Quotes of All Topics . Occasions . Authors
It's always great to have a purpose of a meeting and an ending for it, but it's even more important to be present and have an engagement on the topic you're doing, to create an environment and energy around that meeting, so everybody goes from there, 'That's great; we can take it forward!'
While not my personal favorite of the Disney princess films, 'The Little Mermaid' wins hands-down in my book for best Disney adaptation. Little girls waited for more than 150 years for Hans Christian Andersen's 'The Little Mermaid' to have a happy ending. Walt Disney finally gave it to her.
I always liked movies like 'American Graffiti' and 'Gregory's Girl.' 'Gregory's Girl' is particularly perfect because it really captures that summer holiday bubble of teenage utopia. Even though it's got a happy ending, there's a feeling that these characters may never see each other again.
When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.
I had seen my buddies crash and burn. Keith Moon died, and I always thought that was the way he wanted to go. John Belushi was a dear friend. A lot of the guys that I ran with were ending up dead, and I saw myself right on schedule to do that. I had some moments of clarity - once in a while.
We think of the revolution ending in Yorktown, Va. The fact of the matter is that the French defeated the British in a naval battle right in the mouth of Chesapeake Bay. Because the British fleet was coming to rescue Cornwallis, the British general, Washington was able to surround Cornwallis.
We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
My specialty at 'SNL' was doing triage. There was always a great need for someone to say, 'Make this funnier. Give me an ending for this. What's a better big laugh for this towards the end? What's a better physical joke in this?' And I just really, over time, honed that specific thing so well.
I went to Australia from England when I was right at that age when you learn to read. It's a very confronting thing, traveling halfway around the world and having a mother who was deeply unhappy at ending up in Australia, so you look for some way to find comfort, I guess, and I found it in books.
I usually have a general idea of where the story is going, but I try to avoid planning in too much detail. The best endings are those that emerge only after I've thought long and hard about the various ways the story might end. Then I choose the ending that seems surprising yet somehow inevitable.
The good ending dismisses us with a touch of ceremony and throws a backward light of significance over the story just read. It makes it, as they say, or unmakes it. A weak beginning is forgettable, but the end of a story bulks in the reader's mind like the giant foot in a foreshortened photograph.
My mom did this really cool thing: when 'Pulp Fiction' came out on video, she made, like, a 'mommy edit.' She took two VCRs and dubbed 'Pulp Fiction' from one tape to the next and edited out all the parts she thought were unsuitable for a kid. It was basically, like, the opening and ending credits.
There are a lot of leaders that talk about ending things like oppression - whether it's discrimination or getting a job - but the reason for all of this stuff is somebody's making a profit off our backs. That's the reason why black people were brought here in the first place. It was a profit motive.
Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'
I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.
You're under the gun at all times because it's live TV. A lot of time, between dress and air, you're having to come with an entire ending to your sketch that gets an even better, bigger laugh - which is terrifying... People are filing into the audience, and you're writing a new joke for the end of it.
'Duch' means spirit and 'ovny' is kind of the adjectival ending, so the word itself means spiritual. It's my father's name, obviously. He took the 'H' out because he was tired of people saying Duchovny, but he never did it legally. When my parents divorced, my mother, to my father, put the 'H' back in.
I went into science, ending up with a Ph.D. in cell biology, but along the way I found out that experimental science involves many hours and days and nights of laboratory work, which is a lot like washing dishes, only a little more challenging. I was too impatient, and maybe a little too sloppy, for it.
If you just do a Google search and type in 'smoking' or 'lung cancer', you will be barraged with never ending facts and numbers, like how one in every three Americans is affected by lung disease and how COPD is the third leading cause of death and if you get lung cancer the odds are 95% that you will die.
Here in Israel, we want the boys back home, we demand it from our government, who often pay a steep price to get hostages back. But we need a happy ending. We don't want to deal with those days after release, their post-trauma or reintroduction to society. Yet coming home is only the start of their journey.
'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
On the last drafts, I focus on the words themselves, including the rub of vowels and consonants, stressed and unstressed syllables. Yet even at this stage I'm often surprised. A different ending or a new character shows up and I'm back to where I began, letting the story happen, just trying to stay out of the way.
Healthy children are born from healthy, respected, well-nourished and educated mothers and it is imperative that they have a voice in the decisions which affect them. If you empower a mother and let her have her say towards a poverty-free future, the positive impact this would have on ending hunger will be immense.
While I had no intention of ending the series after 'The Spellmans Strike Again,' I did close many doors in that book and, with the fifth one, I was opening a lot of doors and not finding anything behind them and then opening another door and another until I found something. It was a while before I found my stride.
