Quotes of All Topics . Occasions . Authors
I am associated with techno epics.
I grew up torturing friends and family by making super-8 and VHS epics.
My specialties are corpses, unconscious people and people snoring in spectacular epics.
Stone Age. Bronze Age. Iron Age. We define entire epics of humanity by the technology they use.
In the ancient times, bards went around singing the epics, which were storehouses of philosophy.
I've done all these historical epics and chivalrous roles, but there's an odder, quirkier side to me that nobody knows about.
One of my pet peeves about biblical epics was that the characters' costumes always looked like they're just out of the dry cleaners.
What kind of hard SF do I write? Everything from near-future, Earth-centric techno-thrillers to far-future, far-flung interstellar epics.
We have been teaching 'Paradise Lost' and 'Julius Caesar' to the students but we are not teaching them 'Kalidas' or Indian drama and epics.
I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well. I'd love to be able to do a mixture.
Once I planned to write a book of poems entirely about the things in my pocket. But I found it would be too long; and the age of the great epics is past.
I didn't need to write historical epics, no, or science fiction, though I read a lot of science fiction as a kid and rather liked it. But I didn't have the mentality.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
Indian epics are full of violence, and such stories have shaped India. As filmmakers, I don't think anyone in India would tone down violence, keeping in mind the censorship.
Lots of science fiction deals with distant times and places. Intrepid prospectors in the Asteroid Belt. Interstellar epics. Galactic empires. Trips to the remote past or future.
Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.
If you look back at the great classics and the epics and myths, they were for everyone. Different people got different things from them, but everyone was invited to participate.
What do I geek out about? What am I? Hmmm. I love movies. I watch movies. I like big, sweeping epics, like Ed Zwick stuff: 'The Last Samurai,' 'Legends of the Fall,' 'Blood Diamond,' 'Glory.'
I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
'Theogony' should be read before the great Homeric epics because it gives an account of the cosmology that is taken for granted by Homer. It does for paganism what the Old Testament attempted to do for monotheism.
Fantasy encompasses a wide, wide spectrum of writing. We have beast fables, we have gothics, we have tales of vampires and werewolves, and we have sword and sorcery; we have epics from Homer, and there is just so much out there that we put under the umbrella of 'fantasy.'
When you're making this kind of music, you don't need a producer. If you're making pop albums or trying to write hit singles, then yeah, but if you're writing 20-minute prog epics, as long as you know how to make it sound good, and you have a good mixer, that's all you need.
My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
When people think of biblical movies, they imagine sweeping epics like 'The Ten Commandments.' But 'The Gospel According to St. Matthew' is essentially a documentary about Jesus. It made me aware of how real life and personal experience can create more breathtaking, sensitive cinema than more sophisticated techniques.
New platforms are emerging: Netflix, Amazon, Hulu and Xbox. And film actors are gravitating towards television, because there are basically better roles there. Television is making the kind of epics and genres that the movie studios used to make, and often doing it better with more complex narratives and corresponding budgets.
