, LSAT score, and essays. It required a personal sign-off from the dean of your college: You had to submit a form, completed by the dean, attesting that you weren't a loser.
I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour.
I truly believe that writing is a continuum - so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better. I don't write essays as often as I should.
I am endlessly inspired by both the tenderness that can exist between two people and the excitement of falling in love. I'm very fortunate that I've been able to explore that in novels, a television show, some early development film projects, and essays about my own life.
I think, one day, I might actually try writing a bunch of - a collection of essays maybe on the funnier side of the spectrum. I don't know. But it's fun to have, frankly, Twitter as kind of an outlet. When you're writing about dark things all day, it's kind of fun to have fun.
For all the power of video and film, I am not giving up my pen. I am just much more likely to try to link essays to webcasts or videos. The best way for these two media to move forward, to inform and make change, is in tandem; together they are more than the sum of their parts.
Something outrageous, in the truest sense of the word, is always happening. On social networks, we're always voicing our reactions to these outrageous events. We read essays and 'think pieces' about these outrageous events. We comment on the commentary. We do this because we can.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
I've always written. There's a journal which I kept from about 9 years old. The man who gave it to me lived across the street from the store and kept it when my grandmother's papers were destroyed. I'd written some essays. I loved poetry, still do. But I really, really loved it then.
When you go back and look at what people say about my essays, they're always going, 'What is this?' Because they're not exactly like other people's essays... The approach is not at all the recognized approach of a non-fiction writer. It's not linear. It isn't pyramidally based on fact.
Oddly enough, my favorite genre is not fiction. I'm attracted by primary sources that are relevant to historical questions of interest to me, by famous old books on philosophy or theology that I want to see with my own eyes, by essays on contemporary science, by the literatures of antiquity.
I'm interested in so many different things and I'd like to cover a lot of territory. I'm trying to see my show as the Sunday 'Times.' You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review... even the Style section has those wonderful essays about relationships.
I can't speak for readers in general, but personally I like to read stories behind which there is some truth, something real and above all, something emotional. I don't like to read essays on literature; I don't like to read critical or rational or impersonal or cold disquisitions on subjects.
Indeed, 'The Second Plane' is such a weak, risible, and often objectionable volume that the reader finishes it convinced that Mr. Amis should stick to writing fiction and literary criticism, as he's thoroughly discredited himself with these essays as any sort of political or social commentator.
For me, movies and television are interesting because they are the dominant storytelling form of our time. My first love will always be fiction, and especially novels, but I'm a writer... I write poetry and essays and criticism and I'd love to write a whole play, and sometimes I even write scripts.
The Internet is full of strangers, generous strangers who want to help you for no reason at all. Strangers post poetry and discographies and advice and essays and photos and art and diatribes. None of them are known to you, in the old-fashioned sense. But they give the Internet its life and meaning.
Amartya Sen is best known to the general reader for his powerful essays on famine. He is an optimist about some of our gravest economic problems, such as mass starvation in a world that at present can easily produce more food than everyone can eat. Reason and voluntary participation are his watchwords.
I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
For years following the death of my mother, I wanted to write about her. I started writing what I thought of as personal essays about growing up as her child, but I never could finish any of them. I think I was too close to that loss, and too eager to try and resolve things, to make her death make sense.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
I grew up poor in crappy situations... various crappy situations. What kept me sane was reading and music. I had so many different literary tastes growing up, be it fiction like Stephen King or Piers Anthony or non-fiction like reading Hunter S. Thompson essays or reading the Beats. I was a huge fan of the Beat movement.
I think I got into travelling because it was so not in my blood, so against my tendency to just stay put because my dad just hated going on holidays, because, as I've said in many essays, the thing that he hated more than anything else in life was spending money. And as soon as you leave your home, you're spending money.
I designed a theater magazine that was full of plays and essays about the theater, and then I worked at a theater school. By osmosis or something, I was learning from reading plays and not being analytical about them, but when I would read them, the joy in me was mostly from imagining them in my head and visualizing them.
In all my work, in the movies I write, the lyrics, the poetry, the prose, the essays, I am saying that we may encounter many defeats - maybe it's imperative that we encounter the defeats - but we are much stronger than we appear to be and maybe much better than we allow ourselves to be. Human beings are more alike than unalike.
I was at Sussex University studying English lit and philosophy, I had two essays due in and three seminars that day, and at the same time I was messaging my manager because I'd just started to put together the pieces of like, 'Wow. I really don't want to be doing any essays anymore. Why don't I just give this music thing a go?'
During my first years in the Sierra, I was ever calling on everybody within reach to admire them, but I found no one half warm enough until Emerson came. I had read his essays, and felt sure that of all men he would best interpret the sayings of these noble mountains and trees. Nor was my faith weakened when I met him in Yosemite.
My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.
I tried to fortify myself with the best nonfiction and fiction I could lay my hands on, from the essays of James Baldwin and Joan Didion, to the stories and novels of Ralph Ellison, Roberto Bolano and Celine. Distinctive voices like these were a source of constant nourishment on all range of matters, from punctuation to philosophy.
I started work on my first French history book in 1969; on 'Socialism in Provence' in 1974; and on the essays in Marxism and the French Left in 1978. Conversely, my first non-academic publication, a review in the 'TLS', did not come until the late 1980s, and it was not until 1993 that I published my first piece in the 'New York Review.'