Quotes of All Topics . Occasions . Authors
More often writing soliloquies of suffering and consolation than collective songs like the dirge, elegists have discovered that lyric sequences can provide a powerful means of addressing the tensions between grief's inchoate emotion and social rituals of mourning.
You select the colors of your thoughts; drab or bright, weak or strong, good or bad. You select the colors of your emotions; discordant or harmonious, harsh or quiet, weak or strong. You select the colors of your acts; cold or warm, fearful or daring, small or big.
Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.
I'm not an abuser. It takes me a long time to assimilate each experience. And I never have lost my respect for it. I mean I really feel dread. It is one of the emotions I always feel as I approach it, because I have no faith that my sails won't be ripped this time.
There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!
The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.
I was not a very good mother. I was always running out to do a movie or something. If I had to do it over, I would either have a career or children. I wouldn't do both unless I could work in my home. I spent 20 years feeling guilty, which is not a very nice emotion.
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
To learn to be charming is fairly easy - you can teach somebody to be charming and to learn human emotions - or to learn the behaviors that go with human emotions. A sociopath, a smart one, will study the way we emote, and will learn how to do that quite effectively.
I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?
You may be guided by the unending effort of poets and artists, biologists and psychiatrists to describe that irreplaceable and still mysterious emotion so essential to the human condition, but all the search engines in the universe cannot compete with the first kiss.
Music is to be praised as second only to the Word of God because by her all the emotions are swayed. That is why there are so many songs and psalms. This precious gift has been bestowed on men alone to remind them that they are created to praise and magnify the Lord.
A mystic is someone who aches for, continually searches for, direct contact with God; contact not mediated through the emotions or intellect, but a full melding of spirit and will, believing that this is not only possible but is the entire point of life in this world.
Images break with a small ping, their destruction is as wonderful as their being, they are essentially instruments of torture exploding through the individual's calloused capacity to feel undifferentiated emotions full of longing and dissatisfaction and monumentality.
One nation is to another what one individual is to another; with this melancholy distinction perhaps, that the former with fewer of the benevolent emotions than the latter, are under fewer restraints also from taking undue advantage of the indiscretions of each other.
Stories can encourage us and embolden us to face ourselves and to feel. Stories can make us feel less alone. If we're reading a story that moves us, we can feel that emotion that I feel towards my father or mother or girlfriend. So they can give us late-night company.
Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.
I'm one of those people who has always struggled with emotions and revealing them. When my dog Orson died, I did this very male thing of 'It's just a dog and I'll just move on.' I was very slow to grasp the emotion. But Orson is the reason I started writing about dogs.
My creativeness stems from my love of music. Music is pure emotion. Music is the infinity sign. Music is self-expression in its purest form - it's how I express my anger, my self-doubt, my love. I think my music is very vulnerable and very expressive, very transparent.
Music can help you through any kind of emotion. It can help you through a break-up, make you dance, or help you realize or understand something about yourself... and if I can sing a song and make someone feel those things then I will feel like I have made a difference.
Unconditional love really exists in each of us. It is part of our deep inner being. It is not so much an active emotion as a state of being. It's not 'I love you' for this or that reason, not 'I love you if you love me.' It's love for no reason, love without an object.
My focus is matters of the heart and matters of the spirit, emotion and passion and stuff like that. But I think I've been getting better at being more specific about what it is I care about. Such as the welfare of refugees and solidarity between threatened populations.
There's such an extreme feeling to be in love, especially in quite an emotionally destructive relationship, where you're both kind of really bad for each other, but you love each other so much. Those extreme emotions, I think, can only be described with extreme imagery.
I do consider even going to prostitutes, or seeing a hooker or an escort, as having an emotional component, even if it's not an emotion necessarily in the relationship. Even if you are paying in order to absolve yourself of any emotional involvement. That's the paradox.
Fear is an underrated emotion. And that's why I think it's very dangerous to try and cosset children from it. A healthy scare is as good as as a healthy laugh. In fact, they're two sides of the same coin. There is a desire to shield from the knocks and bumps of reality.
From the first time I read John Krakauer's book 'Into Thin Air' in the early 2000s, I always thought this great adventure story would make a really good film. It has all the ingredients - a great location, disaster, interesting characters, and all forms of human emotion.
'The Warmth of the Sun' was a very beautiful song that Brian and I wrote in the time period associated with President Kennedy's assassination. We didn't write words about that, but it was around that time we recorded that song, and there's a lot of emotion involved there.
My stated goal as a filmmaker is to feel something. Is to have a palpable emotion in my life, carry it through the gauntlet of the filmmaking process and try and have it land for an audience at some point during the viewing experience. That to me is successful filmmaking.
My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.
The old adage that polite conversation should not include talk of politics or religion is understandable because both subjects are so heavily laden with emotion that discussion can quickly turn to shouting. Blood is shed over politics, religion and the two in combination.
I think the gender norms of emotion are horrendous. Being masculine means showing zero emotions, but having the choice to be angry or depressed. Being female means you are one dimensional - if you show more than that, you are a psycho, hysterical, or historically, a witch.
If you're a content creator looking to elicit a certain emotion, we can validate that. In cases where an ad is trying to elicit humor, we can tell you if people get the jokes or not by the number of people who smile, the intensity of the smile, and the timing of the smile.
I became interested in educating people in the variety of ways in which women can express their emotion. Which is much easier to do in a large role than in a supporting role to a male protagonist. In general, the women in a supporting role to a male protagonist - cry a lot.
The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
I think people who are artists, actors, singers, great songwriters, they tend to have a hyper state of emotion where they feel things very, very deeply, probably more deeply than the average person walking down the street where it may affect them, but not to the same extent.
I have a really hard time watching my sister act in anything but especially anything where it's a strong emotion. Whether she's crying or she's angry or she's - whatever emotion she's feeling I actually think that she's feeling it and I want to hug her and make it all better.
Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.
When you win a big title like the French Open, it's tough. The emotion in doing this is really up and down. Afterwards, you feel a little bit lonely, a bit of depression mentally. Because it's so much stress and emotion, so many people around - and then it's completely empty.
Every movement, to stay alive - a very difficult thing to do historically - has to find a way to harness that initial surge of emotion and turn it to the hard, steady, un-sexy work of recruiting new members, strategizing, negotiating with those in power, keeping itself going.
I have more of a relationship with the subject than I do with my camera equipment. To me, camera equipment is like a tin of shoe polish and a brush - I use that as a tool, but my basic camera is my emotion and my eyes. It's not anything to do with the wonderful cameras I use.
Turn on the faucet. Wash yourself with the emotion. It won’t hurt you. It will only help. If you let the fear inside, if you pull it on like a familiar shirt, then you can say to yourself, “All right, it’s just fear, I don’t have to let it control me. I see it for what it is".
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.
Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
Contrary to the negative stereotype that folks who swear have poor vocabularies, a fluency in taboo language correlates with overall verbal fluency. The more words you know, the more you know... and the more colorfully you can express yourself, with nuance, metaphor, and emotion.