Quotes of All Topics . Occasions . Authors
There's one part of the forest in Wales, it's like a natural bowl, and when we drove into it last time, it was getting dark. And as you came over the hill you could see fireworks being set off, the whole place was lit up and you could see this huge crowd all jumping up and down and cheering.
My own mother, my sister and nearly all the women in my family had full-time jobs as mothers. They were wonderful at it. They drove their children back and forth to soccer, skating lessons, piano lessons, private schools, but I sensed, even in my own mother, a kind of distant dissatisfaction.
One's teachers all belonged to that generation who were imperialists, and the whole narrative throughout my adolescence was of countries leaving the empire. I find it extraordinary that this purpose which drove how we viewed the world is now considered to be something that has no effect upon us.
Since September 11, security has been increased everywhere, and we have new IDs to get on to the Fox lot. I drove to the security gate, but realized I'd left my ID in my other car. I just broke into that voice - 'Hey, man, I'm Bart Simpson. Who else sounds like this?' The guard waved me through.
Me and my step-dad shared a $500 Chevy Celebrity, a 1983 Dodge Ram truck, and an old Ford Ranger truck - it was a piece of junk. I hated that thing. It fell apart. It didn't always go in reverse. So I drove in a circle or I would just get somebody to sit in the thing and I would push it backward.
I drove from Naples to the Amalfi coast in an Alpha Romeo 1969 Spider, which was lovely. There have been lots of movies made down there, and I felt a bit like James Bond - the driving is quite hairy. The locals have mopeds, but you wouldn't catch me on a bike on those roads. A tank would be safer!
In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.
I've played in some pretty weird settings; busking puts you in all kinds of situations. I can tell you the most depressing gig I've played was in the North of England. At that time, I was playing with a band. We drove 7 or 8 hours to Carlisle to play a 600 - 700 capacity venue - 9 people showed up.
There was a time in L.A. when I drove to 7-Eleven to go grocery shopping, and I locked my keys in my car, which wasn't insured. My wallet was in there, and I couldn't call AAA, because I only had $7 in my bank account. It was one of those moments where I was like, 'O.K., I literally have nothing right now.'
It drove me mad not being able to know more about Pink Floyd when I was a little kid. But that's the great thing - there was this mystery behind it, and we couldn't find out enough. It made your mind work, it made you seek after it or try to interpret it. It made you envision or imagine what they were doing.
I was never on the side of the teachers at school. Even though I put all the work into getting the main role in the end-of-year musical when I was 11, they didn't give it me, even though they knew I should have had it. That sort of drove me into am dram and getting the main part in another production. And I did.
For years and hundreds of thousands of miles, I drove with one knee, with the eight-track and the light dome on in the car, and a yellow pad, just writing down random ideas. I had notebooks and notebooks. The next morning, I'd go, 'Whoa, what was I thinking?' But there'd be one or two ideas that weren't that bad.
My parents, who were split up, were so good at keeping my environment strong and keeping everything around me not focused on the fact that we were poor. They got me culture. They took me to museums. They showed art to me. They read to me. And my mother drove two hours a day to take me to University Elementary School.
I drove an electric car for seven years because of its advanced technology, not because I have any concerns about energy resources. I have none at all. And when environmentalists say that global warming is dangerous, unprecedented and that we'll have a tipping point for atmospheric carbon dioxide, it's just nonsense.
The craziest place I've probably ever visited while filming would have to be Jordan. I did a small test shoot for a test movie. We arrived in Jordan, and we stayed in Amman for a night. Then we drove down for three hours into the middle of the Wadi Rum Desert, which is in the absolute middle of nowhere. It was insane.
Think Oman, and you think desert. But what we found was mile after mile of barren, spiky rubble, cliffs of jutting sharp rocks, unrelieved by a single piece of vegetation or water. We drove for hours across what felt like the surface of the moon. We saw goats foraging but couldn't work out what they could possibly be eating.
The biggest thrill a ballplayer can have is when your son takes after you. That happened when my Bobby was in his championship Little League game. He really showed me something. Struck out three times. Made an error that lost the game. Parents were throwing things at our car and swearing at us as we drove off. Gosh, I was proud.
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
I used to think that, by the 21st century, cars would run on electricity rather than gasoline and would have guidance systems so that they actually drove themselves. Specially equipped roadways would transmit instructions to the cars, telling them where to go and how fast. I figured this would be in the lines painted on the roads.
Americans were outraged and horrified by this president's reckless spending and his endless assaults on the Constitution, but no issue drove them to rise up and fight back like Obamacare - both the abominable legislative monstrosity itself and the tyrannical, corrupt manner by which Obama crammed it through the legislative process.
Being in school, whenever I laughed or smiled, I would turn to find someone staring at me with this terrible hatred and disgust. I had to control everything - control my voice, control my facial expressions, control my hair and my clothes, and where I walked and where I sat - at every moment. I think that drove me to terrible anxiety.
I was in New York on September 11 when those planes hit the World Trade Center. At the time, it seemed like it was a local thing. But three or four days later, by the time we drove across the country in the bus, we realized it wasn't a local thing. You could really feel the states become united. We became the United States of America.
When you did impressions on 'MADtv,' the producers gave you a Walkman that played huge sections of whatever movie was being parodied, with your character's catchphrases recorded on a loop. You'd wear this thing around during rehearsals and for a week listen to the voice you had to impersonate over and over again. It drove all of us crazy.
The visionary, industrious, Christian, and segregated black community of the early- to mid-1960s understood and embraced the importance of a positive self-perception. It was this same recognition that drove millions of young patriotic black men throughout our nation's history to be among the first to volunteer when our nation went to war.
I know authors shouldn't play favorites with books, but 'Release Me' really is right up there for me. The characters truly came alive on the page and drove the story as much as I did from behind the scenes. It was a pleasure to write, and I'm so thrilled that it's the first of a trilogy because I get to spend more time with the characters.
What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.
When we started out in the U.K., there were songs that we made, we put them on the Internet, and we immediately started touring the U.K. We borrowed our friend's mum's car, and drove ourselves around for, like, a year playing gigs in pubs and tiny little venues. In that respect, we're pretty grass roots as a band. We've done all that together.
I told my father I wanted to go to the stock market. My father reacted by telling me not to ask him or any of his friends for money. He, however, told me that I could live in the house in Mumbai and that if I did not do well in the market I could always earn my livelihood as chartered accountant. This sense of security really drove me in life.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.
To a very great extent, it's the fast-food industry that really industrialized our agriculture - that drove the system to one variety of chicken grown very quickly in confinement, to the feedlot system for beef, to giant monocultures to grow potatoes. All of those thing flow from the desire of fast-food companies for a perfectly consistent product.
