Usually, I take a hike for a while after submitting a column to Townhall. Too much of my insensitivity can cause emotional problems among proggies, and I am, after all, a compassionate man.

Imagination that compares and contrasts with what is around as well as what is better and worse is the living power and prime agent of all human perception judgement and emotional reaction.

I guess I'm interested in people who are very sophisticated in intellectual ways, while being completely off the mark in emotional ones, with huge blind spots in terms of their own behavior.

There are plenty of studies that have shown that depression is associated with decreased immunity. So I want to harness all of the positive emotional energy I can in a patient to get better.

Whenever you're confronted with a tough work situation, stop for a second and try to honestly answer this question: Am I approaching this emotionally or am I approaching this professionally?

Symptoms like anxiety, depression, aggression, alcohol or drug use, are responses to physical and emotional pain that has its roots in traumatic experiences from childhood and later in life.

We cannot tell what may happen to us in the strange medley of life. But we can decide what happens in us - how we can take it, what we do with it - and that is what really counts in the end.

For the book to succeed, it has to have equal parts ugliness and beauty, counterpoints adding up to emotional complexity. To me, there's a dignity in letting your art be emotionally complex.

Now any dogma, based primarily on faith and emotionalism, is a dangerous weapon to use on others, since it is almost impossible to guarantee that the weapon will never be turned on the user.

It seems nobody really talks about what we do with our emotional pain. Only the ascendant perhaps, who have learned how to fully meditate or do yoga or whatever through their emotional pain.

Stop turning on your emotional television to watch the same program over & over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.

No one can persuade another to change. Each of us guards a gate of change that can only be opened from the inside. We cannot open the gate of another, either by argument or emotional appeal.

Write straight into the emotional center of things. Write toward vulnerability. Don't worry about appearing sentimental. Worry about being unavailable; worry about being absent or fraudulent.

I think a film is a failure if it doesn't have an emotional effect. That's the film's failure. Not if it doesn't deliver a message, but if it doesn't have emotional effect or visceral effect.

Understanding your dog and knowing how to control him, develop his potentials, and resolve behavior problems, emotional conflicts and frustrations are no less essential than love and respect.

A Dark Night is a mental and emotional state of despair that arises when something is so painful that it blots out all other considerations and makes carrying on as usual out of the question.

I don't think we should take the emotional reactions of a few people as more representative than those of the millions of people who took to the street in a non-violent way against dictators.

The systems they (the Arts) nourish, which include our integrated sensory, attentional, cognitive, emotional, and motor capacities, are, in fact, the driving forces behind all other learning.

Any documentary; any capturing of a non-fiction event, is a hyper-realistic condensation of reality that hopefully reveals an emotional truth. It's never the actual literal truth of an event.

The essence of practice is always the same: instead of falling prey to a chain reaction of revenge or self-hatred, we gradually learn to catch the emotional reaction and drop the story lines.

Our own lives feel so disordered and confusing, so it's amazing to me that the filmmakers caught the personal, emotional high points and low points of my life and not just the public aspects.

Writing the songs is always emotional and most of the vocals on there are the first three takes from the demos, because they give so much more. You're in that moment, so it speaks for itself.

We seek to sow life in the child rather than theories, to help him in his growth, mental and emotional as well as physical, and for that we must offer grand and lofty ideas to the human mind.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat

The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.

I'm simply saying that our deepest thoughts, desires and preoccupations manifest themselves in art, whether we intend them to or not. That's what art is for; it's not cerebral, it's emotional.

...She thinks, for the hundredth time, that in their emotional life all these intelligent men use a level so much lower than anything they use for work, that they might be different creatures.

I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.

I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.

We have so much sex in our media that's disassociated from emotions. We have so much separation between feeling, and the emotional and the physical side of sex. They really do belong together.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

I like the atmosphere. You can't beat it when you're introduced. I like making a play and hearing the fans scream. I like the physical as well as the emotional aspect, especially when you win.

I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.

People can say you're fat because you're filling a void, or you eat for all these emotional reasons. I said, 'I don't need to focus on this anymore. It doesn't matter why I'm fat. Let's fix it.

It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.

Part of spiritual and emotional maturity is recognizing that it's not like you're going to try to fix yourself and become a different person. You remain the same person, but you become awakened.

I think that it is real important for someone to be really honest and open emotionally. I'm really an emotional person. If I'm that way and the guy isn't that way I just really feel like a jerk.

Starting a new novel is a little like starting a new relationship - you have to be prepared to commit for at least three years and put up with the domestic tedium as well as the emotional highs!

I usually think of art as having a measurable content of nourishment, whether factual or emotional or whatever, and I try to make sure that whatever I do has as much nourishment as I can muster.

No one can persuade another to change. Each of us guards a gate of change that can only be opened from the inside. We cannot open the gate of another, either by agreement or by emotional appeal.

RELIGION: A set of beliefs held as dogmas, dominating the conduct of life, going beyond or contrary to evidence, and inculcated by methods which are emotional or authoritarian, not intellectual.

My "mission", if you can call it that, is to connect with my readers on an emotional level and have them come away with a stronger impression of the basic message in the story I am illustrating.

All forms of birth--physical, intellectual, spiritual or emotional--bring one to the depths. The power to give birth originates in the creative life spirit birthing all, the seen and the unseen.

Emotional turmoil can be a powerful catalyst to reconnect us with our divine nature. It propels us into a journey of self discovery and urges us to learn how to love and accept our entire being.

I mean, that's at least in part why I ingested chemical waste - it was a kind of desire to abbreviate myself. To present the CliffNotes of the emotional me, as opposed to the twelve-column read.

Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.

A literary work can only be received through symbols, through concepts - for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.

Theatre is not supposed to represent psychology but passions, which is totally different. Its role is to represent the soul's different emotional states, and those of the mind, the world history.

Wholeheartedness. There are many tenets of Wholeheartedness, but at its very core is vulnerability and worthiness; facing uncertainty, exposure, and emotional risks, and knowing that I am enough.

I welcome the opportunity (even if painful) that my minute to minute experience offers me to become aware of the addictions I must reprogram to be liberated from my robot-like emotional patterns.

Share This Page