Quotes of All Topics . Occasions . Authors
Prior to Elephant I'd taken about six years of acting classes in Portland, but there's not a huge market there. The only thing we have is commercial stuff, and that didn't really appeal to me. So this is really a dream come true.
Religion looms as large as an elephant in the United States, to the point that being nonreligious is about the biggest handicap a politician running for office can have, bigger than being gay, unmarried, thrice married, or black.
You know, the last time America sensationalized an actor from India, the man died a poor, miserable soul: He was Sabu, the elephant boy. He came here and was the toast of Hollywood. And he just went back to India and died a pauper.
The tattoo on my wrist has the letters 'ES,' which stands for 'elephant shoe.' It's something I used to say when I was younger instead of 'I love you' and it reminds me to remain childlike at times and to not take myself too seriously.
By the time you get to your sixth record, some of the benefits of being in a band are grander than ever, but some of the obstacles are just massive. You deal with these lateral subjects, and all that is left is the elephant in the room.
I think success is a relative term. If you're a caveman, success is capturing an elephant. Success is achieving better than the norm. Success is being exceptional. It's exceptional reputation, exceptional income, and exceptional respect.
My first experience with film was through a still camera. I would sit, very much against my will, with my father in the game reserve, watching some elephant or rhino or whatever, through a 400 millimeter lens and wait, and waiting and waiting.
I'm not much for cats. I'm terrified of mice. I've worked a lot with elephants, and they are extremely intelligent and sensitive, and thankfully, they seem to like me. You never want to get on the bad side of an elephant. And never trust a chimp.
Watergate just happened to come along at the same time as the demand for honesty in relations between the sexes, in advertising, in ecology, in almost everything. It just stumbled into that great big elephant trap that had already been built for it.
We're adding a billion people every decade. We're just spin doctors. Whatever we do is supposedly great, and yet it's always at the expense of diversity and nature. We're like elephants. The ecology of the elephant is more similar to human than any other.
Most people know that forests are the lungs of our planet, literally playing a critical role in every breath we take. And that they're also home to incredible animals like the orangutan and elephant, which will go extinct if we keep cutting down their forests.
The reason I know about 'Tomb Raider' is from when I was researching 'Elephant.' It was 1999, and I was trying to research the Columbine-massacre kids, and they had played video games, and I, at the time, had never really seen one. It was a world I didn't know.
It wasn't until I had been writing on and off for maybe ten years that I started to establish any kind of routine, thought I couldn't put a finger on an exact date, and this routine relates simply to the aphorism 'How do you eat an elephant? One bite at a time.'
My first yak was fairly quiet and looked a noble steed with my Mexican saddle and gay blanket among rather than upon his thick black locks. His back seemed as broad as that of an elephant, and with his slow, sure, resolute step, he was like a mountain in motion.
Elephant populations in India and also in the whole of Asia are under severe stress. The captive ones are rendered jobless due to changes in the mode of transport and lifestyle of people. The ones in the wild are also no better off, as the forests are shrinking.
A lot of people are afraid of the idea of enslavement, and that's because it's tied to so much shame and guilt... That is the big elephant in the room, but a part of why we're afraid to attack that subject matter is because of the way we've been taught about it.
I've been shooting with this gentle beast of an elephant for my film 'Haathi Mere Saathi.' During the shoot, I got to know of the various problems they face. We got in touch with a few volunteers who are helping conserve the tusker's habitats and water reservoirs.
Unlike the primate hand, the elephant's grasping organ is also its nose. Elephants use their trunks not only to reach food but also to sniff and touch it. With their unparalleled sense of smell, the animals know exactly what they are going for. Vision is secondary.
The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.
Some animals are cunning and evil-disposed, as the fox; others, as the dog, are fierce, friendly, and fawning. Some are gentle and easily tamed, as the elephant; some are susceptible of shame, and watchful, as the goose. Some are jealous and fond of ornament, as the peacock.
There's an academic tradition called the 'Last Lecture.' Hypothetically, if you knew you were going to die and you had one last lecture, what would you say to your students? Well, for me, there's an elephant in the room. And the elephant in the room, for me, it wasn't hypothetical.
Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.
A few dozen changes to the genome of a modern elephant - to give it subcutaneous fat, woolly hair and sebaceous glands - might suffice to create a variation that is functionally similar to the mammoth. Returning this keystone species to the tundras could stave off some effects of warming.
There's a lot of films that have relatively rigid road maps because they have a script and others that are less rigid because they have less of a script, like 'Elephant.' The road map becomes more interpretive, maybe, than one with a detailed script. Editing-wise, they all have their problems.
Obviously, race is the elephant in the room, and we all understand that. Unless it is talked about constantly, it's not going to get better... people have to be made to feel uncomfortable, and especially white people, because we're comfortable. We still have no clue what being born white means.
The one thing you have to address with Randy Moss is not a conditioning thing. It's not an age thing. It needs to be addressed. I believe it's the elephant in the room. It's that thing called quit. And Randy, not like any other superstar I've met, he has more quit in him than any of those other players.
I did a film in Nairobi, Kenya called 'The Last Elephant,' with John Lithgow, Isabella Rosallini, and James Earl Jones. So I was in seventh heaven, alright? About a year later I get a call from my agent and he says they want to see you for this project called Candyman. I thought he was joking so I hung up.
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
Some kinds of animals burrow in the ground; others do not. Some animals are nocturnal, as the owl and the bat; others use the hours of daylight. There are tame animals and wild animals. Man and the mule are always tame; the leopard and the wolf are invariably wild, and others, as the elephant, are easily tamed.
It's funny: in the middle of making 'The Muse,' I was offered, at the time, the first 'Ice Age,' the part that Ray Romano took: I was offered the elephant. And I couldn't even stop to breathe, so I didn't do it. They've made, like, six of them. And in the animation business, for a voice actor, that's what you want. You want six, you know?
There were times, especially when I was traveling for 'Eat, Pray, Love,' when, I swear to God, I would feel this weight of my female ancestors, all those Swedish farmwives from beyond the grave who were like, 'Go! Go to Naples! Eat more pizza! Go to India, ride an elephant! Do it! Swim in the Indian Ocean. Read those books. Learn a language.'
