From an early age, I had always loved drawing. Laying on the floor, in front of the fire, drawing from my imagination, marching soldiers, dive bombers, spaceships and monsters. Now, suddenly, I was drawing from real life!

My brothers and sisters started having children at a very early age, and I was just there all alone at one point, like, 'What do I do?' And I thought the only thing I can do is create mine, make my family, and I did that.

When I looked further into my mother's history, I realised that her anxieties and her neuroses could be accounted for by facts from a very early age. Her parents, William Henry Jones and Sarah Emily, were desperately poor.

I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.

Humour is learned behaviour, and I know exactly why I learned to be funny. I did it from a very early age. My dad was a hilarious man, and the way we interacted was being silly together. It was a way to hold his attention.

Spending eight to ten hours every single day practicing the instrument, starting from an early age, makes an instrumentalist spend his/her lifetime to hone the skill, and perhaps just as much time is spent to find a job too.

Hip-hop was the music that actually got me excited about it and the actual prospect of performing. I think I loved music from an early age because my parents wanted me to love it as much as they did. It was constantly there.

Children also have artistic ability, and there is wisdom in there having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved free of corruption from an early age.

Children learn many principles of natural law at a very early age. For example: they learn that when one child has picked up an apple or a flower, it is his, and that his associates must not take it from him against his will.

I rewrite my books many times before submitting them, and after my editor takes a look I wind up rewriting some more! It's a good thing I learned at an early age to keep on trying. Stick to it, and eventually you'll get there.

My father was a writer/director/producer, so instead of throwing a ball around, our bonding was going to see movies. And at an early age, I knew if I wanted to impress my dad, it was not going to be by throwing a ball real far.

I was a science fiction geek from an early age, enthralled by the questions of life in the universe. As I got older, I learned that space exploration was real. I wanted to get involved in that. I knew I wanted to be a scientist.

Most kids in Africa don't start playing basketball until they are 13 or 14 years old. This puts them at a disadvantage because they lack the instincts and must work harder to develop the skills and habits formed at an early age.

The main way that being adopted has shaped my songwriting is that I was asked at an early age to consider the circumstances that led to my life, and in a way, I was introduced to how fragile and unlikely life is from the beginning.

Doing what we can to repair the world was instilled in me from an early age. I will never forget my siblings and me knitting squares for blankets to be sent to the troops during World War II. This was an inspiration from my mother.

Eleven years old is not an early age to set your sight on the Olympics for a gymnast, because we normally peak in high school. I first qualified for the Olympics team during my sophomore year in high school, when I was 15 years old.

I knew at a very early age, about 6 years old, that there was something different about me. But being young and not being exposed to people who had gender dysphoria, or role models that you see on TV today, I didn't know what it was.

A small child from a developing country has the advantage, from a very early age, of having access to toys which structure his mind, which constitute a sure advantage over the little African child who has never even held a modern toy.

I learned at an early age how to traverse the white world, the white-dominant world. I learned, and I was successful at it. I learned the nuances - I learned how to act, how to be - but I always was conscious and aware of my blackness.

Numbers have always been massive to me. I was told at an early age that if you affect the game, and if your numbers are good in terms of goals, assists, chances created, the manager finds it hard to bring you off or to not involve you.

In 2009, I pushed for the creation and funding of early childhood block grants to ensure that more kids enter kindergarten ready to learn. It's really not rocket science: Put kids on the right path at an early age - and keep them there.

Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control. And it didn't have any inherent wisdom. I quickly realized that you either became a power or you were crushed.

I remember being in college knowing I didn't want to go anymore. I wanted to try and become an actor. There is a something in me, with a risk of sounding cliche, that I just had to do it. I knew from an early age that acting was my path.

We started playing music from an early age and so we wasn't really aware of that side of it, the weird thing is the more successful you get the more free booze and drugs you get, they should be given to the bands who don't have the money.

