If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.

When my body is strong, I feel stronger inside. I feel more capable of handling emotional situations. Usually I'm more of a inside-out person, but this was a great case of me from the outside in.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

Learning to "just say no" to emotional reactions isn't repression. Saying no means not engaging the frustration, anger, judgment, or blame. Without engagement, you won't have anything to repress.

My experiences always influence my writing, but usually only on an emotional level. I have experienced death of a family member and it's easy to dredge up those feelings and get them on the page.

My process is to be by myself when I record. It's quite an emotional performance to pull off when someone else is in the room. I prefer to go away and have my own time with it, bring it in later.

The reason to consider life and what's of value is to make sure you're not missing out. Seize the day. What's important to you? What do you care about? What matters? Pursue that. Forget the rest.

When you hold resentment toward another, you are bound to that person or condition by an emotional link that is stronger than steel. Forgiveness is the only way to dissolve that link and get free.

Personal healing on all levels - physical, emotional, mental, and spiritual comes when we get in touch with our disowned energies.... Through integrating all aspects of ourselves, we become whole.

Fear and its accompanying emotional reactions have become part of the public mindset. Such reactions, while often legitimate, are also being exploited with increasing frequency for political ends.

He had fought back with every weapon in his arsenal, being alternatively obtuse, evasive and pedantic, for it was wonderful how you could obscure an emotional issue by appearing to seek precision.

Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.

Citizenship is an attitude, a state of mind, an emotional conviction that the whole is greater than the part...and that the part should be humbly proud to sacrifice itself that the whole may live.

Every 36 seconds in America a woman lays her body down forced to choose abortion out of a lack of practical resources and emotional support. Abortion is a reflection that society has failed women.

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.

I don't react to a tragic happening any more. I took so many bad things as a kid and some people think I don't care about anything. It's just too hard for me to get emotional. I can't cry no more.

Orange strengthens your emotional body, encouraging a general feeling of joy, well-being, and cheerfulness. Orange vibration foods are: oranges, tangerines, apricots, mangoes, peaches and carrots.

One thing we can probably agree on is that the truth, however we define it, is often hard to tell. It can be hard to tell the facts of the story, and it can be hard to tell its emotional truth too.

At 6 years old, the ice became a place for me to express myself. Because I was so shy off the ice, it became my safe haven, with music and freedom and self-expression. That was my emotional outlet.

Considering what Americans have been confronted with in the last ten years, domestically and internationally, it's clear that we need emotional outlets; we have to have some peace from our problems

Maintaining patience, being generous, and helping your peers takes time, and no small amount of emotional fortitude. But it brings an exponential difference in your team's ability to problem-solve.

I was one of those people who put too much emphasis on work and career and material possessions, and it took its toll on all my relationships, on my physical health, my emotional and mental health.

What draws me to theater and religion are these rituals made to make you feel emotion. It's so banal in an interesting way. In visual art it's about making you feel emotional, but it's more subtle.

My favourite kind of comedy comes from the awkwardness of living, the stuff that makes you cringe but borders on tragic - that is more interesting to me. It resonates; it comes from emotional truth.

No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.

When I was 4 or 5 and I could put complete thoughts together and really feel them, I remember watching the Grammy's or something like that and getting real emotional because I wanted to be up there.

I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.

...let the emotional weight of a scene rest on the dialogue wherever possible. This is the easy way to avoid overinterpretation, which seems to be what turns a scene from sympathetic to sentimental.

The breath is seen to be the key between the emotional state, the mental state and physical state. It is perhaps the most important tool, and it's one whose importance is underestimated in the West.

The nearer emotional life approaches to hysteria, to continual outward show, the less genuine it becomes. Feeling becomes equated with vehemence of expression, so that insincerity becomes permanent.

Denial is the lid on our emotional pressure cooker: the longer we leave it on, the more pressure we build up. Sooner or later, that pressure is bound to pop the lid, and we have an emotional crisis.

I have a bad habit of playing little emotional games with men. When they date me it's cool in the beginning, we do our thing in the first month, and then I send them on a rollercoaster ride to hell.

The emotional build-up and anticipation if you travel at Christmas can make it harder to enjoy a trip. I think sometimes it is better to travel outside of conventional holiday times for that reason.

No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.

To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.

The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.

When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.

Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.

My way is the sensitive, emotional way, because that's who I am. A day doesn't go by where I don't sit and cry, listening to the stories. I try to be the clown and court jester and make people laugh.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

We were discussing civilization and the fact that young men among the Greeks at that time were idiots and uneducated, so the men had emotional and friendly relationships with members of their own sex

You substitute certain things from your own personal life to get you to that mental place and that emotional state. At that time [Brian Robbins] went for the home run, the grand slam [in "Hardball"].

Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.

Our genetic heritage endows each of us with a series of emotional set-points that determines our temperament. But the brain circuitry involved is extraordinarily malleable; temperament is not destiny.

Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.

I think [music and acting], they are connected, all that stuff. It's your emotional self, is pretty much how you do it, I think, from whatever place you do it, whether you're acting or you're singing.

Eliot said that "genuine poetry can communicate before it is understood." What he meant by that is, the emotional understanding comes before you understand the argument that follows later in the text.

I could never, ever talk to my father. I really loved him, but we couldn't talk about anything together. There was this really British thing that being even remotely emotional was absolutely verboten.

Great companies that build an enduring brand have an emotional relationship with customers that has no barrier. And that emotional relationship is on the most important characteristic, which is trust.

I always feel like I want to write a song when I'm really upset. And when I'm in an argument with my family, I go straight to the piano and just kind of take it out on the piano and get all emotional.

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