Quotes of All Topics . Occasions . Authors
A lost of people recognize me and maybe will ask for an autograph, but it's nothing like if Elvis would've done something like that, 'cause he's so popular, or maybe The Beatles 'cause they stirred up a lot of action.
As a person, he was wonderful. He really was a great person. He was full of life. He had a great sense of humor. Very talented, of course, but very caring to his parents. There was a very endearing quality about Elvis.
One seldom expects the country's president to adequately note the passing of a rocker, but Jimmy Carter's assessment of Elvis Presley's appeal - 'energy, rebelliousness and good humor' - is remarkably close to the mark.
The British invasion was the most important event of my life. I was in New Jersey and the night I saw the Beatles changed everything. I had seen Elvis before and he had done nothing for me, but these guys were in a band.
Elvis Presley's Sun stuff - there's an album out in England with just about all those sides on it - you know, the sound of that upright bass slapping away: that's what I like to listen to. That and Richard Pryor, that is.
On my US tour maybe three out of 30 shows there was an Elvis impersonator in the crowd but that's it. I usually get younger fans, and those that come that are of an older generation end up walking out because it's too loud.
The Best of Elvis Presley, Doris Day, Jerry Lee Lewis, Bill Hailey and the Comets, Frank Sinatra, Peggy Lee, Frankie Laine all topped the charts in the '50s. Load a playlist of rock n' roll royalty. You're spoilt for choice.
I never look for music by genre. I look for an artist who puts a dependable trademark on things. Like Elvis Costello - he's a great songwriter who presents his songs in a number of contexts. I feel the same about my own music.
I think that one of Elvis' charms was that he could sing almost any kind of music. I am sure that in his heart, which I don't know what was there, but just from his singing I could feel that he was very partial to gospel music.
The first record I ever listened to was Elvis Presley, and I remember thinking, 'Man this guy is cool!' The swagger he had really helped my confidence, because he really made me think that a white boy could make music like this.
I think that Vegas is one of the wildest places I've ever been to. You can look to your left and there's a drag queen getting married by Elvis, to the right there is some old bird sticking quarters into a slot machine for hours.
Elvis and Jerry Lee Lewis had enormous talent, and Elvis was the major contributor to an entirely new genre of music. Sometimes their exploits were distasteful to people, but they left behind an enormous body of work that endures.
There wasn't really a lot of difference from a Mississippi perspective between what Elvis did on 'Mystery Train' or 'Milkcow Blues' or what Bill Monroe was playing or what Flatt and Scruggs was playing; it was rock 'n' roll to me.
Music and fashion have had a kind of incestuous relationship since the Fifties. It started with people like Elvis Presley and pop icons like James Dean. Then it exploded in the MTV days. Now, with the Internet, it's instantaneous.
With great artists like Elvis, sometimes the songs weren't the greatest thing about him. When I tried to perform some of the songs, I noticed some of the tunes weren't all that brilliant, but it was the performance that sold them.
I had an opportunity to meet Elvis, only once. It was at the MGM Grand. It was certainly not at the height of his career. No, it wasn't at the height of his career, but it was still a thrill to see him and meet him anyway. You know?
That little Miley Cyrus... she's like a little Elvis. The kids love her because she's Hannah Montana, but what people don't realize about her is she is such a fantastic singer and songwriter. She writes songs like she's 40 years old!
There was a misconception about me when I started off because I had my hair greased up and I have some vague resemblance to the hillbilly gene pool that Elvis came from. People would say, 'You want to be Elvis' and I would say, 'No'.
By the time I was 25 or 26, I would have earned a million, but if you looked in the bank account, it's not there because I've spent it. That's what it's there for. I don't want to be the richest bloke in the graveyard. Look at Elvis.
I'm trying to have my own thing, and I don't know if it's even possible. I didn't realize so many people actually think I'm trying to be like my dad. I read comments like 'She's no Elvis.' I'm not trying to be. I never set out to be.
I've seen many great performers on stage, from Dean Martin to Celine Dion, but nothing beats the first time I saw Elvis. There was no pomp, no pyrotechnics, nothing to distract you from the raw talent of the man in the white jumpsuit.
My own musical ambitions were born when I was five, watching the Ed Sullivan Show on TV. When Elvis Presley burst on to the screen, singing 'Don't Be Cruel,' I felt my first sexual thrill, though I didn't know what it was at the time.