Some people think that I must be ancient because I've been in the business for so long, others still think of me as a waif and assume that I'm too young for certain roles. Starting out at such an early age seems to have worked against me.

I just played football from an early age and didn't get involved in any other sports. We had tennis, cycling, ice skating - I'd like to have skated more, because it's so physical. Ten minutes on the ice and you really feel it in your back.

From an early age, my favorite thing to read was novels. For years, when I was writing only nonfiction, still I was reading almost exclusively novels. It's weird to be producing something that you don't consume. It feels really alienating.

I was taught from a very early age that it was probably the most American thing you can do is to question what's going on and to try to fix things that you see that aren't right. I believed that as a young person, and I believe that today.

I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.

I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.

I learned from an early age that my heritage, my love for people, and my desire to be a vehicle that can be used through my voice, that my expressions and actions can transport a person to experience a scene from the past, present and future.

It is instilled in thousands of American males from an early age that one of their requirements is to be able to both dish out and take a lot of pain. They are taught the rules of this road in gyms, rings, backyards and fields all over America.

My dad and his brothers were involved in amateur dramatics. From an early age, I was dragged along to rehearsals when they couldn't get childcare. I was watching pensioners dance around in sweatpants, which was very traumatic for a young child.

High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future; self-esteem was considered something you had to pick from the garden yourself.

It was always something I knew I was capable of and from an early age my mother was involved in the film industry. She used to work at a production company. So I was exposed to a renaissance period of films in New Zealand back in the early 80's.

I think I had only been working nine months when I got 'Star Trek,' and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like that.

Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it's better not to take it so seriously. If you beat yourself up, it's hard to keep going.

Athletes are used to battling. The public would never learn their names if professional athletes had not shown courage at an early age. They learn they can overcome, but sometimes this becomes a false sense of security that leads them to the edge.

I have always been making art from an early age but for nearly forty years did computer programming to earn a living. I bought a house and put my wife and three children through college. Now that diversion is over so I can finally paint full time.

I was named after my Jewish grandfather who left Poland early in the 20th century. What I knew from an early age was that he had lived most of his life in England, his Jewish wife had died, and he married a non-Jewish woman who was my grandmother.

I came out at a very early age. I sat my mom down at my 12th birthday party and told her in front of my friends. She said, 'Baby, mama already knows, and I'm going to love you regardless.' Once I got my mom's support, there was nothing else I needed.

You know, I'm a big comic book fan. As a kid I used to collect them until there was a horrible mudslide in Hollywood and I lost my collection, but I was also at an early age the voice of 'Jonny Quest;' it was a cartoon; so I am kind of a latent fan boy.

From a very early age, my wife and I told our son that there are times and places for everything. I told him, look, when you're in class, you have to be quiet and listen to your teacher, but when you go out to the playground, you can scream and be silly.

There is a latent anger in a lot of people that went to boarding school at an early age. I was eight. And I loved it over the five years, but I think the adjustments for eight-year-olds are a lot. And I think it informs who you are for a long, long time.

Hillbillies learn from an early age to deal with uncomfortable truths by avoiding them or by pretending better truths exist. This tendency might make for psychological resilience, but it also makes it hard for Appalachians to look at themselves honestly.

I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.

Truly, from a very early age, I started distancing myself from other kids, not out of willingness, but just out of the nature of my energy. I liked to do things solely, and I already had a taste of the quest for perfection, which is unusual in a little kid.

I just want to say that from an early age, my parents instilled in me the values that you work hard for want you want in life; that your word is your bond; that you do what you say you will do and you treat people with respect. That includes Housewives too!

My dad encouraged us to fail. Growing up, he would ask us what we failed at that week. If we didn't have something, he would be disappointed. It changed my mindset at an early age that failure is not the outcome, failure is not trying. Don't be afraid to fail.

I have had so many great moments, but I would have to say that dancing the Swan in 'Swan Lake' was such a unique and passionate experience for me. It was such bloody hard work, even at that very early age, that I would not want to try to replicate it again now.

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