Quotes of All Topics . Occasions . Authors
I had lived with my mother in anger and love - I suppose most daughters do - but my children only knew her in one way: As the lady who thought they were smarter than Albert Einstein. As the lady who thought they wrote better than William Shakespeare. As the lady who thought every picture they drew was a Rembrandt.
I used to be really cute. I could send you earlier photos where I'm stunning. But I've gained about twenty pounds over the past two years, and the more weight I've put on, the more success I've had. If you drew a diagram of weight gain and me getting more work, a mathematician would draw some conclusions from that.
I used to take formal notes in lines of blue, and underline the key words in red, and I realised I needed only the key words and the idea. Then to bring in connections, I drew arrows and put in images and codes. It was a picture outside my head of what was inside my head - 'mind map' is the language my brain spoke.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
The Midnight Express and the Rock 'n' Roll Express were the greatest tag team rivalry of all time and drew more money than any other tag team rivalry probably in history, and I did manage the WWF champion and WWF Tag Team champion at different points in time but my phone hasn't rung and I haven't lost sleep over it.
You watch the great quarterbacks like Peyton Manning and Drew Brees and Tom Brady, Aaron Rodgers. They all play so fast, but it's under control because they know what the defense is presenting to them before it happens. It allows them to anticipate things a little quicker, and that makes all the difference in the world.
My favorite thing about guitar, and the thing that always drew me to it when I was first learning to play it, was those moments when you think you know what it might sound like, but you don't, and then you hit it, and it's a total surprise. You hear it with really fresh ears. Alternate tunings, for me, they give that back.
When I became majority leader in Washington, I was interviewed constantly. I was always happy to talk to the press, but I drew the line at the Sunday morning talk shows on television. After a full work week consisting of long days and frequent late evenings, I insisted on keeping my weekends free for my family and friends.
I have a loyalty that runs in my bloodstream, when I lock into someone or something, you can't get me away from it because I commit that thoroughly. That's in friendship, that's a deal, that's a commitment. Don't give me paper - I can get the same lawyer who drew it up to break it. But if you shake my hand, that's for life.
The early pictures of me you see online, in just T-shirts and hoodies - I'm still that guy with the hoodie. But what you don't get to see in most of those pics is that I had these red clogs on that had, like, eyeballs on the ends of them that I drew on. That speaks a little bit more to what I was going after, stylistically.
With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
Originally, I was in high school, and I was studying biology, and I got really interested in the field of medicine. And then, I got a lot of early exposure to it because my father's a physician, and I saw the relationship that he had with his patients, and it was something that drew my attention to how wonderful the field was.
Nothing drew me to the film business. I was propelled by the fear and anxiety of Vietnam. I had been drafted into the Marines. My brother was already serving in Vietnam. I bought, if you will, a stay of execution - both literally and figuratively - and went on to graduate school of business from the law school that I was attending.
I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.
I think Britain's economy has done extremely well from having the influx of talented people from around the world and from having an influx of people from the rest of the European Union. It's both evidence of how strong the British economy was - that's what drew people in - but it's also part of what's making the British economy work.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
Dr. King's last campaign was a labor struggle. Many people are aware that King was assassinated in Memphis in the spring of 1968. Less well-known is what drew him there: solidarity with city sanitation workers, who, without the benefit of union representation, were rising up to protest humiliating pay and deplorable working conditions.
When I went to Impact, it was me proving myself on a daily basis to a lot of different people. I mean, I had matches with Austin Aries, matches with Jeff Hardy, Bobby Roode, Drew McIntyre. I mean, I wrestled everyone. During that time, I wasn't just sitting back saying, 'Man, I hope WWE picks me up. I hope they see me. I hope to get back.'
I don't think a lot of people would spot the video-game influences in '10 Cloverfield Lane.' People think it's just a Hitchcockian mystery. And I was heavily influenced by Alfred Hitchcock, for sure. But for a generation prior to mine, that would be the sole influence. Since I grew up playing video games, I drew so much inspiration from that world.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