I made up my mind that I was going to be just like Elvis. It never occurred to me that Elvis was a man. I just wanted to be him. He had a huge impact on me, right down to that black leather jumpsuit he wore on the '68 Comeback Special.
I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.
I have fame on the level of a Marilyn Monroe or an Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about.
I was onstage with Menudo since I was 12 years old. To us, the most successful one was the guy with the most fans. If you moved your hips and the girls screamed, you were getting it right. Who wouldn't want to be like Elvis or Jim Morrison!
Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop Art, Jeff Koons, Marcel Duchamp, Francis Bacon, and Catholicism.
I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.
In Hollywood, famous singer Elvis Presley used to wear gold chains. I was a huge follower of Presley. I used to think, if I become successful someday, then I will build a different image of mine. By the grace of God, I could do it with gold.
In about a year's time, Elvis went from being very poor and living with his family in government housing in Memphis to all of a sudden being the biggest star in the world. Once fame hit, there was a lot of temptation and also a lot of stress.
Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.
Maybe Elvis was inhibited by inbred religious prohibitions or an Oedipal complex, or maybe he simply preferred the thrill of a denied release. Whatever put the brakes on the famous pelvis, it ground to a halt at a certain point, and that was it.
I'm a fan of all music, and probably my first - well, not the very first music I listened to, but back in the late fifties, when I first started hearing rock & roll, it was definitely tinged with doo wop and also Elvis and all those great songs.
What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience. Talk about awesome.
When Elvis was performing, you just tried to figure out a way to get there. I think he set all the records and anyone that has ever had the good fortune to see him, you know what it's like to try to get in to see Elvis. It was impossible, practically.
I'm completely absorbed by Peter Guralnick's definitive, two-part biography of Elvis Presley: 'Last Train To Memphis' and 'Careless Love.' Meticulously researched, this is a compelling mix of history, myth-busting, and, of course, some timeless music.
The more parents hate the music, the more their children will like it. It had been true with Elvis, and it had been true with the Rolling Stones. 'Straight Outta Compton' was music that parents could loathe with a passion. I knew we had a massive hit.
My dad is a big Outlaw country guy - Johnny Cash, Johnny Horton, Waylon, Willie. He loves Elvis and turned me onto Elvis. He was always playing me stuff. He and I would sing and entertain the family. We'd have a little skit on Thanksgiving or whatever.
In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.
People define themselves to some degree by the music that they listened to as teens. My mom had Elvis. Me, I had 'The Who' and later punk rock. Kids who came up in the '80s had other songs and bands. It's a way of placing ourselves culturally and temporally.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
To see someone 70 years old with dyed black hair, you're like, 'Hmmm, I dunno. Is that a wrinkled teenager? What is that?' So at some point, I'm going to have to stop doing this. It's gonna look ridiculous. I don't wanna look like Elvis Presley at 60 years old.
I wasn't the biggest hip-hop fan, because I had to listen to whatever my parents listened to, so growing up, it was a lot of Dolly Parton, Elvis, and Whitney Houston. When they finally put a TV in my room and I got to listen to MTV Jams I was like: 'Here I am!'
Elvis might have compromised his musical style a bit towards the end, but that doesn't mean that artists from the rock n' roll/folk-roots culture - of which he was not really a part - shouldn't get better as they get older, like the great jazz or blues artists.
One night I saw Jerry Lee, Johnny Cash, Carl Perkins, and Elvis for a dollar, if you believe that, in an open-air concert. Presley, I got to meet and go into his house and so forth. My wife says I should quit tellin' that story, 'cause they'll know how old I am.
A formidable game of 'Name That Influence' could be based on the music of the seductive rock duo Girls: The band's first single, 'Hellhole Ratrace,' would barely reach its opening words before screams of 'Elvis Costello!' and 'Wreckless Eric!' drown out the music.
When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.
It was immaterial to me that Elvis didn't write his own songs. Those were very different days, and he selected whatever suited him best from material supplied by publishing houses and teams of writers - all of whom were extremely conscious of his style of delivery.
My favorite Elvis era has always been his early Sun Records stuff. It was raw, just Elvis singing what he felt. It had all the influences of black blues that came out of Memphis and these gospel quartets that he loved. You can really hear that in his music from Sun.