Quotes of All Topics . Occasions . Authors
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
I'm more in that Rafa Nadal high-energy high-octane mold out there. I wear that emotion on the court. That's how I play my best tennis. People either like that or not. And I can't change that: that's who I am on a tennis court.
You have to learn to draw the same emotion you had when you wrote a song every time you perform it. Acting is the same way: You have to find those emotions and bring them to the surface, and then put them back when you're done.
I've done a lot of action movies, and there has to be a certain amount of emotion in the actual performing of the stunt. It doesn't have to be any particular emotion, but there has to be some life to it, and that's not so easy.
There's nothing like having a football coach yelling at you at homecoming in front of a bunch of people. You do kind of get used to being inflappable in front of all that heated emotion. At times, that's very useful in business.
When you experience the emotion of sadness, there will be changes in facial expression, and your body will be closed in, withdrawn. There are also changes in your heart, your guts: they slow down. And there are hormonal changes.
People don't always realize that as a performer, you've got to relive those moments. Memories crash through your brains, and you've got to think about your past and the reason why you wrote the song. All that emotion comes back.
I'm a businessman who puts up his own money, so I don't have time to hear about emotion. I gotta get right to the point. I'm going to tell you the truth, I'm going to address the elephant in the room, and we'll all move forward.
I always tend to think that composing is not playing an instrument, composing is having something in your head that's steaming and it has to go out. It has to become sounds and be written. It's an emotion that you can't repress.
The word 'operatic' is often misused to mean over the top, where someone is over-emoting. And that does a terrible disservice because 'operatic' to me means a commitment and a belief to the emotion of the moment that is sincere.
The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
It is not because the truth is too difficult to see that we make mistakes... we make mistakes because the easiest and most comfortable course for us is to seek insight where it accords with our emotions - especially selfish ones.
I spent three and a half years writing the novel 'Chang & Eng,' about the conjoined brothers for whom the term 'Siamese twins' was contrived, and when I think of these afflicted people, my only emotion is one of profound sympathy.
I can look into someone's eyes and feel like I know her better, versus a phone call, where you can't get that same type of emotion. That's why text messaging gets you in trouble: You can't bond, and emoticons explain only so much.
I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.
You'll have to learn to control your emotions. They're new, like achild's now, bursting with passion. Never let them fade, or part of you will die. But they cal also destroy you. Hold them dear, but don't let them take hold of you.
It is easier to analyze a work in its form, in its evolution, than simply to love it with all the living forces of our heart. It is easier to define its peculiarities and its details than to draw out of it its emotion, its thought.
I had to be intellectually satisfied as well as emotionally because at that time of life one doesn't just fall into it in adolescent emotion, and I was satisfied at every point that it was the one way and the hard way to do things.
Social media lacks insight, common sense, and emotion. Understand that while it's easy to condemn celebrities on social media, people should also think of repercussions their insensitive remarks can make on the celebrities' family.
My heart has been heavy and I have deliberated within my own conscience, knowing that my decision should not come out of my initial emotion of anger toward the President for such reckless behavior, but should be based on the facts.
A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.
Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity.
Nothing is the same. I don't have one emotion that's the same. Everything is totally different; I'm a different person, the whole industry is totally different from when Glassjaw was first trying to approach it and put a record out.
HEART, n. Figuratively, this useful organ is said to be the seat of emotions and sentiments . . . . It is now known that sentiments and emotions reside in the stomach, being evolved from food by chemical action of the gastric fluid.
'Raising Arizona' is maybe my favorite comedy of all time. What's great about it is that as slapstick as it gets, it has great moments of emotion and caring. Them bringing the baby back and Trey Wilson's character. I love that, man.
Most animals are like the unfortunate Gregor Samsa after metamorphosis. They are Kafka-creatures, organisms with rich thoughts and emotions but no system for translating what they think into something that they can express to others.
Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion.
I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.
I love scoring. Putting music to picture is a rewarding challenge and one that relies on interpretation of emotion - as in, what is the pivotal feeling in a scene and which character's point of view is driving it at any given moment?
The printed page conveys information and commitment, and requires active involvement. Television conveys emotion and experience, and it's very limited in what it can do logically. It's an existential experience - there and then gone.
Because up to sixteen years old you feel gymnastics more. You can show your emotion, grace, like woman gymnastics, not kid's gymnastics. I feel I have good shape, and I can do it elements everything, but, it's not competition for me.
I love writing literary stuff. My favorite writer is definitely Edgar Allan Poe - so imaginative and prolific. My second favorite writer would have to be Shakespeare - I love the emotion and human truths he touches on so beautifully.
The sadistic narcissist perceives himself as Godlike, ruthless and devoid of scruples, capricious and unfathomable, emotion-less and non-sexual, omniscient, omnipotent and omni-present, a plague, a devastation, an inescapable verdict.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
'The Human Condition' is me exploring some ideas and thoughts that I have that don't fit one sound. I'm giving emotions a sound - it's a fusion of genres. There are four EPs in 'The Human Condition'; each title is a different emotion.
There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.
You accept whatever happens in the present moment, the only place where it can happen. Internally, you fully accept what is happening, and what is happening may include an emotion, a stream of anxiety that suddenly comes up within you.
A photograph of a woman crying tells me nothing about grief. Or a photograph of a woman ecstatic tells me nothing about ecstasy. What is the nature of these emotions? The problem with photography is that it only deals with appearances.
Fear was my main emotion until I started taking anti-depressant medication. And I was one of the people where, as I got older, the fear got worse and worse. So I can really relate to an animal getting, you know, scared and traumatized.
Natural selection has duped us with an emotion that encourages group thinking. It is an emotion that makes us act as if for the good of the group; an emotion that brings pleasure, pride, or even thrills from coordinated group activity.
Tennis is such a fun game. One of the things that I really like is that everything depends on you. Before certain matches, you might have those butterflies, but that's the excitement. There's a ton of emotion that you're going through.
When you try to cool down hot emotions, what tends to happen is that you end up either repressing them or losing them altogether. Neither is desirable. Without emotion, much social interaction loses its meaning or changes for the worse.
Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
I learned mime back when I was in college, at Ball State University, Indiana. That woke up my body from the neck down and made me realize that acting and communication - portraying a story, event, or emotion - is a full-body experience.
He thought about all the holes in him, the blank places, the voids where others felt things. When it came down to it, he was really just a screen, more empty than solid, his emotions blowing through him, only angry catching and holding.
You achieve stature only by being good enough to deserve it, by forcing even the contemptuous and indifferent to pay attention, and to acknowledge that human relations and human emotions are of inexhaustible interest wherever they occur.
I thought the Billie Holiday comparison was beautiful. I think, Wow, what a wonderful, creative, helpful spirit. She's someone who wanted to help others by sharing her emotion. That's what I do, too, so I think that's a great comparison.
It's not just something that you do intellectually when you do music. You do it with your body, and you do it with your emotions, and you do it with every part of yourself. It engages your mind as well, but engages all parts of yourself.
Henceforth I would have to cosent to combine two voices: the voice of banality (to say what everyone sees and knows) and the voice of singularity (to replenish such banality with all the élan of an emotion which belonged only to myself).