I'm trying to make enough money where I can be financially independent and be able to go and just pursue that thing that everybody really needs, just pursue my family and the cause of my family.

I like eating out. I like buying beautiful paintings and being surrounded by beautiful things. I have to finance that life. I can barely afford a pension scheme because I don't make enough money.

My mother was not the cook in the family. My dad was. I'd watch him behind the grill, and I said, 'If I ever make it and have enough money, I'm going to make sure I dine in the best restaurants.'

When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco.

We have to make it easier to afford to go into education in the first place, so you don't leave with crippling debt that you never have a chance to pay back because you're not making enough money.

'No Flex Zone' is when somebody walks in and accuses you of stealing their cellphone, and you didn't, and you know in your pocket you have enough money to buy their cellphone, and you have your own.

I did 12 shows in 13 weeks at a summer theater in Maine where we were paid $35 a week. After taxes and $25 for room and board, I had enough money for a pack of cigarettes and a bowl of lobster bisque.

I've always been interested in photography. I remember when I was about 14, I spent an entire summer selling lottery tickets in some little booth so I could make enough money to buy an Olympus camera.

Basically, I think that most people either make too much money or not enough money. The jobs that are essential and important pay too little, and those that are essentially managerial pay far too much.

I never minded flying cheap. I always said to myself, 'Taking this flight saves enough money to rescue four dogs, or six cats, or will let me make a difference to the one woman saving chimps in Cameroon.'

I remember having to quit school and quit my job. I just sort of moved all my stuff into other people's places. Within, like, six months, I was able to earn enough money from touring to rent a place again.

There's not enough money in the world to get me singing 'Because We Want To' again. I wouldn't do it. I think Beyonce Knowles got a couple of million for a private show but I would be happy to turn it down.

I was working like a dog as a housekeeper, barista, nanny, cook, so I could save enough money to really sit with my instruments. Whenever I had 20 minutes, I would practice a new chord or write a new verse.

There is simply not enough money available to support a system in which the lion's share of expenditures is devoted to acute care, with virtually nothing being spent on preventive medicine, i.e. health care.

'Simplifying' the tax code is a priority mainly for people who make enough money to want to avoid paying taxes, and who make their money by means unorthodox enough to make avoiding taxes possible and desirable.

Once I realized I wanted live in New York, I saved enough money that I wouldn't have to get a job right away. That was important to me, to focus on acting; I didn't want to come here and just fall into the mix.

When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.

I wouldn't call Loopt a failure. It didn't turn out like I wanted, for sure, but it was fun, I learned a lot, and I made enough money to start investing, which led me to my current job. I don't regret it at all.

I feel like we bring in a lot of money to the universities. We put in a lot of work. Some guys don't have enough money to bring their families to the games... so I feel like athletes should be compensated for it.

I'm blessed to be living this dream of writing and singing, but that's not the real dream I had. The real dream was to make enough money to take care of all the pain and suffering that my mother has been through.

Let me tell you something: I have members in my charter who, after paying their rent and house bills and taking care of their families, don't even have enough money left over to pay the fifteen dollars a week dues.

My son tried to work in films and he ultimately gave it up, he finally couldn't make a living, he couldn't support himself. He worked all the time and he didn't make enough money to have a house, have an apartment.

Fortunately, now I've got myself in a position where things are about story and not money. In my earlier career, it was more about getting my foot in the door and to get enough money to live, to be perfectly honest.

I think that I'm lucky in that, even at levels where I, by and large, wasn't making enough money to sustain my life, I worked as a male nanny, I waited tables and did what I had to, to keep doing theater and acting.

Career-driven millennials are strategic about working obsessively while they are single and earning enough money to afford advanced education. Most are patient enough to wait until 30 or later to develop their dream.

At a lot of college graduations, you'll hear people say, 'Follow your passions,' and that is important, but no one talks about the stress of not having enough money, the issues of debt, and the issues of work stress.

I just felt like I couldn't deal with the everyday responsibilities of life, paying bills and all of that. I'm terrible at all of that. So I knew I had to make enough money to pay someone else to deal with all of that.

Governments are out of control, irresponsible, never have enough money, never tighten their own belts, and when they are forced to, they always threaten to shut down police departments and teachers and all these things.

I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.

If we know there is enough money in there for nine or ten months, we won't worry too much. They can come back and get more-not all they want, but a large piece of it. So you always have the supplemental as a safety valve.

Basically as a working class boy I understand when there's not enough money to put food on the table and not knowing where the next dollar comes in from. When you've been in that environment as a child, you never lose it.

I could've signed with a team after Portland cut me and just sat on the bench and collected paychecks, but that's not my style. That just seems really unethical. Besides, money doesn't matter to me. I've got enough money.

I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type.

To a certain extent, I have to be the president's bad cop from time to time. I have to look people in the eye and tell them, 'No, we don't have enough money for that.' That is not a very popular thing to do in Washington.

I've lived in small rooms, flats, growing plants in pots on window sills. I'd have liked to have had a full-fledged garden with all kinds of flowers and plants. I've never had enough money to buy a big enough garden space.

I worked for a charity for a while, but... well, I started acting while I was in high school. I kind of just got lucky enough to live at my parents' house until I was actually making enough money to be somebody's roommate.

Shaped like Texas, but twice as big, Mali is one of the poorest countries in the world. It exports almost nothing - mostly just cotton, gold and livestock - and doesn't have enough money to import much of anything, either.

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.

My mother was a very wonderful woman. When she and my dad divorced, she moved to California and worked two jobs in the cannery at night and as a waitress during the day. But she saved enough money to establish a restaurant.

If the first requisite for writing well about food is a good appetite, the second is to put in your apprenticeship as a feeder when you have enough money to pay the check but not enough to produce indifference of the total.

Well, the fact that the news industry doesn't have enough money to only send salaried staff to war zones means there is an enormous, wide-open opportunity for young people who want to be on staff and don't know how to get there.

Philip Pullman and Jacqueline Wilson have both been writing for a long time. In 30 years, will writers of that quality have been able to serve the same sort of apprenticeship? Not unless they can make enough money now to live on.

Nobody can ever make enough money for as many poor relatives as I've got. Somebody's got a sick kid, or somebody needs an operation, somebody ain't got this, somebody ain't got that. Or to give the kids all a car when they graduate.

I never challenged control of the band. Basically, all I did was start asking questions. There's an old adage in Hollywood amongst managers: 'Pay your acts enough money that they don't ask questions.' And I started asking questions.

My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.

My mother and my father were teachers. My grandmother and my grandfather were teachers. This is something I really know about. Even when I was a kid, it was a profession my father couldn't stay in, because he couldn't make enough money.

What Western society teaches us is that if you get enough money, power, and beautiful people to have sex with, that's going to bring you happiness. That's what every commercial, every magazine, music, movie teaches us. That's a fallacy.

If you've made enough money where you're not worried about the rent or survival, you start asking yourself why you're on this planet. Your point is to do the most good you can before you die - well, I could do more good if I didn't die.

The readership of Victorian novels, when they were published, was much less diverse. People were probably white, and had enough money to be literate. Very often, there are phrases in Italian, German and French that are left untranslated.

We did a show called The Orphan Train, during the depression, when families didn't have enough money to support their children, they'd put them on the train and hope someone would pick them up who had enough money to support their children.

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