Quotes of All Topics . Occasions . Authors
I want to reach everyone, but I have a dedication to women. Being that I'm a woman myself, and with the things that I've gone through, I've dealt with a lot of women that are in the dark and blind about relationships who depend on men for their happiness, emotionally and financially.
There's certainly harder things in the world and the country to do than being an actor, but it's a particularly emotionally humiliating thing to do, that you don't really anticipate when you choose to do it. You don't really think that it's going to be quite so soul-crushing at times.
I think part of what makes someone a great actor is being able to walk into a situation emotionally available and open, and have all your guards down, and just have that level of trust and security in yourself to know that you could walk out on that limb with someone else and be safe.
Physically, it is very demanding as an actor, and I don't want to put a lot of focus on that, but I think it is emotionally and mentally a lot more... It can completely twist you... We abandon ourselves for days and months, and by the end of it, we are twisted people which you make fun of.
In 'The Giver,' I play a character called Jonas who is a member of this community called Changeless. In this community, everyone is kept at bay emotionally and physically. They receive an injection every morning to control them from feeling things like love and pain and all natural emotions.
Our youth deserve the opportunity to complete their high school and college education, free of early parenthood. Their future children deserve the opportunity to grow up in financially and emotionally stable homes. Our communities benefit from healthy, productive, well-prepared young people.
It's near impossible to always be right when you're innovating. It's easy to get emotionally invested in it, but you need to monitor its impact like a hawk and react if you don't like what you see. And if/when you pull it back, you want to do that communication with transparency and humility.
Have you ever heard someone tell a story but felt they are just mouthing the words without being emotionally connected? When you do this, you often create a more negative reaction than if you hadn't told a story at all. That's because others can see that you're just going through the motions.
With my own material, I like maintaining lyric integrity. I like having sophisticated lyrics, and maybe that's not down-the-middle Top 40 pop, but it reflects my style, my life, the way I speak, and the way I tell what's happening with my life emotionally, so in that way, it's authentic to me.
I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.
As I've grown as a creator, I feel that I want to tread in deeper waters and have a lot more going on emotionally with the characters. That's my appreciation for comics as a creator and a consumer as well. I'm more into stories that don't just bounce off the surface but go a little bit deeper.
'Ape House' is an ambitious novel in several ways, for which it is to be admired, and it is certainly an easy read, but because Gruen is not quite prepared for the philosophical implications of her subject, it is not as deeply involving emotionally or as interesting thematically as it could be.
I think theater probably remains my favorite, sort of where my soul lives. It takes a lot of discipline, and you have to show up eight shows a week, no matter how you feel physically, mentally, emotionally - there's nobody to cut around that: you've got to tell the story yourself for two hours.
A lot of children remember seeing cartoons, 'Pinocchio' or 'Bambi' or something that breaks their heart. I remember seeing 'The Blue Angel' and it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally.
One day I looked in the mirror, and I wasn't happy. If you're not feeling good mentally, emotionally and physically, you're just a mess - and that's the point I felt like. It was a change in attitude and a shift in lifestyle. There's no crazy diet; I train six days a week, and I eat really well.
Plot is a framework on which to drape other things. So once that's working, I can just let it go and do all the stuff that I love - 'Trojan horse' it. There are so many great YA heroines, and that's fantastic, but what about the emotionally complex boy out there? That's who I tend to write about.
I insist to this day that if you read the screenplay to 'The Queen,' it leaves you in no doubt that we considered her an isolated, out-of-touch, cold, emotionally inaccessible, overprivileged, deluded woman, heading an institution that should immediately be dismantled in any free and fair society.
'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.
We have literally millions and millions of fans. I mean, even Kendall and Kylie have 50 million followers on Instagram - apiece. That's a hundred million people you have somehow touched emotionally, enough to follow you on a social-media platform. And I think with that also comes, you know, haters.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink your universe in a way. To me, it's the opposite.
In a world where irony reigns, where you have to separate, protect and laugh at anything that is honest or has an emotional charge, I bet for catharsis. I like to invest emotionally in things. And catharsis, when it touches the emotional vein, can open the doors of even those who protect themselves.
I hate the idea of theatre just being an evening pastime. It should be emotionally and intellectually demanding. I love football. The level of analysis that you listen to on the terraces is astonishing. If people did that in the theatre... but they don't. They expect to sit back and not participate.
You know what somebody else's fundraise metrics are to you? Irrelevant. You know what your own last round post was? Irrelevant. Yes, I know, not legally, because of those pesky rights and preferences. But emotionally, trust me: it is irrelevant now. We even have a name for this - valuation nostalgia.
If there's any object in human experience that's a precedent for what a computer should be like, it's a musical instrument: a device where you can explore a huge range of possibilities through an interface that connects your mind and your body, allowing you to be emotionally authentic and expressive.
