Quotes of All Topics . Occasions . Authors
What the entertainment industry can do is tempt you into making stupid mistakes, but the only tool that they have to tempt you is money. So if you're okay saying no to money, then you can say no to a lot of things that you might be embarrassed of later.
In the entertainment industry, there is this fear of getting older, because we have high definition television now, and you can see things that the human eye can't even pick up. But the good thing about standup is that the older you get, the funnier you get.
I have formulated several levels of protest in my 'Sarabjit Bachao Andolan.' The first level is to get the active participation of the entire Punjab entertainment industry. I am also formulating and framing letters to the Indian Prime Minister and President.
This is the entertainment industry, so game designers have to have a creative mind and also have to be able to stand up against the marketing people at their company - otherwise they cannot be creative. There are not that many people who fit that description.
I have six sisters and two beautiful daughters - that's eight women who mean the world to me. I support the Entertainment Industry Foundation and Lee National Denim Day because they fund programs that are making huge strides in breast cancer research and support.
I am an entrepreneur in the entertainment industry. Somewhere early on when I couldn't get something I wanted through the system, I threw up my hands and tried to figure a way to get it done myself. A lot of it came from my upbringing. My dad was an entrepreneur.
I never contemplated any kind of existence or identity after my career. I never thought at some point the entertainment industry is going to be through with me. And when it first occurred to me that my career was going to cease to be ascendant, then I freaked out.
As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.
I'm consistently asked how I keep a foot in two contrasting worlds - one in the entertainment industry, predicated on wealth and indulgence, and the other in humanitarian work. To me, it's less of a question of how can you do this, and more a question of how can you not?
The entertainment industry is always targeted at young people. Understandably so, as they are the key consumers. The young are the ones who are falling in love, starting out in life; older people aren't. Nobody thinks, 'Now I'm going to write a film about an older person.'
As parents and as consumers, we have the right and the power to pressure the entertainment industry to respond to our needs. Americans, after all, should insist that every corporate giant - whether it produces chemicals or records - accept responsibility for what it produces.
Since I came from another part of the world, I expected many differences in the way things worked, but at the end of the day, there actually were more similarities between the American and Indian entertainment industry: the same chaos, creativity, passion, and genius all around.
I won't speak for the entertainment industry. I speak for Disney. I've seen people in the industry come to work every morning paranoid about what the other person or other company is doing. That means you're spending time and focus on somebody else's business instead of your own.
It's been quite the experience for two brothers who were Orthodox Jews in Brooklyn, who had no idea that they were going to end up in the entertainment industry. To be where we are now, making features, TV shows and getting a hundred million views online is kind of an amazing thing.
You don't realize it until you go out and take a look, but there are so many ways in which sexism is just allowed in our culture, not just in the entertainment industry. It's just allowed to be there, and that's not acceptable anymore. And I think it's really important to be very vocal.
I got all these books about, like, what you need to know to enter the entertainment industry. And I remember I sent my music to record labels, and I took these little DVDs and sent them all over the place. And either no one got back to me or they just kept saying, 'You're too different.'
I have so many strong opinions on the entertainment industry, but if I'm in a deli somewhere, and someone says they love that Adam Sandler movie where he dresses up as his twin sister - well, I don't want to make people feel bad for how they feel about things. I'm always courteous, not mean.
My first manager chose the name Engelbert Humperdinck for me. My real name is Arnold George Dorsey. It didn't really quite hit the entertainment industry the way it should have. But when my manager chose the name Engelbert Humperdinck, I had a hit record immediately, which was called 'Release Me.'
The sad fact is that actual artistic oppression - book banning in its many modern forms - is a matter of course in the entertainment industry, especially when the underlying product is declared politically incorrect or runs contrary to the interests of Hollywood's political altar, the Democratic Party.
The entertainment industry is a microcosm of the real world. To be 'othered' within the industry is a reflection of where we have been cast in the outside world, existing in the margins of society for decades witnessing cisgendered, heterosexual whiteness as the clearly defined default to which we must cater.
I do think that even with entertainment and telling stories, people in the entertainment industry have such a beautiful position in the world to speak about things that they're passionate about in a way that can grab people more than just sitting and telling someone about something, because you can show it visually.
Ryan Murphy, he basically tries to find something that's a pulse, a pressure point in our culture, and he grabs it, and he squeezes it. I think 'Freak Show' has a lot to do with the entertainment industry and the way we entertain ourselves: the objectification of people and the lengths we'll go for our own amusement.
Certainly, those of us in the entertainment industry, we are part of creating fear in people - 'fear' for me stands for 'false evidence appearing real.' We create fantasy, and in certain ways that's wonderful because it allows people to escape. But it can suck people into wanting to achieve something that isn't real.
We wanted to take on social and political and LGBTQ stories which no one at the upper level of the entertainment industry ever really wants to do. So you have to fight, and you have to persuade, and you have to manipulate the studios and the networks. And you have to go back - over and over again - until they say yes.
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
The liberal entertainment industry is a fickle world. So it's about living in the moment, and it's about being clear with it and understanding that this is another opportunity to step up the staircase a little bit and create some newer opportunities and get involved in some other projects, as well as possibly creating your own.
Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
In a lot of ways, Chris and Liam are definitely worlds ahead of me in terms of the entertainment industry and the experience it brings, which I'm more than happy to concede to. It's certainly not a bad thing, but there are also things that make it a bit harder for me because of the preconceptions that come along with me being a Hemsworth.
Attempts to defend amusement parks and circuses on the grounds that they 'educate' people about animals should not be taken seriously. Such enterprises are part of the commercial entertainment industry. The most important lesson they teach impressionable young minds is that it is acceptable to keep animals in captivity for human amusement.
I've helped some of my classmates on how to strategize to get to the next level of their businesses. And it's interesting, because here I am sitting there from the entertainment industry and the fashion industry, and I'm giving a billionaire that has a business that's been in his family for 300 years - I'm giving him advice about strategy!
I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.