Quotes of All Topics . Occasions . Authors
When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.
In the early days, I loved Facebook. I loved being able to keep tabs on hundreds of college classmates all at once, of being able to tag all my dorm mates in the photos we took on our garbage 7 megapixel cameras, of creeping on crushes, of keeping up with every person I met at a party or in a classroom without doing very much work.
Tarot cards likely originated in northern Italy during the late 14th or early 15th century. The oldest surviving set, known as the Visconti-Sforza deck, was created for the Duke of Milan's family around 1440. The cards were used to play a bridge-like game known as tarocchi, popular at the time among nobles and other leisure lovers.
When you're dealing with a shoot day that's costing somebody $300,000; when you're responsible for making that day; when you've got a half-million-dollar stunt that you've got to make sure you cover properly. You don't want to be doing that early in your career. You want to be making your mistakes when not many people are watching.
I thought I was going to be an actor. I liked entertaining. I was pretty much tap dancing for attention from a very early age. My family was kind of musical, and there were people in the circus next door and actors across the road. I just enjoyed messing around with music growing up, but I really thought I was going to be an actor.
In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
The people and the cultures of what is known as Africa are older than the word 'Africa.' According to most records, old and new, Africans are the oldest people on the face of the earth. The people now called Africans not only influenced the Greeks and the Romans, they influenced the early world before there was a place called Europe.
Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.
I gotta tell you, right at the top of my list would be taking vitamins. I know that over the years doctors have said they're ridiculous and all that. But I started taking my vitamins at an early age. And I take them every day. Every bloody day! So I think that's number one. For whatever reason, I feel active and pretty good at my age.
Our uniqueness makes us special, makes perception valuable - but it can also make us lonely. This loneliness is different from being 'alone': You can be lonely even surrounded by people. The feeling I'm talking about stems from the sense that we can never fully share the truth of who we are. I experienced this acutely at an early age.
Of Montreal's early releases were loaded with playful but confessional acoustic tunes, but the band soon embraced glam-rock's freakier side on albums like 'Hissing Fauna Are You the Destroyer?' and 'Skeletal Lamping.' It was a shift fans might not have tolerated if it weren't for frontman Kevin Barnes' catchy, personality-driven songs.
The biggest message I have for young women is, Don't start cutting off branches of your career tree unnecessarily early. Sometimes women say, I know I want to have a family or play in the local symphony, and they start pulling themselves out of their career path. You don't have to take yourself out of the running before you even start.
Mystical groups such as the Theosophical Society and the Rosicrucians turned tarot into an American fad during the early 1900s. Many American tarot practitioners use a set of cards known as the Waite-Smith deck, created in 1909 by A.E. Waite, a British member of the Hermetic Order of the Golden Dawn, and the artist Pamela Colman Smith.
In the early 1980s, the government of New Zealand fell into the hands of true believers, globalist believers, and they embraced the theory of inevitability perhaps more completely than anybody else. And it solved in the very short term some of their debt problems, but in the medium- and long-term, it left them in real economic trouble.
I used to help my grandfather on the farm, driving tractors, raising crops and animals. I used to feed some of the baby cows and pigs, and I had to be no older than 7 or 8. Then at about 9 or 10 I started driving tractors. It showed me at an early age what hard work was all about and how dedicated you have to be, no matter what you do.
No one would suggest completely ignoring news about your investments. Enron investors, for example, would have been well served to sell once early reports of accounting irregularities surfaced. But the key is to keep news in context and act only if further reflection or study indicates that the core thesis for an investment has changed.
When I first discovered in the early 1980s the Italian espresso bars in my trip to Italy, the vision was to re-create that for America - a third place that had not existed before. Starbucks re-created that in America in our own image; a place to go other than home or work. We also created an industry that did not exist: specialty coffee.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
My parents would drive us to Florida every spring in this big old, rusy Suburban, and we'd collect stuff on the beach for our aquarium back in Ohio; we had this big saltwater aquarium back in Ohio. Every time we found anything, any mollusk, my mom would bring out the guidebook and quiz us on what it was, so that stuff was built in early.
In my 20s, I used to have a lot more energy! I was this skydiving, bungee-jumping adrenaline junkie. I don't know what happened to me! Now that I'm in my early 30s, I've put all that energy into my work, although I'm still a little ridiculous. In your 30s, you're sensible enough to know better, but still stupid enough to do stupid things.
In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
It's one of the disadvantages of succeeding early. I missed simple things like having a driver's license. I think everyone has one. For so many people, a license is an obligation, but it wasn't for me. Licenses are often synonymous with autonomy, but I had my autonomy so early that I've had drivers at my disposal. It was never a priority.
I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of 'The Wind in the Willows,' which a stepmother read to me when I was in hospital.
I was focused on building things from an early age. When I was about 3, our toilet broke, and my mother was ready to call the plumber. I told her I would fix it and asked her to get my Richard Scarry book 'How Things Work in Busytown.' Between the picture of a toilet and the text she read to me explaining how the parts worked, I fixed it.
What happened in the early days of Disney is that Walt Disney used all of the new technologies as they came out. When matting came out, they adopted it. They adopted sound and color and xerography. Walt did that. And then, when he died, people began to think that this is just about making films, so they stopped bringing in new technologies.
Coming from Montreal, Patrick Roy was the guy that everybody looked up to. He was consistent and successful early in his career; he won the Stanley Cup when he was really young and he played with a great organization. For me it was also a French thing, like one of us had made it that big in the NHL, and you tried to follow in his footsteps.
There is enormous shame around depression of any kind and at any time. And there's enormous social stigma attached to it, which we need to go on fighting. But I think that the sense of depression during pregnancy and early motherhood has been particularly stigmatized, that people especially feel that should be the happiest time of your life.
In my early work, my time in the batting cage, that's serious, and that's when I feel like I'm really working. That's where I have to lock in on my approach, make sure my mechanics are right, and make sure my mindset is right for the upcoming game. But then, when the game comes up, it's a game! You're supposed to have fun when you play games.
The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.
During childbearing years, changing jobs - even for a fundamentally better gig - can be a very bad idea. Those prime childbearing years - mid-twenties to early forties - overlap precisely with prime professional years. This is when employees are most attractive to new employers, when they should be able to zip up ladders with the most alacrity.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
You should see what our Founding Fathers used to say to each other and in the early part of our nation. But what they were able to do, especially in Philadelphia in 1787, four months, they argued about what a House should be, what a Senate should be, the power of the president, the Congress, the Supreme Court. And they had to deal with slavery.
'Royal Beatings' was my first story, and it was published in 1977. But I sent all my early stories to 'The New Yorker' in the 1950s, and then I stopped sending for a long time and sent only to magazines in Canada. 'The New Yorker' sent me nice notes, though - penciled, informal messages. They never signed them. They weren't terribly encouraging.
It should tell you something that Pakistan's Inter-Services Intelligence (ISI) agency invented the Taliban in the early 1990s only because Hekmatyar, its primary U.S.-bankrolled proxy in the war for control of Afghanistan, had proved too bloodthirsty after the Soviets withdrew, even by the low standards of the ISI's ghastly generals in Rawalpindi.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
