Quotes of All Topics . Occasions . Authors
I spill it out as fast as I can. I don't really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
To a philosopher all news, as it is called, is gossip, and they who edit and read it are old women over their tea.
I think it's almost impossible to edit something to death. I think you can make things better almost indefinitely.
I actually thought I wanted to be Thomas Wolfe, but I didn't have the talent. So I thought I could edit Thomas Wolfe.
Truth is, every writer has to be a good editor, and you have to edit yourself. It's a skill every writer has to acquire.
When you're in a friend circle, you all kind of talk the same way. And it's hard to do on-the-fly radio edits of yourself.
I can't sit on my bum very long in a movie theater seat, and when I'm directing, I always want to move the camera or edit.
On YouTube, we were our own masters. We could sit on an edit until we got it right, we could choose quality over quantity.
The important thing is to write when your brain is at its best. Work edits or do outside reading with the rest of the day.
I edit as I write. I revise endlessly. I don't go forward until I know that what I've written is as good as I can make it.
For me, it's always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
You learn pretty quickly: if you fall in love with your edit, you're bound to be heartbroken because it will all be re-cut.
We do really, really well for content creation and anybody who likes to run videos or edit videos and high performance games.
When you work on something in an edit room with just a couple of other people, you never know how it is going to be received.
I think too many people edit themselves way too soon. There's plenty of time to edit, and it is a crucial part of it all, too.
I really get my best work done in the morning, so if I have to edit speeches or comments, that all happens before I get to work.
I think I'm able to do so much because writing is what I love to do. So, often when I have free time, I choose to write and edit.
It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.
Isaac Singer always wrote in Yiddish. He was so unsure of his English at the beginning that he was easy to edit and he learned fast.
I generally edit quite heavily. In general, there aren't many scenes that are sitting where they sat in the script in the final form.
I would make hockey movies: I would edit together Flyers games and do highlight reels of goals or fights, which I still have to this day.
Most of the photos I take I don't post, so Instagram is not my thing. I like to edit them, make them look good, and keep them for myself.
A few performances have been left out of the various Woodstock soundtracks and film edits over the years, most notably The Grateful Dead.
Reality does get a bad rap. But I'm not concerned about it 'cause I know who I am. They can edit it, but you are in charge of what you do.
I edit as I write and shoot. Any extra line, any pause that I know will get chopped on the editing table is done away with then and there.
Sometimes we'd just play acoustic guitar and try out the parts and make a library. We'd use a double cassette player and make little edits.
My brother Van got the computer first and showed me what it was like to edit video. I definitely credit Van with turning me onto filmmaking.
There is no right or wrong way to pair or prepare a dessert. Follow your instincts, edit, and taste-tweak-taste until you get it just right!
I realize that I am typically vulnerable only when and where and how much it suits me. I can choose my writer words and even go back and edit.
In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
There are people who do things in tech that have the same skill sets that journalists have. They write, they edit, they put out press releases.
There are courses you can take to learn the mechanics of the business, like the Radcliffe course, but I don't think they teach you how to edit.
I think it's important for us not just to edit the culture that capitalism creates but to create the material basis for a culture that we want.
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
If you have a pre-conceived idea of the world, you edit information. When it leads you down a certain road, you don't challenge your own beliefs.
I really have to edit myself - I need someone with a censor button around me all the time. I'm just a little unaware of what's deemed appropriate.
If I'm going to take my clothes off I figured I might as well do it for something that I'm directing myself since I had complete control of the edit.
I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
I know the fans are very personable with my mom and things like that. They make little collages and pictures. They make edits of me and my mom together.
Now every person edits the story they tell about themselves, carefully ensuring what the world looks at - whether it's over Instagram, Twitter or Facebook.
Look, I don't want to edit the 'Scotsman.' I have too many other things going on. I have four newspapers to run and two dot com companies going gangbusters.
I pick up my guitar and play. Something might come, and then the pen comes out. Then an edit, until something comes out that you're actually satisfied with.
You have a schedule that you really have to stick to with TV and make sure that you are producing enough film for the network to edit through and air quickly.
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
Fight scenes are like learning a dance. You learn it move by move, and then you put it all together and it looks awesome when you edit it together. It's great!
Nothing is cut while I'm shooting. I edit between nine months and a year, and usually have around 80 hours of footage I have to get down to an 82-minute movie.
I took one film class at NYU over a summer and learned the basics - you know, how to load a camera and how to light and how to edit - and I became a film editor.
I think most new writers are better off going with traditional publishers who will actually, at a minimum, edit your work, package it well, and market it for you.
Sometimes when an actor says something almost perfect, but you know you have to edit it, if you tell them to change something immediately, it will come out great.