I'm doing a program with NAFME for music and education in schools, and for a week, we will be getting in a bus and traveling across the United States. We're starting at Disney World and ending at the Grand OIe Opry. We will be performing at different schools, and I wrote a song for the program called 'Always Sing.'
The historical basis for the gap between the black middle class and underclass shows that ending discrimination, by itself, would not eradicate black poverty and dysfunction. We also need intervention to promulgate a middle-class ethic of success among the poor, while expanding opportunities for economic betterment.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
Bulls can do nothing to demand justice. They can only defend themselves as best they can in a fight with a pre-determined ending and die never knowing why they were forced to endure such a painful and prolonged death. It's up to us, as a civilized society, to call for an end to the Running of the Bulls and bullfighting.
I don't eat animals. I rescue strays and take injured pigeons to the wildlife rehab. I carry spiders and wasps outside in a cup covered with a 3x5 card. It would only follow that I'd take pause when contemplating the abrupt and apparently brutal ending of a tiny human being's life, or even a potential human being's life.
And we have done more in the two and a half years that I've been in here than the previous 43 Presidents to uphold that principle, whether it's ending 'don't ask, don't tell,' making sure that gay and lesbian partners can visit each other in hospitals, making sure that federal benefits can be provided to same-sex couples.
In 2010, Republicans took control of politics in Alabama by advocating for increased transparency and an end to government corruption, but instead of ending it, they have raised the level of corruption to the point that the stench of dishonesty fills the air, decadence drives policy, and bribery is the norm in Montgomery.
The social and political climate came from discussions about how we could find conflict in the wake of a 100-year-long war ending. But as we know in the real world, just because a war ends it doesn't mean that everything turns happy and peaceful. That provided us with some new kinds of conflict for us to explore in 'Korra.'
Safe care saves lives and saves money. Adverse events like high levels of infection, blood clots or falls in hospital, emergency readmissions and pressure sores cost the NHS billions of pounds every year. There is a serious human cost, too, with patients ending up injured, or even dead. Most are avoidable with the right care.
The fact is that HBO is doing the kind of films and the kind of stories that the movie industry used to do. You look at a lot of the specialty sections of studios that have gone under... and there's no doubt in my mind why filmmakers and screenwriters and actors are ending up at a place like HBO. They do it better than anybody.
We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.
The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
'The Sandberg Game' comes up all the time. Fans tell me where they were. They were driving down the highway, they were in the bleachers, they were downtown listening on the radio, they were on the farm on a tractor. I've heard all the stories where people have been. They're just amazed by the ending of the game and the thrill of it.
When we talk about the issue of child soldiers, it can be easy to focus just on ending recruitment and liberating those boys and girls who are currently being held in military camps. Obviously, both of these are incredibly important goals, but it's also essential that we not forget about former child soldiers once they are liberated.
We've seen over time that countries that have the best economic growth are those that have good governance, and good governance comes from freedom of communication. It comes from ending corruption. It comes from a populace that can go online and say, 'This politician is corrupt, this administrator, or this public official is corrupt.'
One thing that makes me very happy is to have a complicated idea and to feel that I've expressed myself clearly. I remember writing the ending to 'Happier at Home.' I wrote the entire book to build to that ending 'now is now,' and what I had to say was very abstract, and yet I felt satisfied that I managed to say what I wanted to say.
I've only cried at one book, but I'm too embarrassed to tell you which. It wasn't terribly intellectual. I will admit, though, to crying when I've read books aloud to my elementary class. We read a biography of Gandhi once, and it was very difficult to read the part where Gandhi was killed, because they were waiting for a happy ending.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
When I'm writing, I won't know whodunnit until maybe two thirds of the way through. Until then, I know as little as my detective. I just make it up as I go along. It's nerve-wracking, actually. You'll be half through and not know your conclusion. You worry one of these days the ending won't come. I'll be left with only two-thirds of a novel.
If, however, you have richer pursuits in mind and know that no woman should be judged by how she looks - that everything she brings to the party is more important than the size of her arse - then refuse to be sucked into the never ending whirligig of self-doubting, self-hating madness that is stop-start dieting and crazy new exercise regimes.
YIMBYs should embrace a housing reform agenda broader than increasing urban density. This should start with ending tax shelters in the form of land conservation easements to cattle ranches and farms that abut suburbs. This would create an incentive for landowners convert them either to new housing subdivisions or to genuinely new natural areas.
There are always signs that a reign is ending, and they are usually spotted not in the king himself but in his court. In the inner circle, latent jealousies between advisers spill into open conflict, as they angrily debate who is to blame for the calamity, chewing over each other's past errors and pointing the finger at old and nascent enemies.