Quotes of All Topics . Occasions . Authors
I always had to mask my emotions. I could never show that I missed my mom or my dad, especially when they moved to America. My grandparents were tough. I was not allowed to receive letters that had not been read before. Everything was controlled - everything!
I really think I tried to capture the essence of the comics: what I thought would be the essence of Elektra. And then, as any character that I play, I really tried to dig inside me and try to reach real emotions and transpose that in her world, in who she is.
When I make a film, the mixing process is very long, and you hear and watch the material in every form, so that totally shreds your ability to perceive it. So after the mixing, there's no way I can have the emotions or the reactions to my films in the same way.
An actress who has the gift of swaying the emotions of an audience, of compelling tribute of tears, or of moving the public to joyous merriment, cannot always be satisfied to set aside her whole career, in the work that she loves, simply because she is married.
The thing about playing percussion is that you can create all these emotions that can be sometimes beautiful, sometimes really ugly, or sometimes sweet, sometimes as big as King Kong and so on. And so there can be a real riot out there, or it can be so refined.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
I believe that curiosity, wonder and passion are defining qualities of imaginative minds and great teachers; that restlessness and discontent are vital things; and that intense experience and suffering instruct us in ways that less intense emotions can never do.
Horror stories give us a way of exhausting our emotions around social issues, like a woman's right to an abortion, which I always thought was the core of 'Rosemary's Baby,' or the backlash against feminism which I always thought was the core to 'Stepford Wives.'
It is difficult to remember just how formal middle-class life was in the 1930's and '40s. I wore a suit and tie at home from the age of 18. One dressed for breakfast. One lived in a very formal way, and emotions were not paraded. And my childhood was not unusual.
My job will be to transmit - using my experience, my knowledge - with the intention of making the player more professional. I want to be a 'life-coach' who helps them to think, to make decisions, to manage their emotions with intelligence in difficult situations.
I grew up thinking that it's okay to be sad, angry, and express your emotions. I have also banged doors and fought, as I have seen my mom do that when she would fight with my dad. Everything that I've learnt is from them, so I've never struggled to express myself.
I never was very capable of expressing my feelings or emotions in words. I don't know whether this is the cause why I did it in music and also why I did it in painting. Or vice versa: That I had this way as an outlet. I could renounce expressing something in words.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
If you think about it, when you listen to music, music makes you cry. It makes you happy. It makes you dance. It makes you mad. Those are the same emotions that I experience when I feel the energy of a spirit when I'm contacting the spirit and communicating with it.
I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.
It was extremely difficult to suppress my emotions, because my character in' A Girl at My Door' goes through so many infuriating situations. It was a lonely process having to portray someone that acts tough but is deeply hurting inside and is unable to express that.
Mental strength requires a three-pronged approach - managing our thoughts, regulating our emotions, and behaving productively despite our circumstances. While all three areas can be a struggle, it's often our thoughts that make it most difficult to be mentally strong.
In both 'Dondo,' which has been directed by Tarun Mukherjee, and 'Krishna' directed by VV Vinayak, I got to play interesting characters. Moreover, I have enjoyed working for these films, because it was a challenge to learn two languages and express my emotions in them.
The office of drama is to exercise, possibly to exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring the relief of tears. Disgust and terror are the other points of the compass.
The fact that biological, or 'natural' rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
There are essentially two main reasons to hold a phone up at a show. First, to capture a memory for yourself, a reminder of the moment you're enjoying. And second, to share that moment with someone - to express your emotions socially. Both seem perfectly legitimate to me.
What would you have if you didn't have a murder in a mystery? You'd have something for the lower-level readers. When you get up into the upper levels, there's nothing that will engage you or compel you or get your emotions churning like a murder. It's the ultimate stakes.
I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
I get mad. I get sad. I have all those emotions. But I just like to keep them to myself. I don't think my fans need to be bothered with if I'm mad or sad about something. I should just be concerned that they are keeping up with my music or I'm making them happy with my show.
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
My parents broke up when I was six. Before, I was a very active, naughty child, but after my father left me, I stopped talking. I became very good at hiding my emotions. I felt so ashamed of telling others that I didn't have a father, because that was not common in the 1960s.
There is a growing scientific consensus that animals have emotions and feel pain. This awareness is going to effect change: better treatment of animals in agribusiness, research and our general interaction with them. It will change the way we eat, live and preserve the planet.
I had never really acted before, so I really didn't know what I was doing. The casting director for 'Euphoria' set me up with an acting coach in New York, and he completely flipped my world around. The way you learn to utilize your brain and your emotions really freaked me out.
