Quotes of All Topics . Occasions . Authors
In my day, when I was a young kid, army duty was compulsory in South Africa or you go to jail. I had the choice, so I spent a year in the entertainment unit, and outside of doing shows - and I used to write for, arrange for the big band - outside of doing that, I actually had a rock band in the army.
I think with any challenge or any matchup, I can have my own personal feelings of what I want, but it really all depends on our audience. Our job is to give them the best entertainment that we feel is right. If it's something that they want to see, they'll be loud and vocal about it, and we'll do it.
I guarantee you that the people who watch 'Conan O'Brien' or who watch 'Entertainment Tonight' and probably a lot of these other programs have never heard of Operation Blessing. Maybe they have heard of UNICEF, and I'm sure they have heard of the Red Cross, but they haven't heard of this organization.
Men will shop, but they only shop when they need something. Women shop with passion and because it's enjoyable, and for some, it's even entertainment. All you have to do is step into a mall and see how many stores are geared towards men and how many are geared towards women, and you'll get the picture.
I don't know how to put this, but to some people, the NFL is basically modern-day slavery. Don't get me wrong - we get paid a lot of money. There's a sense of 'shut up and play,' that this is entertainment for other people. Then, when we go out in public, we're like zoo animals. We're not human beings.
I tend to think that the whole concept of, 'I saw this TV show, and someone was wearing this sweater, and now I'm going to buy that,' it's something that's been talked about for a long time, but I've never really seen it work. When people are watching an entertainment show, they want to be entertained.
The sad fact is that actual artistic oppression - book banning in its many modern forms - is a matter of course in the entertainment industry, especially when the underlying product is declared politically incorrect or runs contrary to the interests of Hollywood's political altar, the Democratic Party.
The upper middle class here still has options for entertainment. We have Internet, Hollywood and books. But for the majority and the masses, there is only TV. A lot of them sit at home and watch TV as they can't afford other forms of entertainment. So, we try to do shows which have inspirational value.
Think of the sushi trend that started in the '80s. It was as much about the Nintendo entertainment system in your living room as it was about the availability of good-quality raw fish. The Japanese food trend rose as the world of Japanese business and culture was becoming a bigger part of American life.
I consider myself lucky that Sheila Johnson, the cofounder of Black Entertainment Television, didn't choose to rest on her very impressive business laurels. Her luscious 100 percent modal scarves, printed with photos she takes all over the world, are gorgeous. Wearing one is like being wrapped in a hug.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
As a producer, as a CEO of Hartbeat Productions, I am making deals to put my company in place to win, to put my staff to work so that while all this stuff is going on, they're in the kitchen cooking. So it's understanding the longevity of the entertainment business; you get out of it what you put into it.
I was a little tomboy, growing up, but we had to go to the library every weekend if we wanted some form of entertainment. And I would gravitate towards the Shirley Temple, Judy Garland section of the library, and I would just pop that in and watch on replay because kids can watch movies over and over again.
A clever conjurer is welcome anywhere, and those of us whose powers of entertainment are limited to the setting of booby-traps or the arranging of apple-pie beds must view with envy the much greater tribute of laughter and applause which is the lot of the prestidigitator with some natural gift for legerdemain.
If there is any message in the 'Wimpy Kid' books, it is that reading can be and should be fun. As an adult reader, when I see an obvious moral lesson to be taught, I run in the other direction... Kids can sniff out an adult agenda from an early age. I'm writing for entertainment, not to impress literary judges.
My #1 job as a thriller author is to give readers the best white-knuckle thrill ride I am capable of. I am first and foremost in the entertainment business. If that suspenseful ride is also terrifying because it hits really close to home, then I am once again doing what I am supposed to do as a thriller author.
What's interesting when you see 'Black Panther' is you realize it couldn't have been directed by anybody else but Ryan Coogler. It's a great adventure movie, and it works on all those different levels as entertainment, but it has this kind of cultural through-line that is so specific that it makes it universal.
I am Jack Swagger. My background, it's there for the world to see, and you look at MMA today, you look at boxing today, you look at professional kickboxing today, you need that entertainment value. You want people to relate to you as a character, as a personality. Honestly, that's what they're going to remember.
There are three things that I'm addicted to when it comes to entertainment. In no particular order, One, I'm addicted to the cheer moment. 'Librarians' has plenty of them. Next, I feel that life is hard, and I want my entertainment fun, and 'Librarians' is fun as a Christmas party. And third, I like to be moved.
Has the art of politics no apparent utility? Does it appear to be unqualifiedly ratty, raffish, sordid, obscene, and low down, andits salient virtuosi a gang of unmitigated scoundrels? Then let us not forget its high capacity to soothe and tickle the midriff, its incomparable services as a maker of entertainment.
The word 'success' - who's defining it? It's about whether or not it makes me feel good. Four billion people don't have to see or hear it. If I've enjoyed the process of creation and I'm at peace, then what happens next is just entertainment. If mass appeal were actually something, Marilyn Monroe wouldn't be dead.
