Quotes of All Topics . Occasions . Authors
I was playing with George Harrison one time, and George loves takes. This song was up to Take 160. I said, 'George, do you want me to play the same thing or 160 different things?' It drove me crazy because, in general, I'm ready to play my part.
I remember my father's last race very clearly when he drove at Hockenheim in front of 100,000 people and I was sitting next to him on the roof of his car and waving to the fans. That was the moment when I thought: 'One day I want to do the same.'
Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
Having a wife and kids drove home the brutal reality of the slave system for me - the price it exacted on families. On the other hand, whenever I despair over our history, I am brought back to hope, the hope that things will get better, for my children.
I retired when the Supreme Court rose for the summer recess in 2009, and a couple of weeks later I drove north from Washington with no regrets about the prior 19 years or about the decision to try living a more normal life for whatever time might remain.
Thirty years ago, this promise, this allure of democracy, drove hundreds of thousands of people in East Germany onto the streets. What courage they showed! It was these brave people, these peaceful heroes and heroines, who brought the Wall tumbling down.
When I was 15, my parents left town for a month. They hid the keys to the car, but I found them. That month, I drove my stepdad's Thunderbird Super Coupe into Manhattan every day, and I would crank Cypress Hill as I flew around the city, racing the taxis.
The disparity between the haves and have-nots was always blatantly obvious to me, and it's that exact gap that drove me to start writing and pick up a pen. I wanted to explain and understand the world around me because it was easy to see it was corrupted.
I think the combination of graduate education in a field like Computer Science and the opportunity to apply this in a work environment like Microsoft is what drove me. The impact these opportunities create can lead to work that has broad, worldwide impact.
In tennis, a lot of parents are accused of driving their kids into tennis. I would say I'm the opposite: I drove my parents into it. They didn't take it that seriously until I was about 11 or 12 years old, when they realised I had an opportunity to go pro.
It was always that detail that drove me. Ever since I was a little kid, I used to get into the nitty gritty... when I was drawing army tanks or monsters, I'd do every nut and rivet, and I'd do every scale on the dragon's back. It was just the way I was built.
When I started out in the duck-call business, my college buddies would come in and say, 'Robertson, you have a college degree. What are you doing?' Then they drove away saying, 'What an idiot!' Thirty-five years later, they're saying, 'The sucker's a genius!'
Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
Every summer in my old area, Bow, these kids from across the road used to bring out quad bikes in the park. They let me have a go, and I don't know what was wrong with me, but I drove straight into a gate and fractured my big toe. I had this mad limp for ages.
The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.
We drove for 10 hours on rocky trails out into the central part of Mongolia in a Russian utility vehicle with no shock absorbers. Then we arrived at a remote area where we stayed in a yurt and waited to meet a horse wrangler who was scheduled to bring our rides.
My grandmother raised five children during the Depression by herself. At 50, she threw her sewing machine into the back of a pickup truck and drove from North Dakota to California. She was a real survivor, so that's my stock. That's how I want my kids to be too.
In the summer of 2007, I was in New York for some meetings and... I rented a car and just drove to Staten Island to take a glance and remind myself about it. I ended up staying a couple of days there in a hotel and I've been all over the island several times since.
I am the executive director of the Black Alliance for Just Immigration, which is the country's only national immigrant rights organization for black immigrants and African Americans. Being the daughter of Nigerian immigrants really drove me to do this type of work.
In 1957, which is now 57 years ago, my grandfather and then-Prime Minister Nobusuke Kishi welcomed Prime Minister Menzies as the first Australian Prime Minister to visit Japan after World War II and drove the conclusion of the Japan-Australia Agreement on Commerce.
I drove to Nashville a few times, met with some people and hung out, went to the Opry, and that kind of stuff. I made the decision - you've got to be present to win, so I packed it up and moved out here, and it's been great. It's been the best decision I ever made.
Along with the music, there is a large part of my father's legacy that has to do with what he had to say. What he believed in, what he stood for, the understanding of his own darkness, the faith that he had that drove him, and the great love that he had for people.
I once went on a date where the girl drove and so couldn't drink. I was nervous, so drank quite a bit - it didn't end amazingly. As much as I love movies, I think cinema dates can be weird because you essentially sit next to each other in silence for a couple of hours.
I was, like, forty at birth. When I wasn't even a year old, I spoke, I was potty trained, I walked and talked. That was it. Then I started school and drove everybody crazy because they realized I had popped out as an adult. I had adult questions and wanted adult answers.
One afternoon when I was 9, my dad told me I'd be skipping school the next day. Then we drove 12 hours from Melbourne to Sydney for the Centenary Test, a once-in-a-lifetime commemorative cricket match. It was great fun - especially for a kid who was a massive sports fan.
Travis Alexander was a good guy. Was he a saint? No. But he was somebody who was really, really invested in helping other people and making this world a better place. Everything he did, even the car he drove, was a sign of him trying to be a force for good in this world.
There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.
