Keith Moon is not interested in Jazz and won't ever be a Jazz drummer because he's more interested in looking good and being screamed at.

I knew when I got to play with Al Jackson I would be a better bass player because he was the best drummer in the world. I worshipped him.

I am not a technical drummer at all. I'm more from the Keith Moon/Lars Ulrich school of, 'Hey, look at me!' I just get up there and bash.

Has there ever been an Inquisitor who didn't die a horrible death?" Simon wondered out loud. " It's like being the drummer in Spinal Tap.

I can deal with your judgment, because I've always marched to the beat of my own drummer--ever since i cut my camp shirt into a halter top.

I love drag, and I love people who gravitate toward it. Because the people who do drag are people who dance to the beat of a different drummer.

They're simply following what was laid down in front and they play the same thing. So, there's no great challenge In being a classical drummer.

I've been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.

A great way to get your rhythm playing together is to work with a drummer, preferably someone that has a good groove and plays solidly in time.

At this point, I think I would garner a lot of hate mail if I was now on the cover of Modern Drummer seeing as I'm not a modern drummer anymore.

I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar.

I definitely move to the beat of my own drummer and man, he's not playing something anyone has heard before. It's pretty cool, though. Pretty cool.

If you have a great band with a mediocre drummer, you have a mediocre band. If you have a mediocre band with a great drummer, you have a great band!

I wanted to be a musician, either a guitarist or a drummer. I guess my dreams were in the entertainment industry, and I landed somewhere along there.

I realized that you can achieve so much at the front of a stage, releasing the music yourself and being something more selfish than just the drummer.

I first went on the road with the Rolling Stones in the year of our Lord, 1969. But my grandfather gave me away to a drummer when I was 15 years old.

When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!

I was a drummer living in Los Angeles in 1990. I had finished music school and was playing with a band. It wasn't going as well as it should have been.

Drums isn't my one thing anymore. I love to produce. I love to make tracks, write tracks, produce tracks, and I can't just sit back as a drummer anymore.

You have to be very strong to play my music. The drummer has to be in great shape. Same with the guitarist. You have to be a monster to play with Chubby!

I went to church as a kid, but mainly for the showbiz aspect. I remember doing a solo of 'The Little Drummer Boy' and everyone singing the rup-a-pum-pums.

I like to be one of those drummers who actually add to the music, not one of those guys who sit in a room 24/7 trying to outwit or outplay another drummer.

I was thrilled to hear Mick Jones wanted me to be involved in celebrating 40 years of Foreigner. I spent three years as their drummer and had a great time.

I read somewhere that drummers are practically Olympic athletes. I feel pretty good, most of the time. After 38 years, I can't expect much better than that!

If your child marches to a different beat, a different drummer, you might just have to go along with that music. Help them achieve what's important to them.

Mainly I was able to perform with music - I played the French horn, I would sing, and I was a drummer in the pipe band. So I think it was a way to show off.

Actually, I wanted to be a musician, either a guitarist or a drummer. I guess my dreams were in the entertainment industry, and I landed somewhere along there.

My youngest son, who is now the drummer in my band, lives in Brooklyn. My oldest son is about to move out to California, and my daughters are both out of town.

As a drummer, I always approach things as, 'I want to play just enough to keep other drummers interested, but not enough to go over the average listener's head.'

I don't consider myself a great drummer. I consider myself just a music fan that's a very, very passionate artist, and the drums just happen to be my instrument.

Probably for drums, a guy I really enjoyed watching is Simon Phillips. I've seen him play with The Who and with Pete Townshend on his own - a really great drummer.

But I think that any young drummer starting out today should get himself a great teacher and learn all there is to know about the instrument that he wants to play.

At our house, we'd always open presents with our Christmas records playing. 'Little Drummer Boy' was one of my favorites when I was a kid because it was about a kid.

If you call someone up on a mistake - if the drummers put an extra beat in a bar or something - you have a lot more authority if you can show them how to do it right.

Sonic Youth played one show before we even had a drummer. It was just me, Kim, and Thurston. The lights slowly went down, and the set was just 30 minutes of feedback.

I played cover gigs and traveled the country in my mom's old car, and my drummer and I set up a fake email and sent it out to agents. We pretended to be our own agent.

My drummer was my best friend. It weighs on me that we put all that time in - I played with him for 15 years, beginning with 'Laguardia' - and we had moderate success.

If you call someone up on a mistake - if the drummer's put an extra beat in a bar or something - you have a lot more authority if you can show them how to do it right.

I had a rock and roll band as a kid. What I wanted to be in was a country band, but in Sandy Hook, Ky., you're hard-pressed to find a steel guitar player or a drummer.

I saw a drummer play once when I was a kid and I thought, that's really cool. You know, you're moving. You're using your arms and fingers. So I tried it and I loved it.

I was interested in music and making movies about musicians, but my own experiences, and doing what it felt like for me to be a drummer? Nah, I wasn't interested in that.

Because Larry, by then, was a drummer, who would sort of get bored and tired, and rather stand up and blow kisses to people. So we needed the bass to sort of drive along.

I usually write from the rhythm section...If a drummer got a funky beat on some things - like a half-shuffle or a shuffle or a backbeat that's even - I can write something.

My mouth has a tendency to get me into trouble, but because I'm so small and I take on people who are lager than me. If someone punched me, I'd get my drummer beat them up.

Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.

We've got the pretty-boy lead singer and the fat, dumpy drummer, and I'm the zany guitarist. Sure, we've played up the image at times. But it's the music that matters most.

If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.

Something happens when the music starts, and all that tiredness just goes away. When it's going like that, I'll take on any 20-year-old hot-shot drummer who wants to try me.

My friend Fred Coury, the drummer in '80s rock band Cinderella, told me that in the rock world, you're either still there, or you're struggling to get back to where you were.

But Apple really beats to a different drummer. I used to say that Apple should be the Sony of this business, but in reality, I think Apple should be the Apple of this business.

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