Quotes of All Topics . Occasions . Authors
My mom let me play in her clothes, wear makeup, and I had high heels from a thrift store. My mom tells me that the only reason she let me dress in her clothes is because she couldn't afford any toys, and it seemed entertaining enough and kept her from having to buy me anything, 'cause everything I wanted was in her makeup box or wardrobe.
In my 20s, I used to have a lot more energy! I was this skydiving, bungee-jumping adrenaline junkie. I don't know what happened to me! Now that I'm in my early 30s, I've put all that energy into my work, although I'm still a little ridiculous. In your 30s, you're sensible enough to know better, but still stupid enough to do stupid things.
I'd like to be the commissioner of tennis, but do I want to get into politics? Sometimes I have delusions of grandeur that that would be an interesting, good thing. I'm talking about actual politics, like being a congressman, but then I see how unbelievably nasty it really is, and maybe I'm not quite knowledgeable enough to actually do it.
It never occurred to me that I was important enough to have some politician go out of his way to silence me. I only found out about it in the '80s by accident - a broadcaster announced they received letters of commendation from the White House for having suppressed my music. My career was so highly impacted in the U.S. it will never recover.
When I work, a lot of times I have to lose weight, and I do that, but in my regular life I was not eating right, and I was not getting enough exercise. But by the nature of my diet and that lifestyle - boom! The end result was high blood sugars that reach the levels where it becomes Type 2 diabetes. I share that with a gajillion other people.
I'm pretty good at inventing phrases - you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically* obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too.
Funny enough, if you are looking at people these days who are putting Botox in their face and getting all sorts of plastic surgery, we look at them and go, I can tell you've had Botox. I can tell you've had plastic surgery. You look really strange to me. But no one's saying anything. We're just accepting the fact that they're strange-looking.
If you're married, and you have a wife, and you really love your wife, is it good enough to only say to your wife 'I love her' the day you get married? Or should you tell her every single day when you wake up and every opportunity? And that's how I feel about my relationship with Jesus Christ is that it is the most important thing in my life.
The only time the private parts of someone's life are relevant is when they're affecting public performance. And just because someone is a public person doesn't mean that any part of his or her private life is open to scrutiny. If someone is doing his or her job, you have to have enough empathy to understand that we all have personal problems.
Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.
Sometimes I'd literally show up at the gym having a panic attack, and my trainer would be like, 'All right, let's just go get breakfast.' I can't give enough credit to him... he was really there for me, and not just like a trainer where it's like, 'Well, come on, man, I gotta pump you up.' He cared more about my mind and the state that I was in.
In my own life, I found that whenever I wasn't sure what to do next, I would go and learn a lot, read a lot, talk to experts. I don't know how the human brain works, but it's almost magical: when you read enough or talk to enough experts, when you have enough inputs, new ideas start appearing. This seems to happen for a lot of people that I know.
That's the great irony of allowing passionate people to work from home. A manager's natural instinct is to worry that her workers aren't getting enough work done. But the real threat is that they will wind up working too hard. And because the manager isn't sitting across from her worker anymore, she can't look in the person's eyes and see burnout.
I call Alibaba '1,001 mistakes.' We expanded too fast, and then in the dot-com bubble, we had to have layoffs. By 2002, we had only enough cash to survive for 18 months. We had a lot of free members using our site, and we didn't know how we'd make money. So we developed a product for China exporters to meet U.S. buyers online. This model saved us.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
Surely we cannot take an open question like the supernatural and shut it with a bang, turning the key of the madhouse on all the mystics of history. You cannot take the region of the unknown and calmly say that, though you know nothing about it, you know all the gates are locked. We do not know enough about the unknown to know that it is unknowable.
I use social media every day. I don't have a Twitter account, but not because I'm a dinosaur about it. I have enough of a platform here. People in my position who do it tend to use it in a promotional way or in a hamstrung way. I look at Twitter all the time as a news tool or for cultural conversation. I've used it in my reporting. It's very useful.
One of my trips was to meet with the Gulf Cooperation Council with all the Saudi foreign ministers, and when we started the meeting I said 'Perhaps you've noticed that I'm not dressed the same as my predecessors", but no-one had a problem and I was never treated with anything other than respect...So I did not have problems with that, interestingly enough.
We're not clever enough to picture something and say, "Our music is going to be Jackson Pollock meets Oprah Winfrey" and then go about achieving that. I was in a band called Olive Loaf - it was the first thing I ever did when I first started playing the guitar when I was 12, and it was sort of like Ween, although I didn't know Ween even existed at the time.
I was basically a sound engineer, I produced radio shows and stuff and had to splice tape in the old days. And you knew a sloppy edit when you heard it, because I had enough of them. But that stuff takes the magic out of it, if you need to know everything. Then you become omnivorous. Everything is tender, and as soon as you burn it up, you're on to the next.
