Quotes of All Topics . Occasions . Authors
I did 'Hawa' to understand what ghosts and the supernatural are all about. I don't believe in them and wondered how I could essay a part in a project I don't necessarily understand.
If an essay has a 'motive,' it is linked more to happenstance and opportunity than to the driven will. A genuine essay is not a doctrinaire tract or a propaganda effort or a broadside.
I would be writing an essay that was due in the next day until about 1 A.M., and then I would be up at 6 A.M. and on a train to Birmingham to record 'The Archers'. It was pretty intense.
A lazy man works twice as hard. My mother told that to me, and now I say it to my kids. If you're writing an essay, keep it in the lines and in the margins so you don't have to do it over.
I went on all over the States, ranting poems to enthusiastic audiences that, the week before, had been equally enthusiastic about lectures on Railway Development or the Modern Turkish Essay.
The most important thing when starting out with essay writing is to find a voice with which you're comfortable. You need to find a persona that is very much like you, but slightly caricatured.
I've always been able to write. I've always been able to put a good essay in or say whatever I wanted to say through the pen. That was a gift of mine. I feel like it was what I was meant to do.
In Raja Chanda's 'Ley Halua Ley,' I essay Locket's miser husband, who is suspicious of his beautiful wife. He is ready to go to any extent to protect his wife. The script of this film is hilarious.
In school, my favourite class was when we were given a subject for an essay on which we could freewheel. And poetry: I've always written it and loved the way words interact, in meaning and in sound.
Criticism is, for me, like essay writing, a wonderful way of relaxation; it doesn't require a heightened and mediated voice, like prose fiction, but rather a calm, rational, even conversational voice.
It is as true for the writer as for the reader that any novel worth its ink should be an experience first and foremost - not an essay, not a statement, not an orderly rollout of themes and propositions.
One time, I was given an essay topic: to describe a perfect horse, whom the mere sight of the rider's whip would make obedient. I depicted this perfect horse throwing his rider at the sight of the whip.
I wrote my senior essay on the Santa Fe Writer's Colony and my dissertation on sacred landscapes - the Grand Canyon, the Dakota Badlands. As a setting, I love the West. I just love that western landscape.
I was into Black Power, and my practice Oxbridge essay was a rant. The headmistress said I'd never get in with that, but she was probably wrong. I was the ideal combination: a swot who was also a bad girl.
I found the structure of writing a screenplay harder than the structure of writing an essay. But it was definitely challenging to force myself to sit and write. I'm not used to having to force myself to work.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
I'd always try to get a C, maybe a B. Other girls would trot off a brilliant essay and go off to Oxford; I'd think: 'Where is the justice?' I took A-levels in English, history and theatre studies and got three Bs.
Five years before 'Kitchen Confidential' - and before then, the 'New Yorker' essay that led to the book - Bourdain published 'A Bone in the Throat,' a crime novel set in the restaurant world he lived and breathed.
What I think is important about essayists - about the essay, as opposed to a lot of personal writing that kind of finds its way into public view - is that the material really has to be presented in a processed way.
Style has become a crucial differentiating factor for most actors in the industry. I generally choose my look based on the character I essay. I research a lot on the Internet and pick something that would suit my face.
Vera Caspary wrote an essay called 'My 'Laura' and Otto's' where she talks about the arguments she had with Preminger. She felt that not only did he misunderstand the character but that he couldn't help but be misogynist.
For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
In 2014, as a Christmas gift, I wrote an essay for my husband, about our story. Writing that showed me there was value in interrogating my experiences while they were fresh - especially because I was terrified of forgetting.
You can provide a short-format content, and it can grow, and it can spread virally across the entire Twitter system, and it can contain within it a link to something that's much longer, that's a long essay or that's a video.
I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.
Philosophy wasn't about facts, it was about ideas. My first essay title was something like: 'How can you know what other people are thinking?' I thought, 'Wow, what an amazing thing.' I really thought deeply for the first time.
We'd had books in my house growing up, but we had never had anything like lectures. I had never written an essay for my mother. I had never taken an exam. Because I was working a lot as a kid, I just hadn't elected to read that much.
In the winter of 1940, 'The Atlantic Monthly' invited Peter Viereck, a twenty-three-year-old Harvard graduate who had won the college's top essay and poetry prizes, to write about 'the meaning of young liberalism for the present age.'
What I'm exploring right now is the subject of my own mortality. It's an area that I'm curious about, and I'm researching it to see if there's a photographic essay in it for me. If images don't start to come, I'll go to something else.
'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.
When I lead essay workshops, I ask students to come up with at least five topics, which they'll narrow down to one. The winning idea should be the story the student is most excited to tell because it honestly reflects his or her best self.
When Chipotle asked me to take part in the Cultivating Thought program both as an author and an essay contest judge, I was excited by the idea of sharing my story through this unique channel and helping young, inspiring writers do the same.
The novel has always been a contradictory form. Here is a long form narrative mainly read originally by consumers who were only newly literate or limited in their literacy. The novel ranked below poetry, essay and history in prestige for a long time.
One would think that in writing about literary men and matters there would be no difficulty in finding a title for one's essay, or that any embarrassment which might arise would be from excess of material. I find this, however, far from being the case.
Long ago, when I was in higher secondary school in Delhi, I read an essay by George Orwell in which he said there was a voice in his head that put into words everything he was seeing. I realised I did that, too, or maybe I started doing it in imitation.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.
I don't have the looks to compete at a bar, and I'm not that funny. So the last thing I want is to be in a situation where that's what I'm competing on. I'd rather be on OkCupid or Match, where I can write a 300-word essay about myself that's really good.
Basically, I think of fiction and non-fiction as different ways of engaging with the world. You reach a point where you feel you have said all you possibly can, in reportage or a review essay or a reflection on history, which 'From the Ruins of Empire' was.
I thought I was going to write fiction but I fell backwards into non-fiction. It started when I got locked out of two apartments in one day and I told the story to some friends, one of whom worked in the 'Village Voice' and asked me to turn it into an essay.
In my essay for 'The Good Immigrant,' I write about how concerns about race and immigration crept up on me a bit because of how I grew up and my background - I was quite fortunate, really; I never got the rough end of the stick with a lot of that kind of stuff.
Can we call the essay its own genre if it's so promiscuously versatile? Can we call any genre a 'genre' if, when we read it from different angles and under different shades of light, the differences between it and something else start becoming indistinguishable?
My to-do list is the only form of organization I have, other than my iCal. It's not all work stuff; it's a lot of movies that I want to watch sooner rather than later. I have a list that's like, 'Read an essay from this book, then this one, then go back to this one.'
I didn't really see a way to make a living on the farm. I always loved writing. I was the guy who won the D.A.R. essay contest and things like that, and it was the era of Watergate, and I decided I would be the next Woodward and Bernstein, and then retire to the farm.
Much has been written about Trump's style of speech, which linguists have said is often unintelligible yet deeply compelling. Orwell's famous 1946 essay, 'Politics and the English Language,' centers on the use of abstract words, often by politicians, to obscure reality.
The primary thing I should do, apart from being a good husband, brother, son, and friend, is to be a citizen activist. But I'm afraid it takes away from the writing. Not that anything depends on whether I put an essay in 'The Nation' or not. But you want to participate.
Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
When I was in the ninth grade, I had a teacher in Dallas, Texas, named Elizabeth Enlow in English class. Every Friday, we had to write a little essay, and you had to incorporate three particular words into the story. That was the sole direction. And to me, this was so much fun.
An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.
For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.