Quotes of All Topics . Occasions . Authors
Certainly the advent of technology and electronic commerce has had an immense impact on the real estate industry.
At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.
A lot of electronic musicians probably wouldn't be bothered making an album, which strategically makes total sense.
I had a Kindle for a brief while, but I dropped it in the ocean, and that was the end of electronic reading for me.
I've always appreciated having a wide music taste, despite making what a lot of people would call electronic music.
There's a confusion sometimes with the laptop being the current tools and where electronic music initially comes from.
When I was a policy analyst at the Electronic Frontier Foundation, I became obsessed with end user license agreements.
When I'm skiing, I listen to electronic music. It's repetitive and let's me get into a groove and crank out the miles.
A lot of people see electronic music as a flavor of the week, but it can be more than that - has to be more than that.
People would be surprised at how much of an electronic dude I am, and I like new wave, post-punk and proto-punk stuff.
By the time I got to building synthesizers, I had perhaps 20 years' experience building electronic musical instruments.
Trade on the Internet is becoming very widespread. The problem is our laws have not caught up with electronic commerce.
Pighammer' is what I envisioned the first Static-X record to be; trancier, a bigger electronic vibe with more keyboards.
Students do everything on laptops these days, so I definitely think electronic books are a trend that's going to expand.
The spirit of house music, electronic music, in the beginning was to break the rules, to do things in many different ways.
When I started working on electronic music, that was after the rave period. I haven't even seen that part of it that much.
There's definitely a push and a pull to 'legitimize' electronic music live by playing the same way that a band would play.
I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.
My roots in electronic music go from weird glitch music to now what's seen as pop music. Electronic music is pop music now.
I love music - anything that catches my ears - but it's more about lots of rock 'n' roll and really funky electronic music.
I made an electronic record in the vein of Cluster. I was programming synthesizers and drum machines and that sort of thing.
Everyone's on their phones, and everyone makes things with the aid of some electronic tool. Electronic music is no different.
I've created a bridge between European electronic culture and urban American culture, and I've worked with established brands.
I came from an era when we didn't use electronic instruments. The bass wasn't even amplified. The sound was the sound you got.
I don't feel that electronic music has to stand on the back of urban artists or anyone else to be recognized. It's great music.
Virtual Self' was me trying to paint a picture of a very foggy, distorted memory that I had of electronic music on the internet.
I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.
I hate all electronic things that are supposed to help the human being. You don't smell, you don't hear, you don't touch anymore.
I'd like 'Morning News' to become a great first edition electronic newspaper, so that the 'New York Times' will want to watch us.
The concept and vision of 'Electronic Nature' is to give my fans a fully immersive sensory experience of music, visuals and more.
For my entire career, I have worked to bring electronic inventions to healthcare markets where there is a critical and urgent need.
I was making more electronic and synth-based music, and when I changed my name, it helped me grow and liberate myself a little bit.
Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
It's been my policy to view the Internet not as an 'information highway', but as an electronic asylum filled with babbling loonies.
Sometimes you cannot produce a specific sound you want with, say, a guitar or piano, and you simply need to use electronic elements.
I love pop music. I love drum and bass, Calvin Harris, all these electronic things, but it's nice to have something organic as well.
I love British folk music, but I'm not obsessed with it. I love the Celtic stuff, and Enya is a favorite, but that's more electronic.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
I think that my biggest influences are electronic acts. Daft Punk is probably my number 1, then Kanye West would be number 2 after that.
Since I was a child, I always loved music that made me want to dance. As a teenager, I used to dance the night away to electronic music.
I consider myself a general practitioner. I do electronic things. I do toys and water things, mechanical stuff. I'm very, very flexible.
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
When the violation of parity was discovered I began a series of electronic experiments to investigate parity violation in hyperon decays.
Sometimes it seems that the fate of the world is decided entirely in the ether of electronic communications and corporate backroom deals.
Electronic communications networks match trades between investors directly, without using a market maker or specialist as an intermediary.
There's a lot of electronic surround-sound music, and I've done a lot of work where I write music for other people to move around a space.
In removing the friction involved in paying bills, electronic billing has substantially increased the friction involved in not paying them.
Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.
Beyonce's 'Bow Down,' to me, that could be a grime tune. If it's electronic and 140-ish bpm, and people go crazy to it, to me, that's grime.