I didn't necessarily intend it for myself, but it just happens with Instagram and Twitter; people come up to me and call me Emrata; they don't call me Emily. That's my brand, my identity.

When I think of Emily Dickinson, there's not one particular poem of hers that jumps out, but I do have a very vivid image of an ill woman with giant eyes who wants to write about the sun exploding.

I love the idea of the 'vignette,' which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?

After six wonderful years playing Emily Prentiss, I have decided it's time for me to move on. As much as I will miss my 'Criminal Minds' family, I am excited about the future and other opportunities.

In school I was always being cast as the clown. And then I did 'The Exorcism of Emily Rose,' and once people hear you scream, they can't un-hear it. But I don't mean to say that I've been typecast, either.

The podcast most likely to encourage you to fully appreciate your food is the episode of BBC World Service's 'The Food Chain' in which Antonio Carluccio talks to Emily Thomas about his life in five dishes.

Now that my kids are out of the house, I'm finally able to get to the classics I never read: Emily Bronte, Dylan Thomas, Joseph Heller's 'Catch-22.' It's endless. They're all in this gigantic pile next to my bed.

I was born in New York City, along with a twin sister. I am five minutes older than Emily. It was Emily, for reasons no one knows - she certainly doesn't - who called me Avi. It stuck. It's the only name I use now.

I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.

I first got caught up in this marvelous feeling of being spoken to in that very direct, private, magical way by a poem when I was really young. I was in grade school and had found an Emily Dickinson poem in a textbook.

You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.

When I looked further into my mother's history, I realised that her anxieties and her neuroses could be accounted for by facts from a very early age. Her parents, William Henry Jones and Sarah Emily, were desperately poor.

I don't mind being an only child; never have. I am lucky, though, that I have my friend Emily, who grew-up very close to me and so, there is someone I have shared memories with. I would miss that if I didn't have it, I think.

Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.

I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.

I would not be in comics if it weren't for independent creators like Kate Beaton, Jess Fink, and Emily Carroll. That's where I found my start and inspiration, through women who did it themselves and built a career on their own terms.

I was encouraged that a group of women wanted to start WISH List, which works like EMILY's List, only it supports pro-choice Republican women. It was started by one of our members, and I was happy to tell her how we did it and encourage her.

If you don't work near a water cooler and hanker for the company of fellow natural history enthusiasts, 'The Blue Planet II Podcast' has Emily Knight and Becky Ripley enthusing infectiously about and delving deeper into the most recent episode.

Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.

I was 12 years old, so auditioning for a TV show was something I didn't even think really happened. The next thing you know, I ended up booking the gig and I did four seasons on 'Emily of New Moon.' I got to learn on the job and kept going from there.

I made my personal discovery of Emily Carr while visiting Victoria in 1981 to write a travel article. Immediately, her strong colors attracted me; her spunk fascinated me. Her down-to-earth voice in her writing appealed to me as authentic and original.

Emily Dickinson has haunted my life - her poems, her persona, all the tales about her solitude. Ever since I discovered her in the seventh grade, I've had a crush on that spinster in white, who had such a heroic and startling inner landscape of her own.

EMILY's List members are deeply committed to electing pro-choice Democratic women whom we trust to stand up for our rights, treat us honestly, and make us proud. Our candidates fight for us every day. Blanche Lincoln failed to hold up her end of the bargain.

The podcast by 'The Kitchen Sisters' celebrates the staggering variety of a society of immigrants via its food, from the Sheepherders' Ball in Boise, Idaho, through the favoured cuisine of Emily Dickinson to the unbelievable rituals of the great rural barbecue.

I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.

As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.

Authors I've longed to write like - but realize I actually can't even begin to - include Poe, Gabriel Garcia Marquez, Kafka, Daniil Kharms, Witold Gombrowicz, Emily Dickinson, Robert Walser, Barbara Comyns, Ntozake Shange, Camille Laurens, Zbigniew Herbert, and Jose Saramago.

I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.

Imagination makes us aware of limitless possibilities. How many of us haven't pondered the concept of infinity or imagined the possibility of time travel? In one of her poems, Emily Bronte likens imagination to a constant companion, but I prefer to think of it as a built-in entertainment system.

What I treasure most at any moment is intimacy, surprise, a sense of mystery, wit, depth and love. A handful of cherished friends offer me this, and the occasional singer or film-maker or artist. But my most reliable sources of electricity are Henry David Thoreau, Shakespeare, Melville and Emily Dickinson.

Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately.

During the Second Boer War, from 1899 to 1902, Britain was rampantly jingoistic: anyone who opposed the war was cast as a traitor. The 'Guardian' stood against it and ran a campaign for peace while the brilliant 'Guardian' reporter Emily Hobhouse exposed the concentration camps for the Boers run by the British.

I grew up believing my sister was from the planet Neptune and had been sent down to Earth to kill me. I believed this because my sister Emily convinced me of it when I was a toddler. I think she'd seen Invasion of the Body Snatchers and her imagination ran away with her. There's a part of me that still believes it.

When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.

EMILY's List has worked a lot with swing women voters over the years, and one thing we've learned is that they are very cynical about politics and politicians. They very much want help with the challenges facing them and their families, and they feel like most politicians don't understand or want to lift a finger to help them out.

Corporate America was hurling offers at her. Thinking even bigger, wanting even more, she had dreams of starting a Martha Stewart magazine and starring in her own regularly scheduled Martha Stewart television show. Martha saw herself as Betty Crocker, Julia Child, Miss Manners, Emily Post, and Rupert Murdoch all rolled into one juicy pie.

We have an older sister who gets pregnant easily. So Emily and I think there may be an environmental cause for our problems. Neither of us were very old when we started trying. But we've lived very parallel lives. We've been in a band together since I was 12 and she was 10. We can't help but wonder, did we stay in a hotel near a power plant?

You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.

The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.

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