I like a decent funeral, and God knows in my family we've seen enough of them. Looking through family photographs now is like watching an episode of 'Dad's Army.'

My agent said that every Monday after an episode of 'Entourage,' at the staff meeting at the agency, that's all they do is talk about the episode the night before.

I did an episode on my talk show on cellulite, and I brought seven women into a dressing room at Nordstrom's in L.A., and we all sat and talked about our cellulite.

Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.

When I tell my American counterparts that my budget was $200,000 per episode, they burst out laughing. To us that's a big production, to them it's a guerrilla shoot.

I wrapped that Monday and started on my third episode for Miss Match on Thursday of that same week and we just wrapped yesterday cause it was split over the holiday.

I want to act in a Tarantino movie and be a vixen in one of his films. Maybe I'll secretly drop an episode of 'Flesh and Bone' in his mailbox and see what he thinks.

HBO is not an advertiser-based model, it's a subscription model. So what's significant to HBO is not necessarily the debut of an episode, it's the cumulative numbers.

It's kind of interesting when you sign on to a show because you're basically signing on to play a character because you only really see the first episode of the show.

As always, we start off with asking, 'What's a good episode?' We don't think about timing, and we don't think about logistics. We just think about what would be good.

If you're an English actor, and you're asked to do an episode - especially the Christmas episode - of 'Downton Abbey,' you can't turn it down. It's like, 'Of course!'

People like continuity, and the good old cliffhanger every week is something they enjoy. I enjoy it - I don't want to dip into just one episode when I turn on the TV.

Every once in a while I get a fan letter from someone about thinking he or she saw me in an episode of an old western or police series. The writers are probably right.

Because I tend to kind of hide under the sheets when it comes to reality television. I've seen probably one episode of maybe five different shows, and that's about it.

I think, my first season on 'SNL,' I watched every single episode of 'Step by Step,' and a few years prior to that, I watched every single episode of 'Family Matters.'

On 'Modern Family,' we have outlines, really strong outlines, when we go off to draft, so you have a reasonable expectation that that will be the story of your episode.

Each scenario in 'Battleborn' is kind of like a TV episode, you can play them in any order, and each one has a beginning, middle, and end. And they are super replayable.

I was in Los Angeles prepping my episode of 'Dollhouse' when the final 'Planetary' hit the stands in October. Yeah, it was surreal. One chapter closing, another opening.

I love the sitcom schedule. It takes a week to make an episode, but we don't work on weekends. I'm usually done in time to get home for dinner with my wife and daughter.

When I first worked with Mark Harmon I was 15 years old on 'Harts of the West.' He had a pretty heavy guest role as a drunken rodeo clown in our second or third episode.

It is like football with coaches, like, 'We're only going to think about the next game.' It is really true, all you think is, 'Okay, we have to make a good next episode.'

I left 'How I Met Your Mother' and jumped right onto an episode of 'S.H.I.E.L.D.,' the TV show. I wrapped, and the next day I was on set shooting 'Agents of S.H.I.E.L.D.'

I have no choice but to admit that, for a while, I was a casual viewer of 'American Idol.' By 'casual viewer,' I mean I watched every episode aired between 2004 and 2007.

I never really see entertainment as a noble pursuit necessarily, but people really want a sense of normalcy, even if it's being delivered to them in a 'Hot Ones' episode.

I was in Nepal and I had watched Oprah Winfrey's show. I had no idea, as a kid in Nepal, who she was, but I remember watching an episode of hers about living your dreams.

For each episode the five of us are all wearing clothes by the same designer. It's a different designer for each episode, but for each one we're all wearing their clothes.

My feeling is, from when I started on 'Breaking Bad,' there's no reason to pick and choose because every episode is great. Whatever episode you get, you're lucky to do it.

We have a great musical sequence in episode five of 'Smash' called 'Let's Be Bad,' and it probably is the closest to 'Chicago' that I think any of us have ever experienced.

I look at each episode in two ways - from a design standpoint and from an entertainment standpoint - this is TV, after all. We usually succeed on at least one of the levels.

I will say, there's not an episode in existence where whatever didn't come out the way I wanted it to or is an actual mistake that won't nag at me until the end of the time.

My first reaction every time I delve into an episode of history that I don't know very much about is... my first reaction is anger that my teachers never taught me about it.

I tried out for 'Tough Enough' season 2 originally and made it to the final casting episode and got cut by Kevin Dunn, who said all I wanted to do was run and flip and jump.

For me, I was entirely focused on 'Episode VIII' and having this experience, and now I'm just thinking of putting the movie out there and seeing how audiences respond to it.

The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.

I'm very delighted they didn't choose to do the very musical episode of 'Once Upon a Time' when Ariel came in because I probably wouldn't have been the best girl for the job!

There is evidence that people do want to watch shows back to back - that's why DVR use is so high. When you're able to DVR something, people will watch more than one episode.

We have table reads for every episode of 'Billions.' The core cast is smaller than the core cast on 'Orange Is the New Black,' so in that sense, it has more of a theater vibe.

I approach horror music differently than anything else. The very first time I watch an episode, I want to be playing an instrument to it so I can get that shock into the show.

I directed an episode of Touched by an Angel a couple of months ago, and I will be doing more of that. I just like to keep a bit of variety going; it keeps things interesting.

I showed my dad the first episode of 'Toast of London' the other night. He laughed a bit, but when it finished, he just turned to me and said, 'You're an idiot.' I loved that.

In one notorious episode in 2002, in the holy city of Mecca, the religious police prevented girls from fleeing a school that was on fire because they were not properly dressed.

My kids haven't watched one episode of 'Growing Pains'. I'll tell you why. When our kids were little, we never wanted Mommy or Daddy to be the celebrity mom or dad to our kids.

There are a few things for the New York actor that you hope to one day cross off the bucket list. One of them was I got to do an episode of 'Blue Bloods,' which was really fun.

Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.

Looking through family photographs now is like watching an episode of 'Dad's Army.' My relatives seem to drop like flies around me. Who's next? Will it be someone I can't stand?

I don't watch scary movies. Sometimes, even having to read the script and do an episode of 'Grimm,' I get a little tense because I know someone's going to jump out of somewhere.

I have a lot of affection for those old shows. You can put on an episode of 'Full House' or 'Family Matters' or 'Growing Pains' now and I'll watch it. And I'll totally enjoy it.

I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.

I was watching 'Sabrina the Teenage Witch' - the episode where Sabrina and her friend make a vampire movie for college. I wanted to see if it would be fun to make a horror movie.

'CSI' was an amazing experience, which, looking back, I was very lucky to get. They shoot an entire episode in eight days, so everything has to be totally slick and professional.

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