When Elvis came out on stage, it became electric. And the way people responded to him was such that, you know, I never saw that kind of response toward any other performer.

I love the make-up trailer. It's a great way to start the day, drinking coffee and singing along to Elvis with the make-up artists. They work wonders on a very sleepy face.

U2 have a lot of religion, also people like Johnny Cash and Elvis. Those people weren't shy about it - it's nice there are people who've come before that were open about it.

But I still do believe that there are useful things to say about Elvis Presley, including what his own ordinariness as a poor Southerner says about 20th-century hero-making.

The Beatles in 1963 came to America and became international celebrities, but Bobby Fischer was one of the first, as Elvis was, more in terms of the message created around him.

Elvis Presley's estate is making 30 million a year, and they say that Marley shouldn't be, but he is from a much poorer part of the world, and a lot more people need the money.

You can take Elvis. You can take Marilyn Monroe. Success and fame will not be the answer if something inside of you is bothering you, if things in your mind aren't going right.

If it was just me and Elvis one on one, which only happened once or twice in the times that I did see him, it was a really comfortable. He was a cool guy. Easy laugh, nice guy.

There was such a realness about Elvis. He never really changed from that humble boy from Tupelo, Mississippi. He became this huge star, but he always remained that Southern boy.

I romanticize. I live with the ghosts of Elvis and Frank Sinatra. It seems so glamorous. They were American men who don't exist anymore. But there are ugly things about them, too.

Anyone who's got a guitar, you like to pick it up. I can play a couple of songs, some '50s rock and roll, a bit of Elvis. That's it, really - I'm not a musician, I'm not a singer.

I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.

When I was a kid, I loved Elvis, and Harrison Ford as Indiana Jones. But I had no connection to Hollywood - and being a movie star was such a far-fetched idea, growing up in Hawaii.

Elvis said, Miss Minnie, do you think it would be out of order if I go up and speak to General Stewart? I've always been such a fan of his. So Elvis went up to speak to the Stewarts.

I didn't have a lot of communication with Elvis. You had to go through a barricade to get to Elvis. It was people hanging on every word, and I felt very uncomfortable a lot of times.

I remember Simple Minds, Echo and the Bunnymen, Nina Hagen, Elvis Costello and Duran Duran. And the best concert I ever saw was the Rolling Stones, in the stadium of Sporting Lisbon.

Elvis was a seventh-degree black belt in karate. My dad knew that he couldn't dance like Elvis or sing like him, but he thought maybe he could try karate, and he fell in love with it.

No, there will come a time where I'm not gonna do this anymore. I mean, there will come a time, definitely, where I'll turn into Elvis - I'm gonna be fat and fishin', I guarantee you.

There was a chance for me to write one song for the section where Elvis sat in his black leather outfit and sang the old hits. At eight oclock the next morning I had written Memories.

I learned a lot from Elvis. He never took his image seriously. So many performers today put their image before themselves. It can ruin them. Like Elvis, I never took my image seriously.

I saw a picture of Elvis in blue lame, and thought that if I could recreate that suit and walk down the King's Road in it, someone might pick me up and take me off on a crazy adventure.

I was out on the golf course, a guy came riding out in a golf cart and said, Did you know that Elvis died? And I just said, Well, there you go. It was like I had kinda been expecting it.

We'd play the American bases and found all these wonderful records by Elvis, Jerry Lee Lewis, Fats Domino, Sam Cooke. Without American music, there would not have been a British Invasion.

When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.

I saw footage of Johnny Cash and Elvis Presley just hanging out together in Memphis when they were young guys getting started at Sun, listening to records together. That was beautiful to me.

Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word.

He will go down as a legend along with Elvis and the Beatles and Michael Jackson. Bob Marley is right up there. He was a leader for reggae music - he really made it appeal to a world audience.

As a kid, I loved any guitarists, whether it was Elvis Presley, Lonnie Donegan, Chuck Berry or even the cowboy guitarists like Gene Autry and Roy Rogers. The image of the guitar appealed to me.

Elvis was a great guy. We'd just horse around together or go to see a movie. He drove me around Graceland in a golf cart. He was a fan of our music and was curious about how I sounded so black.

I think Elvis would be alive today, probably, if he had been allowed to mix and mingle with his fans. I think it was a great cross for him to bear that he couldn't get out and be with his fans.

There's this Bruno Mars guy. I met him in Hawaii when was doing Elvis imitations at the age of about five or six years old. There's a lot of old school in him. He's got a depth that I just love.

Elvis was sincere, and he was - he was so loyal. And he was so homespun. He loved his mother, he loved America. You know, he loved his fellow man. He had a great humanitarian philanthropic sense.

Every performer who ever performed in rock and roll or even close to it is lying if they tell you that they weren't influenced in some way or another by Elvis Presley. He turned the world around.

I got the honor of traveling some with Kerry Von Erich. He was as close to a rock star as I've ever seen. He had a presence that when he walked into a room, it was like Elvis walking into the room.

'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.

I used to come home and play piano all day by ear and make songs up or figure out my favourite Elvis songs. I'd make up games by blindfolding myself and singing the harmony to whatever notes I'd play.

I would love to do musicals, sitcoms and even television talk shows. I think I have the potential. But most importantly, my ultimate goal as an artist is to create a new music genre like Elvis Presley.

My house is a bit like a teenager's bedroom. The kind of pictures you have hanging up on your wall say a lot about you. I've got ones of Evel Knievel, Elvis and Starsky and Hutch, signed by David Soul.

The Kenyans beat up on the American runners in every road race every weekend of the year, but we're way ahead of them in the number and quality of our Elvis impersonators. We get our X-Men and gorillas.

Absolutely. I - you know, he was so that much a part of my life that, you know, Elvis, you know, once - once you bonded with him, I mean, there was no - there was no going back. He was just a great guy.

When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.

Throughout the '50s, tons of unknown locals came through Sun to record their demos. Elvis Presley, Johnny Cash, and Jerry Lee Lewis all made their first recordings at the former Memphis Recording Service.

I think, describing Elvis for me would be a very generous king. He was the king of rock and roll, will always be. He's whats made it possible for everyone to be performers and to do the things they do now.

I was always interested in having my own money - not my family's money. I don't think it had anything to do with me being Elvis's granddaughter. None of my drive was, 'I need to get away from my family legacy!'

And I just remember, you know, breaking into tears and feeling so empty because, as long as Elvis was in the world, you always knew something was going and he always had something that kept everybody mesmerized.

I was an avid collector of Elvis' early stuff; for a young singer, he was an absolute inspiration. I soaked up what he did like blotting paper. It's the same as being in school - you learn by copying the maestro.

I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.

Imitation is flattery. There was once a survey of who was the most imitated celebrity in Latin American countries, especially in Brazil and Argentina, and I was in third place after Elvis Presley and Michael Jackson.

I met the Colonel when Elvis was recording some song I'd written for one of his movies. Elvis was just having fun with the gang and all the Memphis boys and Colonel Parker was sitting over here in like a theater seat.

You got to realize there will be huge Elvis fans out there who'll be really critical, and I'm sure I'm my worst critic, but to get to do my own interpretation of Elvis and do it on a platform like this is really cool.

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