Quotes of All Topics . Occasions . Authors
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
You can control yourself if you really want to. I'll tell you how I know you can control yourself. If you were in a full fledged emotional temper tantrum in your house and I knocked on your front door..... Come on! Let me tell you what, you would get control of yourself, and it would only take a few seconds.
We could go back to the time when we first met: a man in emotional tatters over someone who had left him, and a woman madly in love with her neighbor. I could repeat what I said to you once: 'I'm going to fight to the bitter end.' Well, I fought and I lost, and now I'll just have to lick my wounds and leave.
If there is a blues song, it just goes in one ear and out the other. But other than that, if it stays with you and when we are all 90, we're going to look back at those songs, and it's going to be emotional. And when someone plays it, and you know it, and you're going to go, "I know that song and I love it."
We've always liked music in movies, you know, just 'cause it helps tell the story. It can be emotional. It can be funny. It can be so many different things. And it just and it gives you variety from and again, there's a certain stylization that happens with music. Animation and music seem to go together well.
The first step in a fascist movement is the combination under an energetic leader of a number of men who possess more than the average share of leisure, brutality, and stupidity. The next step is to fascinate fools and muzzle the intelligent, by emotional excitement on the one hand and terrorism on the other.
Having emotional connections to things that don't really exist, like looking at a green ball and really loving that green ball, and being sad whether it's around or not. Stuff like that. I've never done acting at this level before so it was a huge challenge for me. It was a hurdle to overcome just to survive.
Frequently what we say is rest is merely laziness. Our body requires respite and so does our mind and spirit. But a person should never rest because of a laziness which arises from the evil nature in his emotion. How often laziness and emotional distaste for work join to employ physical fatigue as a cover-up.
While privacy strengthens all our bonds, secrecy weakens and damages connection. Lerner points out that we do not usually "know the emotional costs of keeping a secret" until the truth is disclosed. Usually, secrecy involves lying. And lying is always the setting for potential betrayal and violation of trust.
In language at once stark and delicate, Suki Kim shatters the polemic of North and South Korea. She couples an investigative reporter's fierce desire to strip away the fiction of the Hermit Kingdom with an immigrant's insatiable hunger for an emotional home, no matter how troubled and no matter how impossible.
I gave up Christianity at about 14. Came back to it when getting on for 30. Not an emotional conversion; almost purely philosophical. I didn't want to. I'm not in the least a religious type. I want to be let alone, to feel I'm my own master; but since the facts seemed to be just the opposite, I had to give in.
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
I was one of those children forced into fighting at the age of 13, in my country Sierra Leone, a war that claimed the lives of my mother, father and two brothers. I know too well the emotional, psychological and physical burden that comes with being exposed to violence as a child or at any age for that matter.
The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be - the greater its emotional power and poetic reality..
I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.
We are biological creatures. We are born, we live, we die. There is no transcendent purpose to existence. At best we are creatures of reason, and by using reason we can cure ourselves of emotional excess. Purged of both hope and fear, we find courage in the face of helplessness, insignificance and uncertainty.
Listen to your body's wisdom, which expresses itself through signals of comfort and discomfort. When choosing a certain behavior, ask your body, "How do you feel about this?" If your body sends a signal of physical or emotional distress, watch out. If your body sends a signal of comfort and eagerness, proceed.
Self-awareness is a trait - or maybe 'practice' is the more accurate way to put it - that everyone can always improve at. It is part emotional intelligence, part perceptiveness, part critical thinking. It means knowing your weaknesses, of course, but it also means knowing your strengths and what motivates you.
People don't become inured to what they are shown - if that's the right way to describe what happens - because of the quantity of images dumped on them. It is passivity that dulls feeling. The states described as apathy, moral or emotional anesthesia, are full of feelings; the feelings are rage and frustration.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
It is so gratifying to hear from people who look up to you and see you in these places that they never thought they could ever dream to be. It's emotional. You really feel like you're opening up people's minds, who otherwise thought that they couldn't dream big. That's such a huge opportunity. It's such a gift.
I do a job and am lucky enough to do a job that I love, but it is a hard one. I'm not saying it is as hard as working in a coal mine, but it is still difficult in a different way. Sometimes you have to go through very strong emotional journeys and then come back to yourself. And that can be difficult to control.
Cognitive skills such as big-picture thinking and long-term vision were particularly important. But when I calculated the ratio of technical skills, IQ, and emotional intelligence as ingredients of excellent performance, emotional intelligence proved to be twice as important as the others for jobs at all levels.
Food cannot take care of spiritual, psychological and emotional problems, but the feeling of being loved and cared for, the actual comfort of the beauty and flavour of food, the increase of blood sugar and physical well-being, help one to go on during the next hours better equipped to meet the problems (p. 124).
The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.
The thing that always interests me from a storytelling point of view is how that moment of trauma, whatever the trauma is, even divorce, your dog dies, whatever it is, the consequence, in terms of people's emotional lives and the way it resonates behaviorally for a long time is really the stuff that interests me.