Churches that should be talking about the work of Christ on the cross and the grace of God for sinners are stuck on recycled pop psychology, moral exhortation, or entertainment. But these fail to speak to the eternal question that haunts all of us: 'How do I know that I'm OK?' We all want to know we are justified.
Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.
When I had the idea for 'Shopaholic', it was as though a light switched on. I realised I actually wanted to write comedy. No apologies, no trying to be serious, just full-on entertainment. The minute I went with that and threw myself into it, it felt just like writing my first book again - it was really liberating.
My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
I do think that even with entertainment and telling stories, people in the entertainment industry have such a beautiful position in the world to speak about things that they're passionate about in a way that can grab people more than just sitting and telling someone about something, because you can show it visually.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
Ryan Murphy, he basically tries to find something that's a pulse, a pressure point in our culture, and he grabs it, and he squeezes it. I think 'Freak Show' has a lot to do with the entertainment industry and the way we entertain ourselves: the objectification of people and the lengths we'll go for our own amusement.
Certainly, those of us in the entertainment industry, we are part of creating fear in people - 'fear' for me stands for 'false evidence appearing real.' We create fantasy, and in certain ways that's wonderful because it allows people to escape. But it can suck people into wanting to achieve something that isn't real.
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
One of the nice things about books as opposed to television and movies to some extent is it's not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It's great - it means their brains are working.
Sometimes I get a little confused because with dancing I can express my emotions with my body. With acting you have to do it with your face and your expressions, and then with animated shows you have to use your voice and use your inflections. So it's definitely a challenge to transfer from each genre of entertainment.
Every wrestling show is now designed to be the greatest show ever. In contrast, the NWA show is different. It didn't tire people out to watch, something was allowed to register. It is the exact antithesis of planned, big budget, choreographed, scripted sports entertainment, and that is what makes the show so different.
We immerse ourselves in escapist mass entertainment, such as 'reality T.V.' programs. We support fanatical politicians and preachers. Our politicians, in turn, support dictators and tyrants in other countries, all in the name of 'security' and 'stability'. And we arm ourselves to the teeth, and pray to God to be saved.
The Internet is all about accessing entertainment. Realistically, 50 to 80 percent of all traffic is people downloading stuff for free. If you can turn that huge market share into something that you can monetize, even if it is just with ads, you will end up making more money than with all other revenue streams combined.
'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.
As an artist, illustrator, and photographer, most of my daily work was formed around the Art & Entertainment business, which was about packaging ideas that looked like they were crafted as artist ideas. In the distributed products, my artist credit was hidden inside the package of the artist or entertainment personality.
Animal abuse is rampant in the U.S., right under everyone's eyes, for the entertainment of the public. The brutal confinement and pain of training methods of wild animals in the circus, the aquatic and theatrical shows, leads to retaliation by the animals. Eventually they find the right time to strike out, and they will.
Our company has been very forward-thinking about digital technology and the opportunity that it gives us. As we move into a world where we have more and more devices at our disposal, that really means more and more opportunities for the Walt Disney Co. to reach you: through our entertainment, through all of our divisions.
Katalyst is a merger of three industries. A piece of us is connected to ad agencies. Because we get the complex overlay of the social Web, we know how to engage an audience and how to make entertainment for the social Web. And we know how to gain and activate and retain an audience. So we create social networks for brands.
The menu should be part of the entertainment, part of the dining experience. It's kind of like reading the 'Playbill' when you go to the theater. It should be an alluring and interactive document. Does it have burn marks on it from the candle? If you ever get a greasy menu with food stains on it, it's time to run like hell.
The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.
I interned at Miramax and subsequently at Paramount because I was really curious about the future of entertainment - how were we going to get films online? While the inspiration for Box didn't come from that experience directly, it was very obvious that bigger businesses had a lot of slow processes and cumbersome technology.
Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.
In the old days, you would have one lawyer to handle everything: speeding tickets, buying a house, contracts, litigation, real estate, copyrights, leasing, entertainment, intellectual property, forensic accounting, criminal offenses... the list goes on. Now, you have to have a separate lawyer for each one of those categories!
There is increasing social concern about our use of nonhumans for experiments, food, clothing and entertainment. This concern about animals reflects both our own moral development as a civilization and our recognition that the differences between humans and animals are, for the most part, differences of degree and not of kind.
When I was a kid, I played basketball religiously. I begged my mom to get me voice lessons because I wanted to learn to sing the right way, but at the same time, I was playing Junior Olympic basketball, and I was playing point guard for my school. But I was wanting to get into entertainment, into music and film and television.
Harlem for me is Atlanta, Las Vegas, and Washington, D.C., in one place. You have very significant churches that have had national ramifications. At the same time, you have politics. On top of all that, you have entertainment because you have 70 years of music that came out of here, and if you scratch that, gangsterism happens.
The liberal entertainment industry is a fickle world. So it's about living in the moment, and it's about being clear with it and understanding that this is another opportunity to step up the staircase a little bit and create some newer opportunities and get involved in some other projects, as well as possibly creating your own.
Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.