Quotes of All Topics . Occasions . Authors
Young children especially are receiving so much of the world through their ears and their eyes, particularly if they're pre-literate. So engaging them with sound, particularly sound that stirs them emotionally because of the sequence of notes, will make them pay attention.
Italians have always had a high savings rate. They love putting their money into their own government bonds - even more than in houses, stocks and gold. The higher rates climb, the happier they are to invest. So if austerity plans drive rates up, it's music to Italian ears.
Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music… people being able to experience music not just with their ears, but with touch or with through their eyes.
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was 'Everybody Loves a Winner.'
Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.
The words that bore the deathless verse of Homer from bard to a group of fascinated hearers, and with whose fading sounds the poems passed beyond recall, are fixed on the printed page in a hundred tongues. They carry to a million eyes what once could reach but a hundred ears.
I have learned that collaboration are everything to me. Music is a social thing. If there are no ears to hear it, it has no value. I have really loved getting input from other great musicians- like recording strings with my family or making weird synth sounds with tore nissen.
When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
Heads are a good deal, and I think they would be a common feature. It's hard to think of species that don't have heads, although there are some. It's good to have a head because it puts some of the sensory organs - eyes, ears, whiskers or whatever - next to the CPU, the brain.
Tattletales, and those who listen to their slander, by my good will, should all be hanged. The former by their tongues, the latter by their ears. [Lat., Homines qui gestant, quique auscultant crimina, si meo arbitratu liceat, omnes pendeant gestores linguis, auditores auribus.]
Well, a lot of things surprised me. There were things that I had never thought about, in my life. I never thought about how loud prison was. I've never thought about how your ears never really get a break from all this noise. That was actually replicated on our set pretty well.
If I had a large amount of money I should certainly found a hospital for those whose grip upon the world is so tenuous that they can be severely offended by words and phrases and yet remain all unoffended by the injustice, violence and oppression that howls daily about our ears.
When you do a lyric for 'April in Paris,' those who have heard it before can hear it in a different way now. It can add perspective to a great piece of music that does not have a lyric and may be inaccessible to lot of ears because people don't deal with complex music very well.
The pre-chorus always flows and the chorus is always a little bit harder for me because I put pressure on myself. I didn't know that there was a proper way to do these things, so I just write what sounds good to me in my ears and then I hope to God that someone else likes it too.
I don't have a problem working 14 hours a day and still have ears and have a brain to mix afterwards. But I don't have the same strength to actively pursue and stay enthused about things like literature and movies and a social life - things that enhance the music, and the person.
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
I know when I sit with my band members and we're playing back a song that we've done, I know that they're experiencing it in a completely different way and hearing stuff that they're alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
The Dominican Republic says 'We're black behind the ears.' And in Mexico, 'there's a black grandma in the closet.' They know, they've just been intermarrying for a long time. But if we did the DNA of everyone in Mexico a whole lot of people would have a whole lot of black in them.
If it were not for the assurance that I have that the Lord is near to us, guiding, directing, the burden would be almost beyond my strength, but because I know that He is there, and that He can be appealed to, and if we have ears to hear attuned to Him, we will never be left alone.
There's the Ronald Reagan cupped-ear gambit. The press is deliberately and systematically kept away from him. All you hear is a bunch of monkeys screaming at him when they could easily have been brought right up and the president could have stood and talked in a conversational tone.
I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
I had great difficulties learning to play initially because I could not think rhythmically properly, although it's an even-paced rhythm, I was not phrasing properly, I was too Western. It took me a while to learn to think in needed form, and the only way I could learn was just by ear.
If you are interested in writing, get out and live your life! Do a lot. See a lot. Keep your eyes and ears open. Pay attention to the different ways people speak. Read lots of different kinds of books. And then try writing in different voices and styles - don't be afraid to experiment.
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
It's hard to pin Beto down on what he really stands for. Between the clumsy apologies and vacant platitudes, he doesn't seem to have a set of philosophical priorities other than using his goofy ears to do a lot of listening so he doesn't have to make any truly bold policy declarations.
You always notice a facelift on a woman. It's a tightness around the ears, and the scar is usually inside the ears. If I suspect it's been done, I usually move around until I can see it. But with a man, it actually pulls your beard and your sideburns back, and that's what's so strange.
If I look in the mirror when I get up or before going to bed at night, I see a man of average ugliness with stubble, an unruly mane of hair, a squint nose, slightly protruding ears, and bags under my eyes. But I also see a man who's completely happy with the figure staring back at him.
