Kids' literature now is dystopian, you know.

'Dystopian,' by definition, promises a darker story.

I'm a huge fan of dystopian films. I collect them in my brain.

I think dystopian futures are also a reflection of current fears.

Although I write dystopian fiction, I don't believe in dystopian fantasies.

I think of dystopian as 'Mad Max,' as 'Book of Eli,' as the world is ending.

People in the know say 'The Giver' was the first young adult dystopian novel.

As a reader, I've always been interested in dystopian novels like 'Nineteen Eighty-four'.

I majored in English in college, so I read the classic dystopian novels like '1984' and 'Brave New World.'

Orwell had a very accurate foresight of today's dystopian world we live in. If only he was around to see it.

Some of my favourite shows are 'Black Mirror,' a dystopian thriller show called '3%,' 'Ozark,' 'Tyrant,' etc.

Live every day as if you've come back in time from a dystopian future to try and prevent everything from breaking.

YouTube is the place where people go to consume advertisements willingly. It's some capitalist dystopian nightmare.

Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.

I never, as a reader, have been particularly interested in dystopian literature or science fiction or, in fact, fantasy.

It's a heartening fact about the human race that utopian fiction precedes dystopian fiction in the evolution of literature.

It's a dystopian world where things aren't connected. But life feels light when we can communicate, joke or laugh on ourselves.

I think the power of image is in mystery - I endlessly create mysteries, by way of this dystopian message, to initiate intrigue.

I've always been interested in those Orwellian dystopian novels, like 'Fahrenheit 451,' 'Brave New World,' and obviously Orwell's '1984.'

Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.

Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.

Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments.

Most dystopian, classic and contemporary, paints a future world that puts a twist on present society - a future world that could plausibly happen.

I'm not a 'dystopian, futuristic master': I'm a schnook walking the street. It's an insane reality we're living in, and I'm just trying to translate it for myself.

Within the realm of fiction, it is always tempting to set one's stories in a dystopian future, where all our misgivings about state power can be shown in full force.

I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.

Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future.

I look around, and 50 percent of the big-budget entertainment you are seeing these days is dystopian. This is the era of 'Hunger Games' and blasted landscapes and 'The Walking Dead.'

'Blade Runner' was one of several dystopian science-fiction films to tank in the early and middle '80s. 'Tron,' 'The Dark Crystal,' 'The Keep,' 'Labyrinth': none found a large audience.

The kind of dystopian books that I've always loved the most are the ones where you find yourself in a world that's less scorched-earth and instead a world that has just been made different.

When I first read Margaret Atwood's novel 'The Handmaid's Tale,' it was Saudi Arabia as I knew it that came to mind, not a dystopian future United States as in the new television adaptation.

Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.

What's fun about a dystopian novel is that we can enjoy and be entertained. But that world is only slightly different, right? It's familiar enough to be recognizable, and skewed enough to give us pause.

If you're an activist trying to do something important, I salute you. Most of us just give ourselves ethical brownie points for watching Channel 2 instead of Channel 3, like characters in a broad dystopian satire.

Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.

I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.

For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster.

I think it's fascinating to look at a world that an author has created that has sort of stemmed from the world now, and usually dystopian books point out something about our current world and exaggerates a tendency or a belief.

At the core of 'Star Trek' is Gene Roddenberry's vision of the future. So much of science-fiction is about a dystopian society with human civilization having crumbled. He had an affirmative, shining, positive view of the future.

I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: 'Anthem,' by Ayn Rand; '1984,' by George Orwell; or 'Brave New World,' by Aldous Huxley.

Unless technology itself is drastically repressed, the idea of the dystopian monoculture like Orwell's 1984 gets harder to believe. But the danger of a solipsistic society will grow, of a disconnected society of mirror-watchers and navel-gazers.

All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought.

People read vampire novels and say, 'Oh I want to read another vampire novel.' People read fantasy, and they're like, 'Oh I love fantasy.' I don't know that people are necessarily finishing 'Hunger Games' and immediately wanting to read another dystopian tale.

Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.

Our social fabric is sundered. GoFundMe and the other crowdfunding sites that have proliferated since 2010 are an example of what has sprung up in its place, what I have called America's dystopian social net. That is, we now require private solutions to what are public problems.

If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.

The popular dystopian vision of AI is wrong for one simple reason: it equates intelligence with autonomy. That is, it assumes a smart computer will create its own goals and have its own will and will use its faster processing abilities and deep databases to beat humans at their own game.

My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.

I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.

My greatest fear about a world in which racial reassignment surgery becomes common is that it then becomes an expression of all kinds of class privilege. You have a truly dystopian society divided between the people who can afford to be racially altered and perfected and the ones who can't.

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