Quotes of All Topics . Occasions . Authors
You can't be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.
I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
When I got the deal to do 'J. Edgar,' which was really the brainchild of Brian Grazer, 'Milk' hadn't come out yet. We had just completed principal photography, and it was still basically this little film where we just really hoped someone would see it.
J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.
Literature has been part of my life for as long as I can remember. I can't think back before a time that I didn't love writing and reading. When I was really young, my mother would read poems to me. I loved Edgar Allan Poe - I am sure I didn't understand it, but I loved it.
I grew up with J. Edgar Hoover. He was the G-man, a hero to everybody, and the Federal Bureau of Investigation was the big, feared organization. He was ahead of his time as far as building up forensic evidence and fingerprinting. But he took down a lot of innocent people, too.
It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.
As the train rounded the curve, the great smoking stacks of the Edgar Thomson works, the flaming converters belching forth, made such a vivid impression upon my youthful mind that it will never fade. I thought I had seen the very acme of what might be accomplished in an industrial way.
My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.
I remember when I was very young, I had a fever - a long rheumatic fever in bed for four months. And in the days, I stayed alone with the maid. I only had my father's books with me. They were fantasy books about ghosts, and also books by Edgar Allen Poe that made a forever impression on me.
Angela Davis's legacy as a freedom fighter made her an enemy of the state under the increasingly neoliberal regimes of Nixon, Reagan and J. Edgar Hoover because she understood that the struggle for freedom was not only a struggle for political and individual rights but also for economic rights.
By every measure, John Kennedy's sex life was compulsive and reckless. At one level, it had clear public consequences. Knowledge of Kennedy's behavior gave FBI Director J. Edgar Hoover absolute job security, as well as the potential power to derail Kennedy's re-election had he survived assassination.
I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story.
Epilepsy is a disease in the shadows. Patients are often reluctant to admit their condition - even to close family, friends or co-workers - because there's still a great deal of stigma and mystery surrounding the disease that plagued such historical figures as Julius Caesar, Edgar Allan Poe and Lewis Carroll.
You know, back in the 1950s and '60s, when J. Edgar Hoover was making the FBI the respected organization it used to be, oftentimes they would find a fugitive and basically have his house surrounded, and then put out a press release saying he was on the top 10 most wanted list. And 10 minutes later, he'd be arrested.
I think December has always been the most haunted month, from the gothic-narrative point of view - a lot of Edgar Allan Poe stories are set in December. It's the last month of the year, and it's supposed to be sort of this mystical, spiritual month. And being Swedish, December is also the darkest month out of the year.
My first project was to build an ionization gauge control circuit for Professor Edgar Everhart's Cockcroft-Walton accelerator. In those days, vacuum tubes were the active components in electronic circuits. I can still recall the warm orange glow of the vacuum tube filaments and the cool blue glow of the thyratron tubes.
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.
Edgar Degas's famous sculpture, 'Little Dancer Aged Fourteen,' served as my muse for 'The Painted Girls.' I came upon a television documentary on the work, and as someone who held the sculpture in high esteem and who largely considered ballet to be the high-minded pursuit of privileged young girls, I was struck by what I would learn.
Ajax is a multicultural club, and we have found that many talented immigrant players quit when they reach puberty. So we wanted to tackle this problem with someone from the same background who had come through it. And that was Edgar Davids. During one of our fights, I pointed that out to him. But it had nothing to do with his skin colour.