My uncle is a hemophiliac, and my brother is one as well. I am a carrier, and it's a disease that my kids also deal with. It's something that has affected my family and I for so long, and I think it's actually what drove me to comedy as a means to cope during tough times.
When I was young, the constraints of Chinese society and my personal timid and cautious nature both drove me to seek a means to go against control. Gunpowder has an inherent uncertainty and uncontrollability and is an important means for me to relieve myself of constraint.
I enjoy racing historic motorcars from the '50s and '60s. The seed of my interest was planted when I was about 12 years old and took over my mother's Morris Minor. I drove it around my father's farm. But my favorite car is still a McLaren F1, which I have had for 10 years.
My husband and I were married in May 2007 on a sprawling rent-a-ranch in the Texas Hill Country. On the drive from Houston, we'd stopped off for our marriage license in the former produce aisle of a Winn Dixie-turned-courthouse in San Marcos and from there drove off the grid.
When I was little, I used to watch Disney movies all the time, and it drove me crazy that Cinderella's tights wouldn't gather at her ankle when her foot bent, so I kept trying to make sure that I didn't get those little creases on my ankle because Cinderella didn't have them.
Until Japan's economy drove off a cliff, there was a running argument in Asia about whether it would be wiser to follow the 'Japan model' - with its megacorporations, jobs for life, state control of strategic industries - or the 'American model' of largely unfettered markets.
When I went to get my master's in creative writing at San Francisco State after Grinnell, I joined the moribund remnants of the Actor's Workshop, until I saw Kay Hayward and Sandy Archer in the San Francisco Mime Troupe and drove down that day to audition. The rest is history.
The fact that we were encouraged to follow our conscience and not to follow the crowds - that's something I really miss. On the other hand, there were things that drove me nuts in the '60s. There was an aspect of the hippie movement that everyone is an artist, which is lethal.
In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!
I might find myself standing, transfixed, by the roadside, watching a sparrowhawk hunting among the bushes, astonished that other people could ignore it. But they might just as well be wondering how I could have failed to notice the new V6 Pentastar Sahara that just drove past.
The Republicans won the women's vote in 2010. It was the first time since Ronald Reagan that the Republicans had won the women's vote. And when you look at the issues that really drove women to the Republican Party, it's been the issues related to the economy, to jobs, the debt.
My dad was a journalist. One great trip we took was to Israel. We went there and drove through the whole country, and it was pretty incredible. We went to the Philippines and saw the beauty of that country but also what poverty really looks like. That had a profound effect on me.
I remember when I drove into Notre Dame, getting ready for the first day of work. I had an electrical charge go up my back because I realized all of a sudden that I was responsible for the traditions that the Knute Rocknes and the Frank Leahys had set, and what Notre Dame stood for.
I drove through the stockyards of Texas on a motorcycle. It doesn't let you escape what surrounds you and what it smells like and feels like - and what hit me was the realization that something that was alive and had feelings will suffer before a piece of it is placed on our plates.
Isn't that wonderful? When we drove through several of the places we lived - Grand Rapids, Washington - they all had those placards. That they stood by the street and had in their hands placards that said 'Gerald Our Ford'. That meant so much to us as we were driving into Washington.
I once drove a pair of horses from New York to Vicksburg, and to this day I can almost map out that country as I saw it then, with its hills and valleys, villages and rivers. Yes, I naturally attribute something of my success in railroad building to the interest I take in such things.
The one thing that always drove me crazy, especially on soaps, was when someone would have something they were hiding, and then six months later, they were still holding onto that secret, and the world has come to a complete, total end as a result of it. If they'd only just confessed!
To me, the Seventies were very inspirational and very influential... With my whole persona as Snoop Dogg, as a person, as a rapper. I just love the Seventies style, the way all the players dressed nice, you know, kept their hair looking good, drove sharp cars and they talked real slick.
When I drove up on the set one day, and they'd put up a sign that says 'The Bill Engvall Show,' I stood there for 20 minutes just staring at it. The director, James Widdoes, came up and said, 'What are you doing?' And I said, 'Look at this! There's my name on a stage door in Hollywood!'
When I was fourteen years old, our family drove all the way from Vancouver to Newfoundland and back. I've been all across the great land of Canada. I absolutely love the Maritimes, and I'm very excited to go back, particularly in the fall when it's one of the most beautiful places on Earth.
For my band's debut tour in 2011, we road-tripped across the country in a 15-passenger van. It was the first time I'd left Alabama. I drove through scenery I'd only ever seen in calendars: auburn leaves falling in Vermont, the sun setting over purple mountains in Arizona. It was incredible.
As a kid, I remember wondering why we lived in an apartment, not in a brownstone, and why we drove an LTD, not a Cadillac. Even now, I'm like that. If I'm on the 5th floor, I will wonder why I'm not on the 6th floor. But that was my drive. I was obsessed with my family having a better life.
You can find dozens of books about people taking the Trans-Siberian Railroad. I knew I had to do something different to cross Siberia. To drive and to talk with people along the way, that was how I wrote my book 'Great Plains'. I drove and camped in Siberia, but did not have a real program.