Revealed insights should leave us stricken with the knowledge of how little we really know. It should never lead to an emotional arrogance based upon a false assumption that we somehow have all the answers - that we in fact have a corner on truth. For we do not.

For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.

We wrestle with our own opponents on a daily basis. These challengers can come in numerous forms whether it be a physical challenge, emotional, or even relational issues that can overtake us. No matter what opponent we are wrestling against we can be UNSTOPPABLE.

That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.

If your emotional abilities aren't in hand, if you don't have self-awareness, if you are not able to manage your distressing emotions, if you can't have empathy and have effective relationships, then no matter how smart you are, you are not going to get very far.

Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.

....the designer must be able to see - make a concentrated effort to absorb the essence of the project. Seeing is a very difficult thing to do. Most people "look" at a lot of thing but never "see" anything. Looking is emotional; seeing is an intellectual process.

Politics, as I never tire of saying, is for social and emotional misfits, handicapped folk, those with a grudge. The purpose of politics is to help them overcome these feelings of inferiority and compensate for their personal inadequacies in the pursuit of power.

What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.

Emotional truth is the reward of digging deeply enough to find the truth about how one really feels, but in order to convey this truth with any force, or artistry, one needs to 'create' a form of expression, and this form determines its own "genuine information".

I could tell you that when you have trouble making up your mind about something, tell yourself you'll settle it by flipping a coin. But don't go by how the coin flips; go by your emotional reaction to the coin flip. Are you happy or sad it came up heads or tails?

Domestic violence refers to acts of violence (physical, sexual, emotional and psychological) that occur between people who have, or have had, an intimate relationship. It tends to involve an ongoing pattern of behaviour aimed at controlling a partner through fear.

I know I have different priorities when I am close to dreaming and coming out of dreaming. I notice I am connected to people in a different way, and connected to the earth. For me, I have exactly the same emotional responses when I go through into shamanic trance.

I often pose questions to myself and want the answers. The questions may be psychological or emotional. Or they may involve botany or [...] physiology. [...] I am very curious about strangers I observe - as in a bus line. I am very attached to finding out answers.

During the financial crisis, I worked with hundreds of executives who struggled as a result of their thoughts about job security. When their beliefs changed, so did their emotional experience - and they were then able to focus on the task at hand more effectively.

I write songs on a course of time that's comfortable for me. I would probably never write a song from start to finish in the course of a day, hell probably not even a week. My mind is always going to change and my emotional state will also change on a daily basis.

Developing emotional intelligence is one way to protect yourself from damaging relationships. Emotional intelligence is a science that has been studied and researched for over a decade. According to the theories, mutual respect and effective communication are key.

The abstract intelligence produces a fatigue that's the worst of all fatigues. It doesn't weigh on us like bodily fatigue, nor disconcert like the fatigue of emotional experience. It's the weight of our consciousness of the world, a shortness of breath in our soul.

Embrace relational uncertainty. It's called romance. Embrace spiritual uncertainty. It's called mystery. Embrace occupational uncertainty. It's called destiny. Embrace emotional uncertainty. It's called joy. Embrace intellectual uncertainty. It's called revelation.

"Extra effort," in whatever form it takes (mental, physical, emotional), cannot be sustained without eventual damage and diminishing returns. There has to be a very acute awareness on your part as to the level of exertion and the toll it's taking on those you lead.

I'd listen to things that felt really good in the moment and realize they were clouded by enthusiasm or caffeine. And things that I was struggling to get out ended up being really compelling. It's an emotional roller coaster; there's exhilaration and there's shame.

It's just this epidemic unimportance, this pervasive feeling that just about everything is "no big deal," that drives these ordinary people to those fast-food joints, there to try to fill with carbohydrates the spiritual and emotional emptiness gnawing inside them.

The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.

My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.

You need someone who has a really good way of enabling trust in the cast and crew, or the cast particularly, to allow them the confidence to stretch themselves to get the performance that you're going to need to provide all of the emotional up and downs in the film.

If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.

My music is very raw, it's emotional, and it's honest. I do my best to tell a story whenever I write music because I want to paint the most vivid picture that tells a story whether a person is falling in love for the first time or going through a painful heartbreak.

