Once you've developed some technical facility on the guitar, the musical side (which entails theory, harmony, chord structure, ear training, sight-reading, composition and being able to hear chord progressions and licks) comes into play a lot more.

Bacharach has such a brilliant ear for melody and his music has a completely timeless feel to it; I thought it would be great to do a whole album of his music and to record with a full orchestra and big band which is something I hadn't done before.

Well, Steve Vai joined my dad's band right around the time when I actually started playing guitar. So he gave me a couple of lessons on fundamentals, and gave me some scales and practice things to work on. But I pretty much learned everything by ear.

For like a year, even after I retired, my ear would just bleed. There was just some scar tissue on it that tore open so many times that it just started bleeding all the time. It's rough on the wife, she has to keep washing the sheets again and again.

We must be practical. Talking about trade and other nice things are more soothing to the ear than security. But it won't be until we have sufficient security against internal, regional, and continental threats that we can be sure of real development.

If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.

Music makes us want to live. You don't know how many times people have told me that they'd been down and depressed and just wanted to die. But then a special song caught their ear and that helped give them renewed strength. That's the power music has.

I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.

I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.

To become a singer requires work, work, and again, work! It need not be in any special corner of the earth; there is no one spot that will do more for you than other places. It doesn't matter so much where you are if you have intelligence and a good ear.

Well, I have a Norwegian father who emigrated to America in the 1950s, and he still speaks with varying degrees of an accent. Over my lifetime my ear has been well-tuned to that accent. Any first generation kid has that wonderful gift from their parents.

Pneumococcal disease is a real threat. Pneumococcal disease is a bacterial infection that causes anything from middle ear infection to pneumonia to meningitis. Children are particularly vulnerable to it, but adults can get pneumococcal disease themselves.

The more of my readers I encounter who say, often apologetically, that they are actually listeners, the more I write for the ear rather than the eye. Small things like identifying speakers in dialogue rather than relying on paragraphing to mark the shifts.

I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and books.

I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.

One year, I was a patron of a new opera. It was, to put it kindly, unpleasant to the ear. The friends I went with hated it. Keeping quiet about my contribution, I was outed when one of them, reading the program at the restaurant during dinner, saw my name.

I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.

The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound.

Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.

When I was in college and reading music and doing ear training, I was a little more advanced than the other people in my choir classes. So to entertain myself and kind of annoy the friends around me, I would sing just under the pitch or just above the pitch.

The piano is an instrument I've always loved and so I taught myself. As a rapper, who wants to produce more, being able to play by ear helps a lot because I know where I want an instrument to turn or how I want it to sound without having to do too much work.

I'm trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It's fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.

There are several patients - there are thousands of patients, tens of thousands of patients, that carry either a stimulator in the brain or in the periphery, in the inner ear, to restore neurological functions or to control diseases like Parkinson's disease.

Well, there are some things that I just can't get out of my head, and they start to annoy me after a while. Sometimes they're of my own creation, as well - and they're just as annoying. It's not only other people's ear worms that bug me, it's my own, as well.

I like to say that the greatest handicap of deafness does not lie in the ear, it lies in the mind. I hope that through my example, such as my role on 'The West Wing,' I can help change attitudes on deafness and prove we can really do everything... except hear.

I dropped Nascimento in the first round, but he came back, and I had to dig really deep because he was gaining the whole time. He ruptured my left ear drum with a right hand in the fifth round, which caused a few hearing problems, but I was able to overcome it.

I can be upset by malice. Most critics are very poor poets. Poetry is a craft that takes a lot to appreciate, and there are some critics who have no ear for it. An irresponsible critic can do a lot of psychic damage, but eventually, they don't affect your work.

My hearing has suffered seriously; just now I am obliged to have the assistance of an ear trumpet. Think of that, my beauty! - There 's a state for your old Lover to be in! - No more tender whisperings! Imagine sweet confessions to be made through an ear trumpet!

I beat Larry Holmes and George Foreman. I whupped Mike Tyson twice. I had my ear chewed off and spat on the ground in front of me. I've seen everything it is possible to see in boxing. I know this business better than anyone. So I live and die by my own decisions.

Do not meet or overtake a patient who is moving about in order to speak to him or to give him any message or letter. You might just as well give him a box on the ear. I have seen a patient fall flat on the ground who was standing when his nurse came into the room.

Each one of us can do a good deed, every day and everywhere. In hospitals in desperate need of volunteers, in homes for the elderly where our parents and grandparents are longing for a smile, a listening ear, in the street, in our workplaces and especially at home.

I wanted to find raw talent and help build it from scratch. I wanted to build from rags to riches. That's the way Ear Drummers did it. We took over the music industry from my mom's basement. That's why my first album is going to be called 'Made It Out the Basement.'

I suppose to the outside world I do seem slightly obsessed. But I once had a balance problem with my inner ear, and the fear loitered. Yet I have found that golf is like a yoga procedure for me: it's had wonderful, sedative, remedial qualities for my day-to-day life.

I'd love to do well on a big weekend with people watching and cheering, of course. But it's not fair to create an expectation level before I know what is realistic. I want to finish as well as possible. Is that top 20? Top 15? Top 25? You just have to play it by ear.

Just because someone may or may not have someone that writes some words for them doesn't mean that, A, they don't have to kill it on the performance, and, B, they don't have to have the ear for what's tight and what's not, which is something a lot of people don't have.

If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.

She may hide it, but Clinton is a policy nerd. Ask about microfinance, and she'll talk your ear off. Mention early childhood interventions, and she will gush about obscure details of a home visitation experiment in Elmira, N.Y., that dramatically improved child outcomes.

I behave differently in different situations, and I'm slightly unstable and insecure, which I think are natural conditions of what I do. And I have a weird ear. Whatever I hear, I emulate. When I was a kid I did impressions: Forrest Gump, Rain Man, really big caricatures.

You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'

Growing up, I can remember singing along with my ma all of the time. I wouldn't say she necessarily 'taught' me how to sing, but she was definitely the first person to inspire me to sing and the first to intrigue me vocally. I've always had a natural ear for music, though.

It is my responsibility to always have my ear to the ground on issues affecting the people of our district, and whether it's supporting the veterans of Michigan's 8th district or anyone else, I will always do my best to listen and follow through on the needs of folks here.

I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.

The irony is that the more we fight age, the more it shows. Paint on a 50-year-old face brings to mind a Gilbert and Sullivan comic figure. Smooth the cheeks, and suddenly the ear lobes and hands look out of place. Do we run around in October, painting the gold leaves green?

Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.

Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.

A guy playing pool in a pub once said to me that they should put me on the telly. It went in one ear and out the other. But then I started thinking about it. I wondered how it all worked, did you have to be best mates with someone at the BBC who you went to uni with in Oxford?

To have a superstar - he's Allen Iverson - he really took me under his wing and really forced me to shoot the ball and forced me to make plays, and to have him do that for me - and the way he was always in my ear telling me to shoot the ball and supporting me - it's a big deal.

As I got a little older, I discovered Lori McKenna and Patty Griffin and found out how many other tools we have as songwriters, that there's storytelling and there's ear candy, and that there is a place where they meet, too, and both of those women are really good at doing that.

I learned to play by ear before I learned music theory. For me, that makes sense. After all, children learn to speak before they read and write. The more you understand of music - how harmony and time signatures work, and what chords and inversions are - the more you'll enjoy it.

If you look at wrestling when I started to get my big break back in 1992, I changed wrestling from the cartoons of Hulk Hogan and Iron Sheik and the matches with the leg drop and the hand behind the ear and the playing to the crowd. They were just cartoon characters if you ask me.

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