I look out the chair while eating my pillow. I open the wall, I walk with my ears. I have ten eyes to walk with and two fingers to look with. I put my head on the floor to sit down, I put my bottom on the ceiling. After eating the music box, I spread jam on the rug for a great dessert.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.
God did not direct His call to Isaiah— Isaiah overheard God saying, ". . . who will go for Us?" The call of God is not just for a select few but for everyone. Whether I hear God’s call or not depends on the condition of my ears, and exactly what I hear depends upon my spiritual attitude.
I was first influenced by a friend in fifth grade when he brought a Walkman to school and was listening to 'Paradise City' by Guns 'N Roses, which he had concealed within his hoodie. He put the headphones over my ears and I was completely blown away by what I heard. I'll never forget that.
Some asteroids have us in their sights. Be nice to sort of go near them and find out what they're made of, possibly tag their ears so they're always broadcasting to us their location. In case one of their trajectories head straight for us, we'll know well in advance to do something about it.
For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.
The one thing I've always done, because I like the sound of my guitar from where I sit - meaning not in front of it - so what I do is, I put microphones around my ears. I have them around my head, too. I don't know if it's a superstitious thing, but it's actually how I recorded my first album.
It makes me angry sometimes, it's a visceral thing--how you come to despise your own words in your ears not because they aren't genuine, but because they are; because you've said them so many times, your 'principles,' your 'ideals'--and so damned little in the world has changed because of them.
People are always bemoaning the fact that electronic music is finding its way into the mainstream. To me, that's the best possible thing. It's going to give us a much bigger platform. It's going to train people's ears to these sounds so they can listen to a track even if it doesn't have vocals.
I just enjoy the sound as I hear it in everything around me. The high and low frequencies of sound bewitch me. Whether I am in a shop, in the bathroom or listening to noise that my fans make... everything is music to my ears and drives me. I just put all these things in rhythm when I'm playing.
When you sit down to write a film, you direct it in your head. If you are writing a scene, you are watching the scene. And maybe it's different when you are writing a novel because you are thinking of it in terms of being read. But films are only consumed one way - through the eyes and the ears.
When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
Football has always been violent. In the early days of the game, they didn't wear hard helmets. They wore soft helmets, which were just designed to protect the ears. In the '40s and '50s they began to introduce hard helmets, which provided much more protection against things like skull fractures.
To my ears, jazz sounds better in warm weather and after the sun has gone down. While I will listen to some of my favorite jazz records in cooler weather, it's the warmer nights that really make them come alive. Something about those sounds and the heat of the night really makes it happen for me.
It is a fallacy to believe that a Republic of any kind can be won through the shackled Free State. You can't make a silk purse out of a sow's ear. The Free State is British created and serves British Imperialist interests. It is the buffer erected between British Capitalism and the Irish Republic.
The world is full of people who want their ears tickled on strategies for wealth creation and protection and so-called revealed secrets to wealth creation. And there are plenty of slick 'business coaches' who are more than willing to do just that - for a fee. This is the world of the seminar guru.
I'm not in a position where I get to pick and choose roles. I usually go on auditions in long lines and embarrass myself in front of casting directors, and with a lump in my throat and my ears burning, I walk past reception and smirking actors as I go to the parking garage and go back on the highway.
When eating out while on tour, a great place to get vegetarian food is Thai restaurants, as they have lots of options. I absolutely adore salad and vegetables - I will eat salad until it's coming out of my ears. Although I think it's great in any form, my particular favourite has to be beetroot salad.
In this age of communications that span both distance and time, the only tool we have that approximates a 'whisper' is encryption. When I cannot whisper in my wife's ear or the ears of my business partners, and have to communicate electronically, then encryption is our tool to keep our secrets secret.
When I was in school, martial arts made you a dork, and I became self-conscious that I was too masculine. I was a 16-year-old girl with ringworm and cauliflower ears. People made fun of my arms and called me 'Miss Man.' It wasn't until I got older that I realized: These people are idiots. I'm fabulous.
The wholesome is definitely intentional and drilled into me. I mean, we weren't allowed to pierce our ears growing up. We didn't wear makeup. We couldn't have layers in our hair, perms, or color, or manicures. My dad didn't think it was ladylike. My dad just felt like his daughters should be wholesome.
I always wished I could go to confession. I was so full of things I couldn't name and had an instinct to hide. I felt burdened by the loneliness of my interior life. I wanted some container that I could empty myself into, some ear that would never be shocked, even if it offered me some kind of penance.