Quotes of All Topics . Occasions . Authors
If I can be dead honest with you, when I first see the script for a new episode of 'Endeavour,' if anything jars, I say, 'What's this? Has it got a place in our story?' And if it hasn't, it has to go.
I never watch television, although, the other night, my wife and I caught an episode of 'Buffy the Vampire Slayer' from Season Six. It's the only series of which I've ever watched every single episode.
If I am honest with myself, a not-insignificant fraction of my enjoyment of any episode of 'Game of Thrones' is delivered in its opening moments. I sit down, settle in, and... BUM-bum, bah-dah-BUM-bum.
Comedy comes out of everyone's worst day. No one writes a sitcom episode about everyone having a good day. It's always about someone being locked out of their house or someone being dumped or whatever.
I think the things I wanted answered have been answered by people in the know that we can't talk about, so I'm perfectly happy with how Chewie came to be where he is and what is going on in Episode III.
You had to be aware that I saw that photography was a mere episode in the history of the optical projection and when the chemicals ended, meaning the picture was fixed by chemicals, we were in a new era.
When movie people go over into television, it's a little bit of a shock. It's much faster-paced. Everything is really last-minute. You won't know your schedule for the next episode until the last minute.
For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
With all the stuff that's going on in the world - after I watch the news, read the news, and listen to my podcasts, at the end of the day, am I really going to watch an episode of murder and time travel?
I have a very thick skin altogether - surprisingly, many actors are rather fragile, but I get that of the 10 million people watching an episode, probably 3 million hate me, and I'm comfortable with that.
I'm very proud of the Rome episode of 'No Reservations' because it violated all the conventional wisdom about making television. You're never, ever supposed to do a food or travel show in black and white.
I never have really said much about the whole episode, which was endless. But his speech was a perfectly intelligent speech about fathers not being dispensable and nobody agreed with that more than I did.
I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
I actually think I need 'Homeland' rehab. And that Ray Donovan. I think I've watched every episode more than once. Liev Schreiber, Jeffrey Wright and Jon Voight have made me fall in love with acting again.
The podcast most likely to encourage you to fully appreciate your food is the episode of BBC World Service's 'The Food Chain' in which Antonio Carluccio talks to Emily Thomas about his life in five dishes.
I remember after the second episode of 'Saturday Night Takeaway' aired, there were thousands of comments about how bad my teeth were. That got to me most because I was so insecure about my teeth as a child.
Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
It was fantastic returning to 'Being Human'. When I got cast in the role, at first I just thought it was for one episode, and the fans were really great about it, and it was really nice having that reaction.
I grew up watching 'The Lone Ranger.' I would get up every Saturday morning, earlier than all the other kids, to watch a black and white western with Clayton Moore that hadn't filmed a new episode since 1957.
We've made it to the 1000th episode of 'The Chase,' as the show is so entertaining and informative. I'm so lucky I get to be a part of such a great team and have a laugh at work; I even learn some things, too.
I love making 'iCarly' - it's so much fun, and I love getting the script every week and not really knowing what insane thing I'm going to be doing. It's just like an adventure every episode; that's really fun.
In 'Queer as Folk,' we had three or four sex scenes in every episode, so I got used to doing that very early on. Those kinds of scenes can be challenging. They take a bit of time, and everyone's a bit nervous.
When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.
The bedrock of 'Being Human' has to be characters. I would hope that even if suddenly we had a huge budget per episode, the foundation of the show, and the thing that actually makes it what it is, is character.
I have had women in their 70s coming up to me saying, 'I can't get enough of '12 Monkeys' - I love it. I can't wait for the next episode.' That's not the demographic that you expect to be watching sci-fi shows.
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
I don't know that Michael J Fox had done anything prior to that 'Curb' episode where he got to comically play up the whole subject of his Parkinson's. There must have been something very liberating in doing that.
If I could film, we'd film every episode of 'Doctor Who' in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.
Any big televised event that starts at the crack of dawn is worth getting up for. I've done it all my life: big boxing matches, royal weddings, even TV-A.M.'s inaugural episode was enjoyed in pyjamas in my house.
You don't have a lot of time; you have to get it right. It's amazing how they create these episodes in such a short amount of time. They lavish a lot of care and money on each episode, and they just look terrific.
My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.
The cool thing about directing is, whatever cool thing works in the scene, it's still making the episode be a great story, and everyone's working toward that goal, so it doesn't much matter where it's coming from.
Usually, if I can't fall asleep, you will find me catching up on a good book or zoning out with an episode of 'The Real Housewives.' I always have a couple books on my bedside table in various stages of completion.
The next episode of 3D printing will involve printing entirely new kinds of materials. Eventually we will print complete products - circuits, motors, and batteries already included. At that point, all bets are off.
I'm from Mexico, and I've heard some horror stories about cast members who can't stand each other. What we have on 'Jane' is a blessing. We do table reads for every single episode one day before it starts to shoot.
I loved making it but when I saw it, I thought, 'Oh my God. I'm a big green lizard running around Cardiff? Is that it?' It's nice to have been in 'Doctor Who' but that is regarded by fans as the worst episode ever.
It is impossible to watch a 'Friends' episode too many times. Phoebe is my favourite character. I used to play her songs on the guitar when I was a teenager. 'Smelly Cat' is very easy. It's only about three chords.
My only hesitation after 'Law & Order' was that I didn't want to be in a super dry procedural like that. I found that satisfying, but very tough because every episode was kind of the same. It just is with that show.
You cannot collectively, as a society, decide that you are only going to represent one part of a minority. It's like saying you've represented black people on television because you aired an episode of the 'Cosbys.'
I'm going to go do a Netflix series. It's straight-to-series, 10 episodes, probably go for three seasons. I'm going to direct the pilot and hopefully the last episode of the first season. The show is 'Seven Seconds.'
'Vegas' was something very close to me. I had such a blast doing that. I'm still a little upset that we never really got to shoot that final episode. So many people were invested in it. I'll always be sad about that.
In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.
There can be racism in a system even if a particular episode of injustice is not a manifestation of that racism. Every single thing in the criminal justice system is not a manifestation of racism, but many things are.
You don't usually have to wait a month for a new episode of a TV show. We ask comic readers to wait a month for a new issue, and honestly, given the time that it takes to put them together, a month is really too fast.
I think, with any kind of Netflix show, it's quite nice at the end of - just even watching the end of Episode 1, you have that kind of moment to yourself where you're like, 'Okay, I need to see the next episode here.'
I did this one scene in an episode of 'General Hospital', and that was my first job down in L.A. It was, like, my second audition, and I was like, 'Woo! This is easy! This is fun!' That was a really cool moment for me.
We did an episode where she goes out to get a job and she gets fired because she's not good. They hire a babysitter to help out and she finds out she hates the fact that the kids have more fun with the sitter than her.
I landed the role of Bravo 5, the only female fighter pilot in 'Star Wars: Episode I - The Phantom Menace.' I did my bit and fired my guns, but I haven't a notion of which side I was on or who I was firing the guns at.
A mother deserves a day off to care for a sick child or sick parent without running into hardship - and you know what, a father does, too. It's time to do away with workplace policies that belong in a 'Mad Men' episode.
When the first episode of 'Mythbusters' aired in 2003, I couldn't drive a car. I couldn't see a R-rated movie. I was 14 years old, and I couldn't do much of anything. But 'Mythbusters' taught me that I could do science.