I was so disappointed [with movie Forsaken], but maybe I hadn't talked enough with the director. I don't know. But, Kiefer worked it out. Kiefer took it and re-edited it. I don't know whether he talks about that. He's probably more discreet than I am because Jon is a friend of his. Now, it fulfills what I was hoping for, and what we were working on and doing.
When I look at American history and I look at what history means to me, I look at it as if it were a string of stories. And if it's told well enough and in a way that's charming and warm and with wit and humor, then it takes a bit of the edge off of it. You can still tell the truth, but if you tell it very sweetly and very warmly, it makes it go down a bit easier.
Touring isn't traveling. Everyone should know that. And I would absolutely recommend a month of solo touring - that is, no driver, no merch person, no tour manager - to anyone in the position to do such a thing. But just once. You grow a lot in those situations, like when you spend a Christmas alone (which I also recommend). But, again, only once. That will be enough.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else. Now, as an adult, I have a grounded enough awareness of who I am as a human being and what I'm comfortable exploring and what I'm not interested in exploring.
Consequentialist theories pretend that we can set some great big ends (the general happiness, human flourishing), provide ourselves with definite enough conceptions of them to make them the objects of instrumental reasoning, and then obtain enough reliable information about what actions will best promote them that we could regulate our conduct by these considerations alone.
Choose something that you're passionate about. So for me, that's creating jobs for women who don't have a voice. I would like to be their voice until they're strong enough and on their feet to have their own and really be heard. The way that I can do that is not necessarily by hand-outs, because my hand-outs wouldn't be great enough to really affect change. It's by providing jobs.
What people don't understand is that the underground that existed was created in the early 80s and was thriving throughout the 80s. Until the industry showed up it was a pretty significant network. It was all happening, but the smell of money had not wafted up high enough for the industry. It wasn't really until they came descending on Seattle that things really got out of control.
You can put a person in jail for 5 years, for 10 years, or 20 years, for the same crime. We're deciding on 10 years to 20 years, when 5 years would be enough. Okay. The deterrent value, the additional amount of leverage that you get over a criminal to keep them from breaking the law in the first place, associated with making the sentences longer, is de minimous; it's essentially nothing.
I was 21. At the time, I was under the thumb of my label, and I felt like I had to do, say and act out everything they asked me to do. I was trying to please them and the public and finally I had to say, "Enough. I'm going to make a record that makes me happy and addresses all facets of being a woman. I don't care if I sell one or one million records." That's how I came to make Stripped.
I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history – true or feigned– with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and the other in the purposed domination of the author.
I am semi-ambivalent about being on camera - sort of low-key. I don't like being on camera stuff that much. I like radio and live performing stuff. I don't like the television stuff as much. Some people do. It takes a certain breed of cat. There is a ton of pressure and you need to read cue cards. I am not a good cue card reader. Being a poor reader was enough to make me not want to do that type of formatted show.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
What I love about Inuit carving is that it's so narrative, but it doesn't have the temporal dimension of an illustrated picture, where it feels like something happens before or after. Everything is happening in the sculpture, and you can hold the whole story in your hand. A lot of these sculptures are small enough that you can hide them in your hand completely so you're not looking at them, you're just feeling them. I
An axiomatic system establishes a reverberating relationship between what a mathematician assumes (the axioms) and what he or she can derive (the theorems). In the best of circumstances, the relationship is clear enough so that the mathematician can submit his or her reasoning to an informal checklist, passing from step to step with the easy confidence the steps are small enough so that he cannot be embarrassed nor she tripped up.
Within time, you get comfortable with yourself and with the unknown - that we're not going to know until that time comes. And that's enough for me. I wrestle with this a lot even now because I don't want to step on anyone's religion. My family is still very dedicated. At the same time, I take great issue with it when it starts defining policy or ultimately becomes separatist. ... It's been the basis of our main conflicts throughout history.
When you buy a meal and you pay a fair price for it, are you doing this to ensure that the employees get health care? When you walk into Mickey D's and you buy a Big Mac, do you ask them, "By the way, is this thing costing enough so that you get health care here? By the way, is this Big Mac costing enough so that you get a pension here?" Do you think any of that when you go buy a Big Mac? No. You want it to be as cheap as it can be. That's why you're there.
Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.
I love these appeals to the "complexity of doing business in Alaska." If you want to live in remote villages or places with hostile weather and environment, that's certainly your right. But why is it you please continue to expect that the rest of us are responsible for making that economically feasible. You already get a big boost from oil and other natural resources. If that's not enough to pay for the infrastructure you say you need, maybe you should consider moving down here. No passport or work visa is required.
When you buy enough stocks to give you control of a target company, that's called mergers and acquisitions or corporate raiding. Hedge funds have been doing this, as well as corporate financial managers. With borrowed money you can take over or raid a foreign company too. So, you're having a monopolistic consolidation process that's pushed up the market, because in order to buy a company or arrange a merger, you have to offer more than the going stock-market price. You have to convince existing holders of a stock to sell out to you by paying them more than they'd otherwise get.
