Quotes of All Topics . Occasions . Authors
I'm a professional athlete. I've been paid since I was in my early 20s to go out there and fight with guys who were 40 or 50 pounds heavier than I am and fight for my life. I got into a business where people make decisions based on some of the most stupid things.
I remember being in Vietnam in my early 20s, at the height of Lonely Planet's fame, and all the travellers would converge on internet cafes to send emails back home. It was a great place to exchange tips and recommendations, so you actually interacted with people.
I think the narratives on 'Trans,' 'Plans,' and 'Narrow Stairs' moved away from the way I wrote on the first couple of records, which was a lot more impressionistic. I was writing those songs in my early 20s, so I thought I was being more clear than I actually was.
I always wanted to be a surgeon, because I had a lot of admiration for my father, who is also a surgeon. I also wanted to be a heart surgeon. That was motivated by the fact that my young aunt, a sister of my dad, died in her early 20s of a correctable heart disease.
My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
Recently I read the stories I wrote in my early 20s, to put in a volume. And here is this brittle young woman, writing about marriage as, not the worst thing, but the most boring thing that could happen to a person. Now I think I was wrong. I like to be proven wrong.
The video for 'Whatever' is kind of a documentary in a way. It's showing that love can last. Not just in your early 20s or your late 30s, but in your 50s, 60s and 70s. There's an awful myth out there that when you get married, love and lovemaking fade. It's not true.
When I read 'Another Country' when I was in my early 20s, you know, as soon as I put the book down, my first thought was, 'I will never be able to write a book like this.' And my second thought was, 'I really want to try writing a book like this for the 21st century.'
When I joined the freedom movement in Mississippi in my early 20s, it was to come to the aid of sharecroppers, like my parents, who had been thrown off the land they'd always known - the plantations - because they attempted to exercise their 'democratic' right to vote.
I took on the math-intensive art form of holography and, in my early 20s, traveled the world, living on university fellowships to pursue this esoteric craft. I didn't date much, really - perhaps because I didn't have many hormones, though I didn't know that at the time.
In the late spring of 2008, my wealthy entrepreneurial husband, Elon Musk, the father of my five young sons, filed for divorce. Six weeks later, he texted me to say he was engaged to a gorgeous British actress in her early 20s who had moved to Los Angeles to be with him.
Rey's parents left her at 5, and we meet her when she's late teens or early 20s, and for someone to keep hopeful that there's a better life to come, I think, is astounding. Though she starts off alone, she very much finds her place in a group of people, and that's lovely.
I went around in my teens and early 20s thinking that life was a con trick. I had managed to grow up believing in all sorts of romantic ideas about hard work and justice and truth, and it seemed the real world was much more complicated and shaded than I wanted to believe.
There was a time in my early 20s when I would leave a movie theater and just feel so alone and lonely afterwards. I just felt like my life was nothing like those characters up on the screen, so perfect all the time. Why didn't I talk like that? Why don't I look like that?
'Preacher' really appeals to my iconoclastic nature because I'm a student of comparative world religions since my early 20s, so I love shows that really challenge what you think about all these things. I think it's genius. I was so excited there was a role I could play on it.
The lighthearted moments of 'Girls' are really not speckled throughout and that to me is just super exciting, to be able to delve into the darkness that you are greeted with in your early 20s and the fear and what that makes you do, the places that you can potentially go with that.
I've been a runner a long time. When I first got into it, I started doing small triathlons in Chicago, and I just did it to get in shape. When I got out of college, I put on a few pounds like everybody does. I did it when I was in my early 20s, but I never really did any long runs.
I think that people should never be ashamed of wanting to move on with their lives and move on from their partners. I have a lot of girlfriends who were married in their early 20s and are now divorced because they basically grew apart - they evolved into another person in their 30s.
I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old.
I've been a foodie most of my life. I started when I lived for a year in Germany in my early 20s, and here was this new food environment, and I decided I needed to make sense of it. And I found it was the rules of economics that do the best job. Food is a capitalist product of supply and demand.
In your early 20s, it was maybe acceptable to have a friend who was taking all of your time and energy and exhausting you and always a drama. When you're in your 30s, or you're starting to have babies, you just can't put up with it anymore, and that's okay, because I think your priorities shift.
I wasn't brought up with any religion at all. At school and in my early 20s, I read every religious text I could get my hands on - Buddhist scriptures, Hindu texts, the Qur'an, and the Bible. I wanted to feel like something made sense to me, that there was something sacred I could feel aligned with.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
Getting past my early 20s, I feel a bit more maturity and responsibility about that stuff. You get a good feeling from doing something good. You see a kid and you make his day, you realise the power of it. Whereas before, I was like, 'That's cool, whatever.' But now, that's what I'm most appreciative of.
Look at the Weimar Republic and their hyperinflation in the early '20s. It didn't happen overnight. I've used the analogy, it's a lot like soybeans: you plant 'em, you wait. Conditions take some time. You need some sun; you need some water, but ultimately things start to grow, and are we in that phase or not?
At 17, I lived in Nicaragua to show solidarity with the Sandinista socialist revolution. At 23 I raised money for Guatemalan women's cooperatives. In my early 20s I lived in the semi-Amazon doing research with small farmers fighting land invasions. At 26 I helped expose poor conditions at Nike factories in Asia.
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
It's true that many of the leaders who started at non-elite colleges as undergrads later attended prominent graduate schools in law, business, medicine, and so on. But the point is that they found their own way there - as young men and women in their early 20s, not teenagers pressed into action by parents and peers.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy, but it's very difficult. For an athlete, you use muscles you really don't use, and ballet is something I really respect.
I was in my early 20s when Estonia joined the E.U. For a kid who'd grown up in the Soviet Union, it seemed like my country had come of age. For a country that had been isolated and cut off from the rest of the world, it seemed like we were becoming part of the global community. It opened a whole new world of possibility.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
At 17, I traveled to Mexico in a lemon yellow Mustang and saved money by bunking down in cheap, cockroach-infested flophouses. In my early 20s, I went on to thumb rides through Europe, readily sleeping in train stations, my backpack as a pillow. Once I even hunkered down for a night on a sidewalk grate - for warmth - in Paris.
In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
I don't think any of us knew the dangers of repeated concussions or the fact that even when you got a concussion, the idea to go get treatment for it never entered our minds. We just didn't have - we weren't educated enough. We were really ignorant to it. I would get concussions in my early 20s racing, and it was a bit of a badge of honor.