Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.

Whether it's music, loss of something, loneliness or friendship - if that emotion is heightened in some way and painted to fit in between the covers of 32 pages, that can become a picture book.

When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.

You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.

When my son was born, and after a day of lying-in I was told that I could leave the hospital and take him home, I burst into tears. It wasn't the emotion of the moment: it was shock and horror.

I am not my thoughts, emotions, sense perceptions, and experiences. I am not the content of my life. I am Life. I am the space in which all things happen. I am consciousness. I am the Now. I Am.

I find that classical music helps put me in a place that is very calming and allows me to express emotion through my body. I played clarinet as a child, so I guess I have a bit of a musical ear.

Instead of standing in the way, technology is increasingly an enabler of emotion. A message at the wrong time at dinner can turn a gourmet dish into something insipid because of the interruption.

Knowledge is infinite. You can go anywhere you want to go based on feeling and emotion. That's one of the things God gave me, being able to pull people into that direction. That's just what I do.

Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved.

Jemu watched his father disappear. He didn't throw the coconut and he didn't cry. Never again would he know love for another human being that wasn't adulterated by another, contradictory emotion.

If danger arises in the present moment, there may be an emotion. There may even be pain. But that's a challenge, not a problem. For a problem to exist, you need time and repetitive mind activity.

Sometimes you feel the emotion. You think this might be my last pre-season or my last Champions League match. But, overall, those thoughts aren't important right now. But the time will soon come.

Scientists have this stigma of being guys or women in white lab coats with no sense of humor, no passion, devoid of all emotion, and that has been the complete opposite of the scientists I've met.

When your playing drama, and you're in the moment, and you can nail the emotion that is called for, it just feels like a smooth thing. It's so great. There is nothing like getting a laugh, though.

We see that every external motion, act, gesture, whether voluntary or mechanical, organic or mental, is produced and preceded by internal feeling or emotion, will or volition, and thought or mind.

When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.

Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.

Divinity is an emotion of being lifted out of yourself and being part of something much bigger than yourself that makes you go, 'Oh my God.' And that sense of awe? It's the second rule of science.

The thing is, emotion - if it's visibly felt by the writer - will go through all the processes it takes to publish a story and still hit the reader right in the gut. But you have to really mean it.

When I'm speaking, I'm more focused on the words as meaning. When I'm singing, I'm more focused on the words as sound. The emotion is more targeted when I'm speaking, more flowing when I'm singing.

The biggest thing was that second person allowed me to trick myself into revealing more about myself. It gave me an authorial distance to get closer to the action and emotions, if that makes sense.

I don’t have a problem baring my emotions in music. That’s one of the reasons I’m glad to have music in my life. I’m pretty resilient as far as being a human being. A lot of songs write themselves.

In fact, in more cases than not, when we are rational, we're actually unhappy. Emotion is good; passion is good. Being into what we're into, provided that it's a healthy pursuit, it's a good thing.

There is a very remarkable inclination in human nature to bestow on external objects the same emotions which it observes in itself, and to find every where those ideas which are most present to it.

Cinema d'auteur, cinema about people, about emotions. About la difficulté d'être, the difficulty of being, existential problems. That's what the nouvelle vague is. The early '60s was all about that.

There are cognitive processes and limbic reactions associated with basic emotions. And you can change brain chemistry, but you're still not going to change memories and experiences in a human being.

At the beginning of the World Series of 1947, I experienced a completely new emotion when the National Anthem was played. This time, I thought, it is being played for me, as much as for anyone else.

I cry a lot. My emotions are very close to my surface. I don't want to hold anything in so it festers and turns into pus - a pustule of emotion that explodes into a festering cesspool of depression.

As a composer, every project begins with either a blank sequence or a blank manuscript and for the first couple of days you cover and experience every emotion under the sun. Fear being the main one.

The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.

See, that was the problem in relationships when emotion began muddying the waters. It was as if (Lexie) expected him to do or say exactly the right thing at exactly the right time, whatever that was.

Hate is a very strong and heavy emotion, probably as strong as love. I don't think I can live with hatred. If something bad happens, you feel bad about it; you forgive and move on. There's no hatred.

If you lose emotion, and you gain it back, you realise that hate and love are very important to distribute properly. So I'm not going to waste any kind of emotion on things that aren't related to me.

Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.

Sometimes I am happy and sometimes not. I am, after all, a human being, you know. And I am glad that we are sometimes happy and sometimes not. You get your wisdom working by having different emotions.

My emotions are very simple and always have been about the Hall of Fame. It's something that I had absolutely nothing to do with and had no control over, so I never thought much about it, to be frank.

The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.

If there is a sort of national American emotion I would call it optimism. If there is an English one I would call it embarrassment - not even pessimism - just sheer shame, embarrassment and confusion.

The most difficult thing in any negotiation, almost, is making sure that you strip it of the emotion and deal with the facts. And there was a considerable challenge to that here and understandably so.

The human brain works in, so far, mysterious and wondrous ways that are completely different than the ways that computers calculate. Things like appetite or emotion, how do those function in the brain?

You can really use others to recognize your emotions. Many people, they have no contact with their emotions. They don't know what's happening with them. "Why am I afraid? What am I afraid of? Of what?"

I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy... I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.

Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.

I think it's foolish to think that if you've done something for so long, you can kind of delete it out of your memory bank or delete every emotion attached to it. I knew when I retired what that meant.

I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.

For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.

My musical knowledge is so bad it's embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.

I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.

The most important part of our lives-our sensations, emotions, desires, and aspirations-takes place in a universe of illusions which science can attenuate or destroy, but which it is powerless to enrich.

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