Quotes of All Topics . Occasions . Authors
Our parents deserve our honor and respect for giving us life itself. Beyond this they almost always made countless sacrifices as they cared for and nurtured us through our infancy and childhood, provided us with the necessities of life, and nursed us through physical illnesses and the emotional stresses of growing up.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
In fact, I am so happy to be turning 40 and finally having a reason to take responsibility for my own behavior. It's also worked for me in terms of my physical appearance and emotional make-up and people entrusting me to bring the things a role deserves. I don't know whether that's depth or being a curmudgeon or what.
A human being having a full emotional conversation with a dog is funny, innately. It's one of those things where you get in a scene and you always go for what is the best joke, and a talking dog for some reason, whatever he says, is hilarious." (about his role wiht a talking dog in the forthcoming MEN IN BLACK sequel.
In this country we're unprecedentedly safe, comfortable, and well fed, with more and better venues for stimulation. And yet if you were asked, 'Is this a happy or unhappy country?' you'd check the 'unhappy' box. We're living in an era of emotional poverty, which is something that serious drug addicts feel most keenly.
Someone must transform income into the food, shelter, clothing, nurture, discipline, education, minding, nursing, transportation, and emotional support that creates life outside of the office, permits survival of the race, cares for the ill and disabled, and makes life livable when we can no longer care for ourselves.
It's always funny to me when people use the phrase 'Best guitar player in the world'. There are too many variables such as technique, uniqueness, emotional investment in the notes, etc. But If I had to pick one, it would be Tommy Emmanuel. Watching him perform can be a study in artistic and virtuosic human achievement.
Happiness is not the endless pursuit of pleasant experiences - that sounds more like a recipe for exhaustion - but a way of being that results from cultivating a benevolent mind, emotional balance, inner freedom, inner peace, and wisdom. Each of these qualities is a skill that can be enhanced through training the mind.
Normal people have an incredible lack of empathy. They have good emotional empathy, but they don't have much empathy for the autistic kid who is screaming at the baseball game because he can't stand the sensory overload. Or the autistic kid having a meltdown in the school cafeteria because there's too much stimulation.
Anyway, shes still getting to know you," Mike says. "Chicks are like that. They base how much tey like on you an emotional level. They have to be into your personality first, and then they decide they want you. But if a guy thinks a girl is hot, he'll learn to like her personality later. It's two different worlds, man.
One has to give minority groups a kind of reward, an emotional reward, that it is worthwhile assimilating to this particular majority group. And if this majority group looks down on itself ... If a minority group is not given some pride in assimilating to the culture of another group then the process is very difficult.
Hale, stop it.” Kat reached out and grabbed his arm. “You are many things, but stupid isn't one of them.” “I'm too close.” “You don't get it, do you? Being close is good. Caring is good. I love that you're emotional and passionate and can't turn these things off.” “It makes me a bad thief.” “It makes you a good person.
I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability.
I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.
It's going to be possible to rebuild the physical aspects of Kosovo. I was there recently, and you get a sense of the destruction of homes. Infrastructure and the countryside is relatively untouched. I think the biggest problem will not be the physical reconstruction; it will be the emotional and mental reconstruction.
Doctors are directly responsible for hooking millions of people on prescription drugs. They are also indirectly responsible for the plight of millions more who turn to illegal drugs because they were taught at an early age that drugs can cure anything - including psychological and emotional conditions - that ails them.
The goal of dream study is to increase one's contact with and access to the abilities of their subconscious mind. I became interested in dreams as an avenue to increase my knowledge of the subconscious mind, and increase my psychological and emotional effectiveness. I have been recording my dreams since I was seventeen.
It is not up to me whether I win or lose. Ultimately, this might not be my day. And it is that philosophy towards sports, something that I really truly live by. I am emotional. I want to win. I am hungry. I am a competitor. I have that fire. But deep down, I truly enjoy the art of competing so much more than the result.
I remember staying up all night waiting to see the first screening of Cape Fear because you knew that every time Robert DeNiro had a performance it was going to be revelatory. Then DeNiro hit this place, he seemed like he was done with the emotional cost of impaling himself like that, and he dedicated himself to comedy.
In order to understand people, we have to understand their way of life and approach. If we wish to convince them, we have to use their language in the narrow sense of the mind. Something that goes even much further than that is not the appeal to logic and reason, but some kind of emotional awareness of the other people.
Well, Jeff Buckley for me is one of the greatest singers I've ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.
And he remembered thinking then that if she died, he was certain he wouldn't cry. For it would be the dying face of an unknown, a street face, a newspaper image, and it was suddenly so very wrong that he had begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman.
Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat - especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral.