I've worked all my life on the subject of awareness, whether it's awareness of the body, awareness of the mind, awareness of your emotions, awareness of your relationships, or awareness of your environment. I think the key to transforming your life is to be aware of who you are.
There is a lot of work out there to take people out of the loop in things like medical diagnosis. But if you are taking humans out of the loop, you are in danger of ending up with a very cold form of AI that really has no sense of human interest, human emotions, or human values.
A spiritual partnership is between people who promise themselves to use all of their experiences to grow spiritually. They use their emotions to show them how to create constructive and healthy and joyful consequences instead of destructive and unhealthy and painful consequences.
As an actor, you have many tools - your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don't say is more important than what you say. That's not so much the case for stage.
Empathy isn't the same thing as expressing emotions. It's not about sharing your feelings - it can be really uncomfortable if a parent cries or loses strength at the moment her daughter needs it most. The message sent is that you need to be taken care of, not the other way around.
Sometimes people think that regulating their emotions means trying to act as if they don't have feelings. But, that's not the case. A realistic view of emotions shows that we're capable of experiencing a wide range of emotions, but we don't have to be controlled by those emotions.
I just don't think human beings are designed to have that big of a swing of emotions. I mean, I'm standing in Victory Lane literally seconds after Dale Earnhardt died. Dale Earnhardt was not only my car owner that day, my first victory in 463 tries, but he was my dear friend, too.
I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
I find that music makes people just sit and listen, firstly. Then, they seem to interpret their own emotions with the music and it makes them ponder their own life a lot. And then they start to question: Am I happy in my work? Am I happy in my relationships? What am I striving for?
My dream role would be someone anything that Meryl Streep can do. 'Julia and Julia' - I thought that was beautiful. She just had the essence of her. To truly become someone, invoking emotions like happiness and sadness and everything in between, that's what I want to be able to do.
I thrive on change. That's probably why my chord changes are weird, because chords depict emotions. They'll be going along on one key and I'll drop off a cliff, and suddenly they will go into a whole other key signature. That will drive some people crazy, but that's how my life is.
To believe that your husband, wife, parents, kids, boss, job, bank account, or body is even partly responsible for your emotions, to think that there are bullets 'out there' that you have to contend with, that there are stressful life events to overcome, is to miss something vital.
If we see a sad rain, it doesn't mean the rain is sad, but it means we see it. That's an easily dismissible kind of projection. But what I'm struggling to say, is that we take that rain in through our own hearts and emotions and senses and skin, and all those filters have an impact.
I can feel things - tap into emotions. When I meet a new person, I know their life straight away. I suppose you could call it a special intuition, but it's my number one quality, and I'm always 99.9 percent right. If I don't like someone, it always turns out to be for a good reason.
This is what people don't understand. When they might see me do something that's not 'God-like,' then they say, 'Well, I thought you were saved?' I am saved. I'm not perfect. I have emotions still. My name's still Gary. These things here are not all cleaned up. I'm showing you my path.
You need to put what you learn into practice and do it over and over again until it's a habit. I always say, 'Seeing is not believing. Doing is believing.' There is a lot to learn about fitness, nutrition and emotions, but once you do, you can master them instead of them mastering you.
When I was a child, I did always feel that people were hiding things, and that they weren't expressing their true feelings. When adults are too complicated, and cover their emotions with layers of well-intentioned subterfuge, the child isn't seeing reality clearly enough and gets upset.
I could be pretty volatile, especially when I didn't feel understood, which was 99 percent of the time. I do think that, as a young person, I suffered over that. But as I look back, it doesn't even feel like part of me - except when I act and need those emotions. Then I can dredge it up.
I cannot assume emotions I do not feel, and must describe Jerusalem as I found it. Since being here, I have read the accounts of several travellers, and in many cases the devotional rhapsodies - the ecstacies of awe and reverence - in which they indulge, strike me as forced and affected.
For me soccer provides so many emotions, a different feeling every day. I've had the good fortune to take part in major competitions like the Olympics, and winning the World Cup was also unforgettable. We lost in the Olympics and won in the World Cup, and I'll never forget either feeling.
I came from a hard, working-class world which, since my mother's death, had been dominated by men. I hadn't been encouraged to talk about the burden of grief, and because I was severely underdeveloped when it came to sharing my emotions, I mustn't have been the most communicative husband.
Patience doesn't mean making a pact with the devil of denial, ignoring our emotions and aspirations. It means being wholeheartedly engaged in the process that's unfolding, rather than ripping open a budding flower or demanding a caterpillar hurry up and get that chrysalis stage over with.