Quotes of All Topics . Occasions . Authors
I want it all... fast. I want to be married, I want to live together... and then somewhere around a year or two years, I get freaked out. I freak out emotionally and then I actually feel like 'Oh my God, who's this stranger in my house?'
I learned very early on once I started boxing as a kid that if you go into the ring emotionally charged you make mistakes. It's a mental game, it's a chess match, you've got to think, you've got to strategise and make tactical decisions.
Competitive sports may be where exercise becomes 'fun' for children who are good at it, but for those who are less talented, it is where exercise becomes not only physically demanding but also emotionally painful and socially humiliating.
I have worked very hard on being aware of my childhood but moving forward and not letting it bring me down emotionally. That is a hard thing - especially when you have children of your own and you remember what happened to you at that age.
The hardest thing to find in life is balance - especially the more success you have, the more you look to the other side of the gate. What do I need to stay grounded, in touch, in love, connected, emotionally balanced? Look within yourself.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
Drama aids self-discovery like nothing else. In removing it from our schools, we remove the inestimable benefits of it from our society. No amount of studying oxbow lakes was ever going to help me emotionally through the death of my father.
I don't care how much hardware you throw at an audience. If they are not emotionally invested in the thing, it's zero. I can name a slew of films, but I have no ax to grind. I understand the commerce of Hollywood probably better than anyone.
As someone who is displaced - I left London almost fifteen years ago to make Connecticut my home - I am drawn to stories about people who don't belong, whether physically or emotionally, and who find their families of choice in their friends.
I genuinely believe that, physically and emotionally, women are far stronger than men. The amount of pain they have to endure for a childbirth, a man cannot take an ounce of it. A toothache or a stomach upset is the end of our world at times.
After I perform 'My Girlfriend's Boyfriend,' it takes a lot out of me emotionally; and, at the end of it, I feel like I know the audience and the audience knows me. It's this weird unspoken bond that we'll kind of always have with each other.
When I say I'm going to take care of a woman, I don't just mean physically or sexually or romantically. I'm going to take care of her emotionally and spiritually. I'm going to take care of her in all ways. I take a lot of pride in that today.
The first thing I do when I read a part is see if I can identify emotionally with a character. If I make that connection, everything else is just working on knowing their life circumstances and manifesting those through practice and research.
I can't say New York's home, but I've made a lot of friends, and I'm developing a map of what cats are here and where they play, and as a singer, you're always looking for projects that tie things in emotionally and intuitively with your life.
Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.
The best ideas are those that really affect me emotionally - those are the ones you never forget. You think to yourself, 'I want to write that book', for years; those are the ideas that I love to work with, and 'The Bone Garden' was one of them.
If children have the ability to ignore all odds and percentages, then maybe we can all learn from them. When you think about it, what other choice is there but to hope? We have two options, medically and emotionally: give up, or fight like hell.
As Christians, we worship a victimized Lord. We should expect to suffer and should have particular compassion on those who hurt emotionally and physically. But we do not resemble the Suffering Servant when we take pains to show off our suffering.
I've reached a stage and an age in my career where I need to do work that keeps me economically and emotionally comfortable. And for that I need to get into spaces that don't require me to make too many compromises with my beliefs as an an actor.
For the broadcast business to be successful, viewers need to be not merely interested in our political melodramas, they have to be in an absolute state about them - emotionally invested in the outcome and frightened not to watch what happens next.
When somebody's face-to-face with you saying, 'I may not have been here had I not read your book,' how do you respond to that? The first several times I traveled, it was almost too much. I was totally grateful, but emotionally, it was really hard.
I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended.
I love films that make me react emotionally and physically when you walk out of the cinema. Two of my favorite films however have got to be 'The Tree Of Life' and 'The Piano Teacher,' which also stars one of my favourite actresses Isabelle Huppert.
The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.
I'm not the kind of actor that can go completely cold into an emotional scene. I have to transport myself emotionally by whatever means possible, and that basically means you carry the situation with you all week, all episode or all day beforehand.