I'm entirely interested in people, and also other creatures and beings, but especially in people, and I tend to read them by emotional field more than anything. So I have a special interest in what they're thinking and who they are and who's hiding behind those eyes and how did he get there, and what's the story, really?
It is difficult to remove by logic an idea not placed there by logic in the first place. By nature, we are emotional creatures. Often we live and react based on feelings, not logic. Feelings are wonderful, but when we become tied to a particular thought or belief we tend to ignore the fact that change might be necessary.
My algebra was relatively poor. I found it very difficult to use equations that substituted numbers - to which I had a synesthetic and emotional response - for letters, to which I had none. It was because of this that I decided not to continue math at Advanced level, but chose to study history, French and German instead.
In cyberspace, we get many fewer cues about the emotional states and attitudes of the people we're talking to. That makes it less interesting, easier to mis-communicate, and more likely to destroy trust. So you need to treat cyberspace with care, especially being aware of the fragile nature of trust in the virtual world.
Use emotional awareness and pay attention to your body - look [and locate] concrete physical sensations - like stabbing, aching, throbbing - and [distinguish and define them] by saying things like, "it is the size of a golf ball or it is the size of a baseball" - do whatever you can do to find painful physical sensations.
The distance at which all shooting weapons take effect screens the killer against the stimulus sensation which would otherwise activate his killing inhibitions. The deep, emotional layers of our personality simply do not register the fact that the crooking of the finger to release a shot tears the entrails of another man.
I'm never hard on people just because they annoy me on the show. I'm not emotional when I'm professional. Do I think there are people on the show who need to go home sooner than they do? Yes. I do. but I'm there to be professional and to be a judge and to give them my advice and my help and I take my job really seriously.
I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.
From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
If you could see a photograph of what it took to make an advertising photograph - things you don't think about, like the photo assistant carefully arranging the meatballs - the degree of unnaturalness would be astonishing. Yet it produces an image that looks natural, and is orchestrated to provoke basic emotional responses.
Antonio Gramsci said that social reformers should have pessimism of the intellect and optimism of the will. This means that one must have the intellectual ability to see how bad things are and the emotional ability to look forward with hope. It's a hard combination to sustain, but if you can do it, you can change the world.
Sometimes, life just gets to me where I just get so frustrated to the point of tears. If my blood sugar drops too low, then I will get upset about anything. If too many things happen in a row, especially being on tour and getting ready to release all of these emotions into the world - I'm just an emotional person in general.
Emotional occasions, especially violent ones, are extremely potent in precipitating mental rearrangements. The sudden and explosive ways in which love, jealousy, guilt, fear, remorse, or anger can seize upon one are known to everybody. . . . And emotions that come in this explosive way seldom leave things as they found them.
Theatre remains the only thing I understand. It is in the community of theatre that I have my being. In spite of jealousies and fears, emotional conflicts and human tensions; in spite of the penalty of success and the dread of failure; in spite of tears and feverish gaiety this is the only life I know. It is the life I love.
He who acts under an emotional impulse also acts. What distinguishes an emotional action from other actions is the valuation of input and output. Emotions disarrange valuations. Inflamed with passion, man sees the goal as more desirable and the price he has to pay for it as less burdensome than he would in cool deliberation.
I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.
Societies would _not_ be better off if everyone were like Mr Spock, all rationality and no emotion. Instead, a balance - a teaming up of the internal rivals - is optimal for brains. ... Some balance of the emotional and rational systems is needed, and that balance may already be optimized by natural selection in human brains.
Art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.
It's very easy to attack ourselves. Even comforting in its familiarity, but you must resist this urge at all costs. Dwelling on the past or your perceived flaws will do nothing but keep you under emotional house arrest and hamper your progress. Commit yourself to growth and reward yourself with kindness for choosing to do so!
I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.
Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.
This Administration [of Barack Obama] favors a pluralistic world and respects cultural differences, so it's wrong for the West and American elitists to judge how women are treated under Sharia. I'm going too long on all this, but I choke up on the President's legacy of reaching out to the Muslim world. It's an emotional thing.
It's not like I prepare anymore, or have to think about my son being dead to get emotional. If you're working with a good actor and you're reacting off of them and you have a good script, it just comes organically. It's just stored in your body. So that emotion will just be brought out of you, as opposed to trying to force it.
I prefer to be part of a positive statement. I'm not interested in the psyche of a serial killer. What I'm interested in is creating a situation in which people get some emotional exercise, which makes them feel like human beings and makes them understand that they are part of the human community with all its responsibilities.
My experience with novice traders is that they trade three to five times too big. They are taking 5 to 10 percent risks on a trade when they should be taking 1 to 2 percent risks. The emotional burden of trading is substantial; on any given day, I could lose millions of dollars. If you personalize these losses, you can’t trade.