I feel like the only person who has a chance against Alejandro González Iñárritu is Lenny Abrahamson. [The Room] was very awkward, very odd, very uncomfortable as it should have been. And then it became very beautiful. It tugged all the emotional chords beautifully.

The limitation of riots, moral questions aside, is that they cannot win and their participants know it. Hence, rioting is not revolutionary but reactionary because it invites defeat. It involves an emotional catharsis, but it must be followed by a sense of futility.

We can't forget what happened on May 4th, 1970, when four students gave up their lives because they had the American constitutional right of peaceful protest. They gave up their lives. And to sing that song in that spot on that anniversary was very emotional for us.

There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.

When Kirk dies it was very emotional and very strange, in the moment and all the way through the process. I'd read it in the script and I'd always be struck by what I'd just done and what we were doing, and that this was my childhood hero and I was writing his death.

It was all wrong, ugly, unhappy and coloured with cynicism, but nothing was tragic, there were no moments that could change anything or anybody. From time to time the emotional lightning flashed and showed a landscape of private misery, and then — we went on dancing.

At first I had no skills in writing comedy. I didn't know what a joke was, but, as someone once told me, your emotions follow your intent. If you create the intention of starting a comedy act, slowly your mind starts adjusting and you arrive at a new emotional state.

I think women are really vicious in the work place, they're really jealous, really competitive. Women are emotional, they cry in toilets. The sisterhood only extends as far as the kitchen door. Men talk in logic and rational terms, they don't squark and make a noise.

The transformation is the most excruciating pain that you could possibly imagine, so you're mimicking this grand mal seizure while wearing crazy latex make-up. It's so bizarre. It's really out there. The most challenging part is the emotional and physical side of it.

To be a human being means to possess a feeling of inferiority which constantly presses towards its own conquest. The greater the feeling of inferiority that has been experienced, the more powerful is the urge for conquest and the more violent the emotional agitation.

Ice cream is the perfect buffer, because you can do things in a somewhat lighthearted way. Plus, people have an emotional response to ice cream; it's more than just food. So I think when you combine caring, and eating wonderful food, it's a very powerful combination.

This principle applies to your family pet, for instance, which I believe are wonderful because they put you into a great emotional state. When you feel love for your pet, that's a great state of love that's going to bring goodness into your life, what a gift that is.

Science is a way of life. Science is a perspective. Science is the process that takes us from confusion to understanding in a manner that's precise, predictive and reliable - a transformation, for those lucky enough to experience it, that is empowering and emotional.

...Speaking of, I've been playing with the letters - Lovers In a Very Enlightened Regard." "LIVER. Good one." "Also, how about Life Invasion Via Exceptional Respect?" "Life Invasion. Like it." "Or Lovelike Intensity Via Emotional Rapport." "Doesn't that spell OLIVER?

Nature-deficit disorder describes the human costs of alienation from nature, among them: diminished use of the senses, attention difficulties, and higher rates of physical and emotional illnesses. The disorder can be detected in individuals, families, and communities.

If women are supposed to be less rational and more emotional at the beginning of our menstrual cycle when the female hormone is at its lowest level, then why isn't it logical to say that, in those few days, women behave the most like the way men behave all month long?

3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.

I never believed in love at first sight, until I met Derek. It's all-consuming and delicious and wonderful and exciting. At the same time, it makes me nervous and self-conscious and emotional. Love exists. I know it does, because I'm madly, deeply, hopelessly in love.

There is perhaps no psychological skill more fundamental than resisting impulse. It is the root of all emotional self-control, since all emotions, by their very nature, lead to one or another impulse to act. The root meaning of the word emotion, remember, is "to move.

I haven't written a whole lot of nonfiction, but what I have written leads me to believe that it's an entirely different muscle. The ongoing paradox is that sometimes it's harder to get to the emotional truth of something when you only have the facts at your disposal.

Just as physical energy comes from diet, exercise and rest, emotional energy comes from the ways you take care of yourself emotionally -- living in a way that makes you feel inspired, hopeful, self-confident, playful, loving and in touch with what you care about most.

Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.

I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT.

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