We live in a society in which female weight is both fetishized and also under so much scrutiny. And so trying to shame somebody into losing weight is just such, I mean, an emotionally, psychologically and mentally traumatizing way to coach somebody.
I was a teenager and it was tough years for me. Being able to bring myself into a character and live in somebody else's world was so important for me emotionally. I couldn't express things well in my normal life. I was so overwhelmed by my emotions.
I relate to 'Dangal' because of the way it presents the state's culture and how Haryanvi parents are. They might act strict, but will always motivate their children to do their best and will stand by them, always being emotionally connected to them.
I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.
I read for the 'ah-ha's,' the information that makes a light bulb go off in my mind. I want to put information in my mind that is going to be the most beneficial to me, my family and my fellow man - financially, morally, spiritually, and emotionally.
It takes a lot to put a 5-piece band on, even though we need it. We need those harmonies; I need those four background singers - not because I can't sing but because I need to relay the message of what the song is emotionally, or the feeling, period.
I don't know if I was a desirable person, not just physically but emotionally and mentally and intellectually. I still have a long way go and a lot to learn, but I'm on my way, I don't think I'm terribly attractive, but I'm comfortable with my looks.
I quit the Knicks, so I know what quitting is. I did. I quit. And it's something I regret to this day. I live with it every day, and I regret it. And I let my emotions come into it. And I was just emotionally spent. I made a bad decision, and I quit.
You know what, I'm happy to say that everything outside of 'Dexter' feels like a vacation, and I don't mean to say anything negative about the show. It's just a different kind of work. Emotionally it's taxing and complicated, and that's a great thing.
After doing a juice cleanse, I'm motivated to eat healthier and not emotionally. Cleansing is like my meditation. It makes me stop, focus and think about what I'm putting into my body. I'm making a commitment to my health and hitting the reset button.
By relying on the statistical information rather than a gut feeling, you allow the data to lead you to be in the right place at the right time. To remain as emotionally free from the hurly burley of the here and now is one of the only ways to succeed.
I'm very, very fortunate to be in the job that I'm in, and I would love for it to continue forever, but it won't. I have to financially and emotionally prepare for the day that 'Mad Men' will go away, because who knows what my next job is going to be?
Sometimes I've been more emotionally disturbed by the experience of shooting a comedy than a drama. After 'We're the Millers', I think playing this battered loser who's confidence was at zero for 90 percent of the movie, I did genuinely feel that way.
I'm somebody who, as a child, had a lot of insecurity about stable housing, where I was going to be living, if I was going to have a roof over my head, all those types of things. And I know the impact it can have on you psychologically and emotionally.
Actors are part of a certain percentage of people on this planet who have an emotional vocabulary as a primary experience. It's as if their life is experienced emotionally and then that is translated intellectually or conceptually into the performance.
When you operate from a nothing-left-to-lose mentality, it's essentially the same thing as the 'Law of Least Resistance.' You have a goal in mind, but you're not emotionally attached to the outcome. You're focusing on all of the little steps inbetween.
When I was given the opportunity to direct 'Senna,' I decided the film had to work for audiences who disliked sport or had never seen a Formula One race in their lives. It had to thrill and emotionally engage people who had never heard of Ayrton Senna.
When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?'
People get caught up in the idea that health is just what you look like and what you eat, but your health is physical, emotional and mental. Who's to say eating that bowl of ice cream after training isn't going to help me psychologically and emotionally?
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
I had a long-term relationship that failed. I had some health issues. When you dip down emotionally you can gather some things that help you when you do rise. If you go through it and you're OK, you can develop some scars that help you in the time after.
It's great to be able to connect parents with children both emotionally and through humor. I look forward to exploring family entertainment once again and examining the specifics of our day-to-day lives against the backdrop of an extraordinary adventure.
Within a twelve or fourteen month period, I went through a divorce from my wife of 29 years, which is devastating emotionally and earthshaking as far as your whole world being turned upside-down. And within that same twelve month period, I left the Eagles.
'Rules dieters' find limitations oddly freeing, because the restrictions create a framework that's easy to follow. Essentially, rules dieters don't do well when they're let off plan, mainly because they are usually emotionally attached to food in some way.
I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.