'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.

Your body is like a piece of dynamite. You can tap it with a pencil all day, but you'll never make it explode. You hit it once with a hammer: Bang! Get serious. Do 40 hard minutes, not an hour and half of nonsense. It's so much more rewarding.

There are so many role models who I watched and idolised growing up, mainly guys with a similar athletic style to myself. I loved Dynamite Kid, Eddie Guerrero, and Rey Mysterio, as well as Japanese juniors like Jushin Liger, Ultimo Dragon, and Tiger Mask.

I think it's dynamite, the way my career has just kept moving, even when people didn't know it did. I made such interesting films, but, yeah, they're not necessarily the big movies that go to the supermarket. I don't need those movies, because I don't wanna do them.

You have to blast to build in Manhattan. And the buildings went up in Manhattan because of the power of that bedrock. Once you dig that foundation - and they dig with dynamite - and once you dynamite out and you secure that foundation, that building isn't going anywhere.

I once bought some enormous fireworks that were literally the size of sticks of dynamite. We would go into the field behind our house, slide them into the biggest cow pats we could find, and blow them sky high. It was exhilarating and, for the cows, incredibly confusing.

When ISIS and al Qaeda have attacked or plotted attacks in the West in the past decade or so, they have invariably used hydrogen peroxide-based bombs because acquiring military-grade explosives or dynamite is nearly impossible for would-be terrorists in Western countries.

For the life of me, I can't understand why BP couldn't go in at the ocean floor, maybe 10 feet lateral to the - around the periphery, drill a few holes, and put a little ammonium nitrate, some dynamite, in those holes and detonate that dynamite and seal that - seal that leak. And seal it permanently.

I loved 'Welcome to the Dollhouse.' That was one of the most influential movies ever. You know that genre with the nerdy girl, and she redeems herself in the end. Like 'Napoleon Dynamite.' And in 'Welcome to the Dollhouse,' she doesn't. She sucks. It's like, that's what's real. That's what's heartbreaking.

I had a great experience working with Dynamite on Masks, and had just gotten started on a stint on The Shadow with them when they floated the idea of a Captain Action series. I've been a little obsessed with the character since I was first introduced to him in the pages of Amazing Heroes back in the early 1980s.

The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'

You know, I liken it to - when you write a joke for somebody else, it's like you - you know, like the Wile E. Coyote dynamite plunger, where he pushes the plunger down and then you see the fuse go then there's an explosion in the distance? That's like writing a joke for somebody. When you tell the joke, you're in the explosion.

I still get called 'a stick of dynamite' or 'pint-sized dynamo,' stuff like that. Actually, I was too busy to notice there was anything unusual about being a woman director until the early 1980s, when I looked around the professional theater and realized there weren't many of us. You have to make more of a case for yourself than any man.

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