The feminization of America has made emotions sacrosanct while condemning as cold and unfeeling rigorous concepts such as duty andhonor. Propelled by incessant hosannas to woman's "finer" this and "softer" that, we make emotional decisions instead of ethical ones and then congratulate ourselves for having "heart.
Autism is a neurological disorder. It's not caused by bad parenting. It's caused by, you know, abnormal development in the brain. The emotional circuits in the brain are abnormal. And there also are differences in the white matter, which is the brain's computer cables that hook up the different brain departments.
I do think American culture has shifted a little bit away from the contemplative more toward the visual, more toward the emotional, and more toward the expressive. I don't think there's a lot that can be done about that. We just have to understand that it's the product of technology and of the way people live now.
Branding is not merely about differentiating products; it is about striking emotional chords with consumers. It is about cultivating identity, attachment, and trust to inspire customer loyalty. Chinese brands score low on attributes such as “sophisticated,” “desirable,” “innovative,” “friendly,” and “trustworthy.”
You can die from someone else's misery — emotional states are as infectious as diseases. You may feel you are helping the drowning man but you are precipitating your own disaster. The unfortunate sometimes draw misfortune on themselves; they will also draw it on you. Associate with the happy and fortunate instead.
[A] re-elected McConnell, with a Republican majority, would, he says, emulate his model of majority leadership - the 16 years under a Democrat, Montana's Mike Mansfield. He, like McConnell, had a low emotional metabolism but a subtle sense of the Senate's singular role in the nation's constitutional equilibrium.
Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.
It is as dangerous for people unaccustomed to handling words and unacquainted with their technique to tinker about with these heavily-charged nuclei of emotional power as it would be for me to burst into a laboratory and play about with a powerful electromagnet or other machine highly charged with electrical force.
Love is beauty, consciousness is trust. One of the deepest feminine pleasures is when a man stands full, present, and unreactive in the midst of his woman's emotional storms. When he stays present with her, and loves her through the layers of wildness and closure, then she feels his trustability, and she can relax.
People tend to think astronauts have the courage of a superhero - or maybe the emotional range of a robot. But in order to stay calm in a high-stress, high-stakes situation, all you really need is knowledge. Sure, you might still feel a little nervous or stressed or hyper-alert. But what you won't feel is terrified.
I think that almost every scene was an exploration - it was never going to be just what’s on the page. So I know I was very lucky - we all were - to work with a cast of this caliber. These are extremely experienced and intelligent actors, who are also deeply emotional and - as you say - are also engaged in the world.
If tone is granted to be subjected to control, why not line also, which has equal emotional significance? And if line, why not shapes and forms? And if shapes and forms, why not allow elision or emphasis of detail? And if all these things are allowed, what becomes of the record of actuality ?... Sunk without a trace!
I like to think of what happens to characters in good novels and stories as knots--things keep knotting up. And by the end of the story--readers see an unknotting of sorts. Not what you expect, not the easy answers you get on TV, not wash and wear philosophies, but a reproduction of believable, emotional experiences.
The problem is that too many adults think their kids' lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they're young, but the emotions are all the same, and the subject matter is all the same.
As long as we are focusing on the breath we do not feed our mental, emotional, and physical patterns. By returning to the breath again and again we start to dissolve their power. We develop a space between experience and our identification with it, thereby weakening the process that creates habits in the first place.
Changers are characters who alter in significant ways as a result of the events of your story. They learn something or grow into better or worse people, but by the end of the story they are not the same personalities they were in the beginning. Their change, in its various stages, is called the story's emotional arc.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
Of course, giving is deeply emotional. But supplementing emotion with research makes it more likely that a gift can have a bigger impact. It's like any investment. After all, you wouldn't put funds into stocks or bonds without understanding the potential return. Why wouldn't you do the same when investing in society?
We have the character of an island nation: independent, forthright, passionate in defence of our sovereignty. We can no more change this British sensibility than we can drain the English Channel. And because of this sensibility, we come to the European Union with a frame of mind that is more practical than emotional.
It is not the conscience which raises a blush, for a man may sincerely regret some slight fault committed in solitude, or he may suffer the deepest remorse for an undetected crime, but he will not blush... It is not the sense of guilt, but the thought that others think or know us to be guilty which crimsons the face.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
Ours was the Togetherness Generation. We equated togetherness with salvation, and expected so much from it that it was bound to let us down. Companionship, security, lifelong physical and spiritual and emotional warmth - all were to be had for the twist of a ring and the breathing of a vow. And to be had no other way.
Genuine love is volitional rather than emotional. The person who truely loves does so because of a decision to love. This person has made a commitment to be loving whether or not the loving feeling is present. ...Conversely, it is not only possible but necessary for a loving person to avoid acting on feelings of love.
The mind is the enemy of intuition, according to many New Age adherents, but I don't buy that. I look at everything in terms of polarities - two ends of the same continuum. Young/old, male/female, individuality/conformity, work/play, freedom/constraint, right/left, day/night, life/death, rational/emotional, and so on.