First comes an idea. Then, characters begin to evolve out of the landscape of that idea. And then, finally, characters dominate: plot is simply a function of what these people might do or be. Everything has to flow from their personalities; otherwise it will not be emotionally engaging, or plausible.
Young kids should probably not play tackle football. I know this intellectually, but emotionally, I'm conflicted. I love this sport. I grew up playing and adoring football. I love the brotherhood, teamwork, athletic grace that borders on superhuman, grit, pressure and, yes, contact. I love the contact.
I've spent half my life in gyms, if not more, and I love physical fitness and health; couple that with the fact that I love for people to be healthy, whether it's mentally, physically, or emotionally, and it's just a great opportunity for me to do something I love and have an impact on people's health.
Theater school is essentially like training. It's boot camp. It's like an academy to put you through all these different situations that sometimes are more extreme than what you'll come across in the field. But now you're emotionally prepared for it so that when it does happen, it's not a big surprise.
'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
Some people think 'Higher' is about literally getting high, and other people think it's more in a spiritual sense. To me, it's all that. To me, it was like I need to escape from this down state - emotionally, spiritually, mentally, everything. I want to be above this. Wherever we are now. I need to go up.
Cinema is a director's medium, so you're saying, 'What do you want?' Being an actor is about adapting - physically and emotionally. If that means you have to look great for it and they can make you look great, then thank you. And if you have to have everything washed away, then I'm willing to do that too.
My parents were reluctant to let me start auditioning until I was at least a little bit emotionally stable - I'm still working on that! And so I started when I was fifteen, and it was the best thing that could have happened to me in terms of being able to focus my crazy teenage energy into something good.
I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.
There was very little drama and performance at my school, so I've never forgotten the people who did encourage me and I've thought whether it would be a good idea to even get in touch with them and just say thanks, because they really opened a door for me mentally and emotionally - that's really important.
Sitting front row with my little brother, my older brother, and my dad's wife at the time - seeing 80,000 people at the Citrus Bowl emotionally pouring their hearts out watching my dad retire - I didn't even grasp what he meant to the industry. I didn't even fully grasp it until I started wrestling myself.
I find that kid actors are great reminders of the simplicity of acting. As you get older, you can sometimes complicate things a little more. You can become too aware of, 'Okay, this is the scene emotionally. This is where we need to be. We've got the climax coming up.' You can start to analyze it too much.
Soul music is true to its name. It's music that connects to your soul, your spirit. When music resonates with people's spirit like that, when people can emotionally connect with something or it helps to heal them, transform them, that never goes out of style. People will always need something to relate to.
As a filmmaker, like any artist, when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts, my fears and my hardships. I think the same can be said with any artist. For a musician, you're going to write a song about something that affects you emotionally.
I want my kids to have passion for life, to really have a passion for life. I think when you have a passion for something, you can overcome obstacles, if you float through life without having anything to hold on to or get you fired up emotionally and to focus on, I think it's really hard to overcome things.
The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.
A relationship can be deeply damaging without anyone leaving marks on you. So many people - especially young women - end up trying to maintain those emotionally abusive relationships because we don't think it's that bad and that we are really some of the lucky ones because we haven't experienced 'real' abuse.
The beauty of cricket is that there are so many different opinions as to the best way to do something and at times it is easier to see something when you're not emotionally involved in the game and not responsible for the decision. You can go and have a cup of tea and look at it from a different point of view.
Years of cultural programming have taught us to love some animals while eating others, when in all reality, all animals are sentient beings with the capacity to feel, both physically and emotionally. Every day, I have the choice to live a life of compassion that not only saves animals but helps the environment.
Husbands, recognize your wife's intelligence and her ability to counsel with you as a real partner regarding family plans, family activities, and family budgeting. Don't be stingy with your time or with your means. Give her the opportunity to grow intellectually, emotionally, and socially as well as spiritually.
It's hard enough to be a middle-school kid, because you're dealing with so many facets of your identity - you're changing socially, you're changing physically, you're changing emotionally, everything is in flux, and to put race on top of that as well and have to figure out your racial identity is extremely hard.
The requirements for our evolution have changed. Survival is no longer sufficient. Our evolution now requires us to develop spiritually - to become emotionally aware and make responsible choices. It requires us to align ourselves with the values of the soul - harmony, cooperation, sharing, and reverence for life.
What I get really excited about are movies that I connect with emotionally. 'Deliverance' was on TV, and they don't really make movies like that anymore, just simple and scary. The truly scary thing is, 'I'm going to threaten your life, I'm going to threaten the people you love. What are you going to do about it?'
The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characters' relationships, special effects and story points were concerned.
We don't look at problems logically, we look at them emotionally. We look at them through the guts. We look at them as if we're doing a high school problem, like what is beautiful, what makes me recognized among my peers. We don't go and think about things. We, as a society, don't wish to engage in rational thought.