Quotes of All Topics . Occasions . Authors
True love stories never have endings.
I like happy endings.
I don't believe in happy endings.
In film, you can have sad endings.
I had a very quick moment on 'Happy Endings.'
I'm biased for movies that have triumphant endings.
The Tamil audience is more receptive to unusual endings.
Walter is a force of nature, without beginnings and endings.
I have an instinctual distrust of conventional happy endings.
I like endings that let your imagination do a lot of the work.
The beginnings and endings of all human undertakings are untidy.
Sometimes the kids come up with better endings than the real story.
I'm incredibly cheesy. I'm all about happy endings and all of that.
I believe in true love, and I believe in happy endings. And I believe.
That's something I think is growing on me as I get older: happy endings.
It's no secret that many tales of tween stardom have had unhappy endings.
My parents believe in the happy endings to the stories of their children.
A romance novel should leave readers joyous. My books all have happy endings.
My stories always have these twisted happy endings, and the boy always gets the girl.
Yeah, I don't necessarily like endings that contrive an artificial moment of completion.
I love watching movies with happy endings or anything with Steve Martin or stuff like that.
I don't like false happy endings, and I don't think the real world is such a forgiving place.
I seem to have a talent for writing endings that seem just right to me but that frustrate other people.
I keep trying to write happy endings, but my books always end on more of a bittersweet note of ambiguity.
I was born with Spina bifida. That's where you have a hole in your spine, and your nerve endings come out.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
Life is not so much about beginnings and endings as it is about going on and on and on. It is about muddling through the middle.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
The reason my games are chaotic is that the world is chaotic, not me. I don't aim for bad endings - they just naturally come out.
Claire Denis's 'Beau Travail' is one of Denis's greatest achievements. One of the most mysterious and beautiful endings in movies.
Maybe I'm old-fashioned. But I remember the beauty and thrill of being moved by Broadway musicals - particularly the endings of shows.
Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.
You don't reach points in life at which everything is sorted out for us. I believe in endings that should suggest our stories always continue.
Endings are always tough, but I believe when something ends, there are new beginnings, new opportunities and new things to be excited for, too.
'Gossip Girl' came out in rapid succession over two years, so the endings always had to be suspenseful so that you couldn't wait for the next one.
I loved playing Jackie on 'Happy Endings.' It was really exciting to be in the pilot and then be able to come back. Her character was so much fun!
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
These happy endings all express the weak and sly promise that the world is not rotten and out of joint but meaningful and ultimately in excellent condition.
The fun thing about writing a book with multiple paths and multiple endings is you really get to explore the characters and figure out their different fates.
I tend to write my beginnings and endings first - as a cartoonist and storyteller, I couldn't sit down every day if I didn't know where the story was headed.
I offer optimism. All my books have happy endings. I don't see any point in letting my readers down at the end. I'm an optimist - people feel that in my books.
The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.'
The world does not have tidy endings. The world does not have neat connections. It is not filled with epiphanies that work perfectly at the moment that you need them.
Some reviewers call my stories dark - and yes, there is violence and angst, and the stakes are high - but I like to think that the endings are satisfying and hopeful.
That's what fiction writers do: create characters and do terrible things to them for the entertainment of others. If they feel guilty enough, they write happy endings.
When you are in your teenage years you are consciously experiencing everything for the first time, so adolescent stories are all beginnings. There are never any endings.
I don't think 'Shotgon Stories' or 'Take Shelter' have hopeless endings. I think there's hope in both those films, no matter how hard you have to search for it. It's there.
I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
I have damaged nerve endings on the right side, so my piano style comes from designing stuff I can play with my right hand. And some of it effectively mimics classical stuff.
