Quotes of All Topics . Occasions . Authors
I'm a huge fan of Dustin Hoffman.
I was such a big Dustin Hoffman fan when I was young.
It's so funny to get a call from Dustin Hoffman because he has that great voice.
I admire Meryl Streep and Dustin Hoffman for their sheer dedication to their craft.
My biggest fantasy love affair was with Dustin Hoffman. It's so bizarre. Also Anthony Hopkins.
There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson.
How do you try to play 'Captain Hook' better than, or as well as, Dustin Hoffman? You can't. It's perfection.
There are maybe 100 actors I look up to, but my first two favourite actors were Dustin Hoffman and Jack Nicholson.
I'd say people that really inspired me at first were like, Dustin Hoffman, Jim Carrey... serious Jim Carrey though.
I've been working since I was 18. People say something every time I cut my hair. They wouldn't say this to Dustin Hoffman.
Barbra Streisand has accomplished so much, and Dustin Hoffman as well. They are down to earth and approachable. I admire that.
For a couple of years at the end of the 1970s, Dustin Hoffman was a fixture in our family. My father was his lawyer and friend.
Growing up, I always looked up to males or comedians such as Dustin Hoffman and Robert De Niro. I also love Lucille Ball, from the show 'I Love Lucy.'
The life of an action star is very short. I want to be an actor like Robert De Niro, like Dustin Hoffman or Clint Eastwood who in their 70s or 80s can still act.
I started writing and acting in these little plays and then I was discovered by Dustin Hoffman. He got me my first audition for a film he was in, called 'I Heart Huckabees.'
I'm sure when 'Midnight Cowboy' came out, it took a couple of minutes to get used to the voice and the look of Dustin Hoffman, or to even recognize that it was Dustin Hoffman.
My brothers and I came to L.A. as break-dancers when I was about 10, and by the time I was 15, I was working on this really big movie, with Steven Spielberg and Dustin Hoffman and Robin Williams.
Paul McCartney and The Beatles in general are my idols. And I love Sting. I got to meet Sting. That was really cool. Dustin Hoffman is my favorite actor. Also, I think of Magic Johnson as an idol.
Working with Robin Williams, and Bob Hopkins, and Dustin Hoffman and you're talking about 'gods,' really, in our industry. You look at legends everyday. It was so impactful to me as a young artist.
Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.
Between 'Futurama' and 'Simpsons,' I'm able to work with the voices of Michael Jackson, Dustin Hoffman, and the cast of 'Star Trek.' It's great, you know; it's great to work with such talented people.
I wanted to be Dustin Hoffman or Robert De Niro or Al Pacino. I thought I was going to be a dramatic actor, but comedy sort of started out first, and I was like, 'Maybe I'll find some more drama later on in my career.'
I keep trying to explain to people that the archetype of intelligence is not Dustin Hoffman in 'The Rain Man;' it is a human being, period. It is squishy things that explode in a vacuum, leaving footprints on their moon.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
I never wanted to be a brand director. I didn't want that kind of stamp. I wanted to be more like Pacino or Dustin Hoffman or Meryl Streep or De Niro - you know, a chameleon as a storyteller - because I love all kinds of movies.
I got to work with Dustin Hoffman on a film called 'Billy Bathgate.' I got to work with Meryl Streep and Goldie Hawn and Bob Zemeckis on 'Death Becomes Her.' There are still a few actors out there that I would like to work with.
I got my SAG card quite unexpectedly. I was here in Los Angeles doing a play called 'Vanities' - it was 1976, I believe - and I got invited by Dustin Hoffman, whom I'd met in New York, to come audition for a movie he was directing.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
I think Dustin Hoffman has been in at least three of my favorite movies of all time with things like 'Tootsie,' 'Marathon Man.' Getting a bit more arthouse and darker, 'The Graduate' - incredible, barrier-breaking movie, 'The Graduate.'
You have to understand, when you're 15 and you're doing this Steven Spielberg movie with megastars - Robin Williams, Dustin Hoffman, Julia Roberts - you know you want to be cool. I don't know how cool I'm going to look with my belly button out!
I remember 'Rain Man' with Tom Cruise and Dustin Hoffman with all the Lamborghinis being lifted off the tanker. I was obsessed with this car. Absolutely obsessed with this car. It was my dream, and to finally drive one and own one was incredible.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
Bad movies: they can be tatty classics of crazed ineptitude, like Edward D. Wood's 'Glen or Glenda' and 'Plan 9 from Outer Space,' or big-budget misfires like the 1987 'Ishtar,' a would-be comedy that sent Warren Beatty and Dustin Hoffman on a Hope-Crosby Road to Dystopia.
I'm not an Adonis, that's for damn sure. I've never really thought of myself that way, and it doesn't matter to me. My favorite actors aren't Adonises. Dustin Hoffman is a flawed-looking man; he's amazing to me. Tom Hanks is flawed-looking; people love him. Same with Gene Hackman.
There's people who live life authentically and there's people who live a life of fabrication. And it begins with the question of how you're gonna do your time. And these are observations I made about Folsom when I was there with Dustin Hoffman when he was directing 'Straight Time.'
The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
My interest in acting came from seeing Broadway shows on summer trips to New York as a child. It was the original production of 'A Chorus Line' in an easy tie with the first 10 -15 minutes of Dustin Hoffman in 'Tootsie' that hooked me on the romantic idea that the impossible, difficult life of a struggling actor was for me.
My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode.