My ace in the hole as a human being used to be my capacity for remembering birthdays. I worked at it. Whenever I made a new friend, I made a point of finding out his or her birthday early on, and I would record it in my Filofax calendar.

It was really inspiring to be in West London in the late 1980s and early 1990s, especially in Mark Lebon's Crunch Studios, where I met people like Ray Petri, Neneh Cherry, Judy Blame, Nick and Barry Kamen, Zoe Bedeaux, and Venetia Scott.

Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control. And it didn't have any inherent wisdom. I quickly realized that you either became a power or you were crushed.

I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.

A treatment method or an educational method that will work for one child may not work for another child. The one common denominator for all of the young children is that early intervention does work, and it seems to improve the prognosis.

I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.

My quest to meet Osama bin Laden began in North London early in 1997. In the Dollis Hill section, I contacted Khaled al-Fauwaz, the spokesman for a Saudi opposition group, the Advice and Reformation Committee, which bin Laden had founded.

St. Louis has always been a great center for medicine. It has been a leader in the nation since the early part of the 20th century. Along with that, we've been a leader in medical science and biomedical science and innovation in medicine.

I do remember how it was to be poor. I do remember that in my early years, we had to grow and raise all of our food, even our animals. And I remember in my early life, we didn't even have electricity. So it was very, very hard times then.

And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.

In my early professional years I was asking the question: How can I treat, or cure, or change this person? Now I would phrase the question in this way: How can I provide a relationship which this person may use for his own personal growth?

Remember that in the early days of the feminist movement, they refused to have a leader; different women would just stand up and speak. The early feminists were very careful to not put what was spontaneously arising back in the old bottle.

I was born into a family of gospel singers. My early ambitions were many. I was going to be a ballerina. I almost had that one come true until I tore a tendon, so I transferred from my toes to my throat and that's where the talent settled.

From an early age, my favorite thing to read was novels. For years, when I was writing only nonfiction, still I was reading almost exclusively novels. It's weird to be producing something that you don't consume. It feels really alienating.

'The Rime of the Ancient Mariner' had a formative effect on me. I think it's one of those works that if you encounter it very early you're doubly enchanted by the beauty of the language and the strangeness of the vision. It stays with you.

Back in the '40s and early '50s, building simple electronic projects was a popular hobby of many people. Back then, you could buy, you know, a few parts and - with tubes and build something on your kitchen table, and it would actually work.

I decided, very early on, just to accept life unconditionally; I never expected it to do anything special for me, yet I seemed to accomplish far more than I had ever hoped. Most of the time it just happened to me without my ever seeking it.

I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.

As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.

My mom means the world to me. She's always been the one to get me up early for work, help me with my make up and hair, and just be there to support me in whatever I do. She always makes sure that no matter what, I'm happy in what I'm doing.

When I was at Cambridge in the early fifties, there was a school nearby for training Army officers in Russian, and some imaginative genius came up with the idea of putting on Russian plays with the students to improve their language skills.

Typically, I spend a lot of time - mostly in the morning - kind of drifting, reading, walking down along the river, looking at photographs, or even driving around. Then, if I'm lucky, I get to work in the early afternoon, one way or another.

I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.

At around 20 years old, I started to educate myself on nutrition. I'm so grateful that I taught myself the importance of health and fitness in my early twenties. I created a lifestyle that I love, and because of that, I've never had to diet.

I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.

I had always owned them to be the Word of God... the careful reading of the Acts afforded me a practical picture of the early church; which made me feel deeply the contrast with its actual present state; though still, as ever beloved by God.

I grew up in a modernist house, in a modernist culture. There was a love for modernism everywhere - the furniture, the books, the food, even the cutlery. So I learned very early to appreciate the value of design and the value of architecture.

In my early days in school, I had no shoes, no school bags. There were days I had only one meal... I walked miles and crossed rivers to school every day. Didn't have power, didn't have generators, studied with lanterns, but I never despaired.

The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.

In the early Sixties, having begun to describe the physiology of cells in the adult cat visual cortex, David Hubel and I decided to investigate how the highly specific response properties of cortical cells emerged during postnatal development.

I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.

Brand preferences and consumption levels in emerging markets such as China, India and Brazil tend to be more fluid. Consumer research is therefore critical to aid marketers trying to cement brand preferences early on as these economies develop.

It is our Party's unshakeable stand to prevent a new war from breaking out on the Korean peninsula and accelerate economic construction in a peaceful environment, thus resolving at an early date the problems related with the people's livelihood.

I knew Avila was going to be a tough, strong opponent. I cracked him a few times early, but he kept bouncing back every time. When I knocked him down, I could tell he wasn't hurt and was impressed by his toughness. He brought out the best in me.

Sometimes, early in their careers, chefs make the mistake of adding one too many things to a plate to get attention. If a chef is just coming up with wiz-bang gimmicks on their plate, that has nothing to do with bringing real pleasure to people.

It seems proper, at all events, that by an early enactment similar to that of other countries the application of public money by an officer of Government to private uses should be made a felony and visited with severe and ignominious punishment.

Passyunk Productions is our film & tv production company. The name comes from a street in Philly, Passyunk Avenue, where the concept of The Roots was born, as Ahmir and I started out busking on the corner of 5th & Passyunk back in the early '90s.

Studying acting has been personally enriching because it has taught me to take the time to imagine what someone else's life experience might be like. To look deeply at how our pasts and the circumstances of our early childhoods mold us as people.

Wherever I am, I start my day, it's the same. I'm not an early bird. I'm not waking up at five o'clock, six o'clock; it's usually seven-thirty, eight o'clock, and I will then read the newspapers, emails from around the world and make phone calls.

My mother early on taught us to respect all animals, and I mean all animals - not just cats and dogs but rats and snakes and spiders and fish and wildlife, so I really grew up believing they are just like us and just as deserving of consideration.

I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.

Like the 'little emperors' of one-child China, too many Boomers were taught early that the world was made (or saved) for their comfort and enjoyment. They behaved accordingly, with a self-indulgence that was wholly rational, given their situation.

Nature's God really descends from an ancient Greek tradition that was passed along to the early modern philosophers. And these were quite radical thinkers who were really challenging the ways of thinking of their time and the established religion.

But marriage goes in waves. You've got to be patient. People bail and give up on their marriages way too early. They just don't put the work and the effort into it. You've got to suck up your ego a lot of times, because that can be a big downfall.

You never know what's going to happen en route to the airport or station and the last thing you want is to get there just as your train or plane is disappearing into the distance. Get there early, read a book, have a coffee and don't get stressed.

I used the diabetes as my weapon. Of course, I was only hurting myself and making myself sicker, but I guess it was something I had to go through. I never went overboard so much that I really hurt myself, but my early teenage years were very tough.

Seeds and nuts are indispensable for cardiovascular health. The protective properties of nuts against coronary heart disease were first recognized in the early 1990s, and a strong body of literature has followed, confirming these original findings.

I weep for the liberty of my country when I see at this early day of its successful experiment that corruption has been imputed to many members of the House of Representatives, and the rights of the people have been bartered for promises of office.

With girls, there's an insecurity that starts early on. It hangs around them, like some annoying kid from down the block who won't take the hint and go home when dinnertime comes. And moms are usually not great at giving their daughters confidence.

On our early demos, I was really frustrated with my recorded sound. I'd tell my dad, 'Dude, I want more 'cut' on my guitar - I want more treble.' And he'd say, 'Now, son, you don't want that. It'll hurt your ears.' But my dad just didn't understand.

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